... documentary film installation internationalism multicultural normalization postcolonial ...

... migrant education documentary film ethics representation futurity ...

... documentary film digital media U.S. death culture trigger warnings Vivian Sobchack ...

... The chapter, focusing on the visitor center’s use of documentary film as its primary mode of narrating the bombing attack, opens with a controversy in which the film was challenged by members of Honolulu’s Japanese American community for perpetuating inaccurate views of Japanese American loyalty...

... This chapter examines three recent documentaries that focus on the children of migrant workers and their access to education. These documentaries include Jocelyn Ford’s Nowhere to Call Home , Lixin Fan’s Last Train Home , and Ji Dan’s When the Bough Breaks . These films dramatize conflicts...

... influences—especially André Bazin and Vivian Sobchack—are highlighted and the structure of its chapters is previewed. documentary film digital media U.S. death culture trigger warnings Vivian Sobchack ...

... witnessing human rights essay film visual evidence documentaries ...

..., this chapter underscores the exhibition as a turning point that backgrounded questions of identity so as to foreground an inclusive and ecumenical approach to shared conditions of globality that are everywhere inflected by granular differentiations of locality. documentary film installation...

... representation become objects of discussion. This introduction anticipates problems and themes addressed in chapters that explore changing commemorative practices, the production of a new documentary film, the construction of a new visitor center and museum complex, and the organization of teacher programs—all...

... to education. These documentaries include Jocelyn Ford’s Nowhere to Call Home , Lixin Fan’s Last Train Home , and Ji Dan’s When the Bough Breaks . These films dramatize conflicts between the parents’ objectives and their children’s desires, while raising the possibility that the filmmakers’ interests may...

... a “neurotypical” attunement to speech and language. The chapter examines how the first-person documentary voice-over distances, rather than enabling an immediate encounter with an autistic voice in three films involving autistic protagonists: “I Am Autism” (2010), an advocacy video by the humanitarian...