Search Results for computer music

... computer music improvisation interaction design systems ...

... computer music improvisation interaction design systems ...

... Both revealing and correcting the history of interactive computer music, the author demonstrates how socio-musical networks that include machines as central actors create a virtual sociality that both challenges and sheds light on more traditional human-human models of the social. Efforts...

... provides insight into how processes of improvisation can carry a wide variety of relationships to the social. Both revealing and correcting the history of interactive computer music, the author demonstrates how socio-musical networks that include machines as central actors create a virtual sociality...

... Both revealing and correcting the history of interactive computer music, the author demonstrates how socio-musical networks that include machines as central actors create a virtual sociality that both challenges and sheds light on more traditional human-human models of the social. Efforts...

... Interdisciplinary artist David Rokeby’s landmark work, Very Nervous System (1986–2004), uses video surveillance technology, synthesizers, a sound system, computers, and image-processing software designed by Rokeby to translate movement into music and/or sound. Through an intuitive process...

... David Rokeby’s landmark work, Very Nervous System (1986–2004), uses video surveillance technology, synthesizers, a sound system, computers, and image-processing software designed by Rokeby to translate movement into music and/or sound. Through an intuitive process of corporeal improvisation...

... the record head and playback head of analog tape recorders and later computer-generated delays. An improvised performance by Pauline Oliveros and Barre Philips is analyzed to demonstrate a compositional result informed by focal and global listening. The chapter opens with a history of Oliveros’s development...

...) and the time delay between the record head and playback head of analog tape recorders and later computer-generated delays. An improvised performance by Pauline Oliveros and Barre Philips is analyzed to demonstrate a compositional result informed by focal and global listening. The chapter opens with a history...