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Book Chapter
Second Chorus, Blow Free Nii Noi Nortey: From Pan-Africanism to Afrifones via John Coltrane
Available to PurchasePublished: 09 March 2012
DOI: 10.1215/9780822394969-003
EISBN: 978-0-8223-9496-9
Published: 15 July 2016
DOI: 10.1215/9780822373995-012
EISBN: 978-0-8223-7399-5
Book Chapter
Afro/Asian Arts Catalysts, Collaborations, and the Coltrane Aesthetic
Available to PurchasePublished: 04 June 2008
DOI: 10.1215/9780822381174-012
EISBN: 978-0-8223-8117-4
...Afro/Asian Arts<subtitle>Catalysts, Collaborations, and the Coltrane Aesthetic</subtitle> ...
Book Chapter
Lovely Sky Boat Alice Coltrane and the Metaphysics of Sound
Available to PurchasePublished: 05 February 2021
DOI: 10.1215/9781478021230-004
EISBN: 978-1-4780-2123-0
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... free jazz John Coltrane timbre ...
... Jimi Hendrix John Coltrane Miles Davis Michael Jackson Richard Pryor ...
Book Chapter
Theorizing the Saxophonic Scream in Free Jazz Improvisation
Available to PurchaseSeries: Improvisation, Community, and Social Practice
Published: 04 March 2016
DOI: 10.1215/9780822374497-014
EISBN: 978-0-8223-7449-7
... This chapter explores the polarized reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent...
.... In the Gil Scott-Heron piece (an obituary), Tate describes Gil Scott-Heron as not bigger than hip-hop, but better, as Hendrix was better than heavy metal, Coltrane better than bebop, Malcolm better than the Nation of Islam, Marley better than the King James Bible. But end of the day, Tate laments the dead...
Series: Improvisation, Community, and Social Practice
Published: 04 March 2016
EISBN: 978-0-8223-7449-7
... reception of mid-1960s free jazz by focusing on its most instantly recognizable timbral gesture: the “saxophonic scream.” Music critics’ reactions to John Coltrane’s iconic use of the saxophonic scream variously read it as hysterical noise or as transcendent. Using an interpretive model that synthesizes...
Series: Studies in the Grateful Dead
Published: 13 October 2023
DOI: 10.1215/9781478027324-006
EISBN: 978-1-4780-2732-4
..., including discussions of work by Bruno Nettl, Mike Heffley, and Ekkehard Jost. The chapter argues that Jost’s approach to analysis of idiosyncratic free jazz performers such as Sun Ra, Albert Ayler, and Ornette Coltrane provides the best model for understanding the Grateful Dead’s practice...
