... opposed to the ephemerality of digital formats. A short personal recounting of the author’s involvement in reissuing vinyl on CD follows, ending with a section in which nine explanations of the resurgence of vinyl are offered. ...

... opposed to the ephemerality of digital formats. A short personal recounting of the author’s involvement in reissuing vinyl on CD follows, ending with a section in which nine explanations of the resurgence of vinyl are offered. ...

... The chapter defines and explores the concepts of the possible, the potential, and the virtual through the writings of Giorgio Agamben and Gilles Deleuze. It puts these ideas into conversation with an audio medium that is both old and radically new: the people’s microphone, employed by the Occupy...

... possible Balkin’s representative projects include inauguration of a clean-air park over Africa. Invisible-5 (2006), for which she worked in collab- A digital slide show on her Public Smog website oration with Kim Stringfellow, Tim Halbur, and the reproduces the financial and legal documents...

... digital effects rendered as visual or audio en- hancements are considered a productive tool to boost a film’s commercial value. Film industries around the world have found themselves painstakingly Cinema as a Creative Industry 129 chasing after Hollywood’s digital...

... working for a staunchly anti-­Japanese regime should have caught this error, thought Seung Woo Back’s Blow Up  391 Figure 17.1. Seung Woo Back, bl-­05 as part of photography series Blow Up (2005–7) 20 x 24 inch. Digital Print. Photo courtesy of the artist...

... supervised by the Ministry of Information Industry, the Ministry of Culture (Wenhua bu the State Press and Publication Ad- ministration, and the General Administration of National Sport (Guojia tiyu zongju these departments all claim censorship and manage- ment rights in the production of new digital...

... Blow Up (2005–7) composed of 40 digital prints in 20-­by-­24-­inch frames. Courtesy of the artist. Plate 8. Seung Woo Back: Installation view of Blow Up (detail). Courtesy of the artist. Plate 9. At the sold-­out sm Entertainment World Tour Concert at the Honda Center, Anaheim, Calif., on May...