... that the disconnect between the personal and the political, following her marriage, lies at the heart of her disquiet. This is why the two books cannot be read in the same register, though they are about the same life. Nevertheless, they become the spur for her writing and offer a clue to how she finally resolves her...

... backgrounds, a performative classroom that looks into the play within certain paradigms of Hindu ethics and religious philosophy. Within such a restless aesthetic, a kind of revenge of the aesthetic, Beckett’s Endgame builds a disquiet that beckons transcultural momentum and movement, provocatively...

... cultures and linguistic backgrounds, a performative classroom that looks into the play within certain paradigms of Hindu ethics and religious philosophy. Within such a restless aesthetic, a kind of revenge of the aesthetic, Beckett’s Endgame builds a disquiet that beckons transcultural momentum...

...-five. This chapter explores the continuities and discontinuities in her life as presented in the two volumes and suggests that the disconnect between the personal and the political, following her marriage, lies at the heart of her disquiet. This is why the two books cannot be read in the same register...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...

... at Gettysburg: The Words That Remade America (New York: Simon and Schuster, 1992); and John W. Busey, These Honored Dead: The Union Casualties at Gettysburg (Hightstown, NJ: Longstreet House, 1996). Like Antietam, Gettysburg was immediately photographed with disquieting results, as William A. Frassanito has...