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communist art

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Book Chapter

By Aleš Erjavec
Published: 08 May 2015
EISBN: 978-0-8223-7566-1
... constructivism Popova 5 × 5 = 25 Punin communist art ...
Published: 08 May 2015
DOI: 10.1215/9780822375661-003
EISBN: 978-0-8223-7566-1
... it accessible to the masses. In this regard, emphasis is placed on the formula that Punin elaborated in his analysis of modern art (1920) and on the 1921 exhibition 5 × 5 = 25 . constructivism Popova 5 × 5 = 25 Punin communist art ...
Published: 24 March 2017
DOI: 10.1215/9780822373032-006
EISBN: 978-0-8223-7303-2
... Communist writer Ding Ling, this chapter underscores how fascists prized the efficient creation of a singular national voice. It is also in their prescriptions for nationalist literature and arts that fascism’s competing vectors of elitism and populism are particularly apparent. Nationalist...
Published: 23 February 2024
DOI: 10.1215/9781478059202-006
EISBN: 978-1-4780-5920-2
... the unexpected paths of repetition via photographic representation by looking at the ways in which selected art and photography projects undo the national rhetoric of futurity prescribed in relentless adherence to anti-communist ideology and neoliberal desire (while seeming to oscillate between the two...
Series: Console-ing Passions
Published: 03 June 2016
DOI: 10.1215/9780822374466-005
EISBN: 978-0-8223-7446-6
... work, farming, pop music, sports, beauty, and household management. These formats absorbed the older influence of Kantian art education that fuels European cultural nationalism as well as early communist competitive factory production within the overarching context of Cold War competition between...
Series: Art History Publication Initiative
Published: 09 September 2016
DOI: 10.1215/9780822373681-001
EISBN: 978-0-8223-7368-1
... understanding that authorial gesture could take place only within a fully predetermined template, pop. Problems in European modernism and the avant-garde were resurfacing. The monochrome was associated with the Soviet avant-garde and with the failure of the communist project in Italy, signaled...
Series: Art History Publication Initiative
Published: 09 September 2016
DOI: 10.1215/9780822373681-002
EISBN: 978-0-8223-7368-1
..., was the prefigurative crucible. The Fiat strikes of 1962, which resulted in riots, followed by brutal repression and neutralization, opened onto what many call Italy’s years of revolutionary fomentation that rejected the liberal democratic appropriation of the Communist Party and, with it, forms of political...
Series: Art History Publication Initiative
Published: 09 September 2016
DOI: 10.1215/9780822373681-005
EISBN: 978-0-8223-7368-1
... was to respond to Fontana and to affirm disciplinary yet deskilled, repetitive, value-productive labor as the framework for art making. Manzoni’s work indexes Italy’s economic-historical entwinement at the intersection of a belated full capitalism and a prefigurative restructuring, later associated...
Published: 23 February 2024
EISBN: 978-1-4780-5920-2
.... The chapter explores the unexpected paths of repetition via photographic representation by looking at the ways in which selected art and photography projects undo the national rhetoric of futurity prescribed in relentless adherence to anti-communist ideology and neoliberal desire (while seeming to oscillate...
Published: 02 February 2024
DOI: 10.1215/9781478059219-007
EISBN: 978-1-4780-5921-9
... Chapter 6 builds on speculative themes, weaving together socialist astrofuturism portrayed in Romanian and Moldovan film, art, and speculative fiction with ethnographic observations of capitalist ruination. It begins with a close reading of the film Gagarin’s Tree by Mona V?t?manu and Florin...
Published: 02 February 2024
EISBN: 978-1-4780-5921-9
... imperialism’s reach. While describing a collaborative speculative art piece by Veda Popovici and Mircea Nicolae entitled Istoria (Nu) Se Repet? (History [Does Not] Repeat Itself), it peppers in speculative and retrospective ethnographies of hackers, scammers, computer cloners, and political artists who...
Series: Console-ing Passions
Published: 03 June 2016
EISBN: 978-0-8223-7446-6
... that included contests in literature, arts, sciences, trades, factory work, farming, pop music, sports, beauty, and household management. These formats absorbed the older influence of Kantian art education that fuels European cultural nationalism as well as early communist competitive factory production within...
Published: 11 March 2016
EISBN: 978-0-8223-7464-0
... culture in the mid-1950s, they also read widely in Dutch and other European languages, and it is likely that some of them may have encountered The Outsider in its Dutch translation before Wright’s 1955 visit. The review describes Wright’s novel as “chilling.” Identifying Wright as a “reformed Communist...
Series: The Latin America Readers
Published: 06 July 2018
DOI: 10.1215/9780822371618-073
EISBN: 978-0-8223-7161-8
... of 1952 and that of the Sierra Maestra in Cuba a few years later. In 1953, Guevara wrote a letter to a friend, expressing his budding admiration for the heroic sacrifice of insurgent Bolivian workers. The revolutionary nationalist spirit found expression in the arts, much as it had in Mexico earlier...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-026
EISBN: 978-0-8223-8596-7
.... Commission of Fine Arts, 1974); Cornelius W. Heine, “The Washington City Canal,” Records of the Columbia Historical Society 53–56 (1953–56): 1–27; and, on nearby unrest, Robert I. Cottom Jr. and Mary Ellen Hayward, Maryland in the Civil War: A House Divided (Baltimore: Maryland Historical Society...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-003
EISBN: 978-0-8223-8596-7
.... Commission of Fine Arts, 1974); Cornelius W. Heine, “The Washington City Canal,” Records of the Columbia Historical Society 53–56 (1953–56): 1–27; and, on nearby unrest, Robert I. Cottom Jr. and Mary Ellen Hayward, Maryland in the Civil War: A House Divided (Baltimore: Maryland Historical Society...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-033
EISBN: 978-0-8223-8596-7
.... Commission of Fine Arts, 1974); Cornelius W. Heine, “The Washington City Canal,” Records of the Columbia Historical Society 53–56 (1953–56): 1–27; and, on nearby unrest, Robert I. Cottom Jr. and Mary Ellen Hayward, Maryland in the Civil War: A House Divided (Baltimore: Maryland Historical Society...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-016
EISBN: 978-0-8223-8596-7
.... Commission of Fine Arts, 1974); Cornelius W. Heine, “The Washington City Canal,” Records of the Columbia Historical Society 53–56 (1953–56): 1–27; and, on nearby unrest, Robert I. Cottom Jr. and Mary Ellen Hayward, Maryland in the Civil War: A House Divided (Baltimore: Maryland Historical Society...
Book Chapter

By Kathleen Diffley
Published: 03 April 2002
DOI: 10.1215/9780822385967-007
EISBN: 978-0-8223-8596-7
.... Commission of Fine Arts, 1974); Cornelius W. Heine, “The Washington City Canal,” Records of the Columbia Historical Society 53–56 (1953–56): 1–27; and, on nearby unrest, Robert I. Cottom Jr. and Mary Ellen Hayward, Maryland in the Civil War: A House Divided (Baltimore: Maryland Historical Society...
Published: 03 April 2002
EISBN: 978-0-8223-8596-7
.... Commission of Fine Arts, 1974); Cornelius W. Heine, “The Washington City Canal,” Records of the Columbia Historical Society 53–56 (1953–56): 1–27; and, on nearby unrest, Robert I. Cottom Jr. and Mary Ellen Hayward, Maryland in the Civil War: A House Divided (Baltimore: Maryland Historical Society...