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Book Chapter

By Adele Marie Barker, Joseph Stalin, Bruce Grant
Series: The World Readers
Published: 01 January 2010
DOI: 10.1215/9780822392583-069
EISBN: 978-0-8223-9258-3
Published: 08 March 2024
DOI: 10.1215/9781478059073-005
EISBN: 978-1-4780-9415-9
... In 1956 Dizzy Gillespie became the first jazz musician to participate in the State Department’s Cultural Presentations program, a highly public aspect of the US government’s Cold War propaganda efforts abroad. Seeking to capitalize on this historic moment, Gillespie’s record label issued two LPs...
Book Chapter

By Gilbert M. Joseph, Jürgen Buchenau
Published: 04 August 2013
DOI: 10.1215/9780822377382-011
EISBN: 978-0-8223-7738-2
... The historical literature on Mexico during the nineteenth and twentieth centuries is vast and growing at a dizzying pace. This brief essay lists some of the most important scholarly works in English. The references and bibliographies contained in these works provide points of departure for further...
Series: Refiguring American Music
Published: 08 January 2016
DOI: 10.1215/9780822374947-007
EISBN: 978-0-8223-7494-7
... and creative engagement outside national borders. This essay traces this invocatory practice in the works of W. C. Handy, Dizzy Gillespie, and Wynton Marsalis, showing their musical resourcefulness to be inextricable from the nation’s imperial proclivities. Musicians engage an intersensory, affective...
Book Chapter

By Ronald Radano, Tejumola Olaniyan
Series: Refiguring American Music
Published: 08 January 2016
EISBN: 978-0-8223-7494-7
... outside national borders. This essay traces this invocatory practice in the works of W. C. Handy, Dizzy Gillespie, and Wynton Marsalis, showing their musical resourcefulness to be inextricable from the nation’s imperial proclivities. Musicians engage an intersensory, affective, cognitive, discursive...