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cinematography

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Published: 11 February 2013
DOI: 10.1215/9780822399667-006
EISBN: 978-0-8223-9966-7
Book Chapter

By Anand Pandian
Published: 02 November 2015
DOI: 10.1215/9780822375166-008
EISBN: 978-0-8223-7516-6
Published: 26 February 2021
DOI: 10.1215/9781478021308-015
EISBN: 978-1-4780-2130-8
... Army (ira) campaign of bombing and assassination, on the one hand, and the increasing racial heterogeneity of his territory, on the other. While this premise echoes the nativist rhe toric of the time, the film consistently undercuts it through cinematography, editing, and characterization that places...
Published: 01 January 1998
DOI: 10.1215/9780822377580-005
EISBN: 978-0-8223-7758-0
... the camerawork. The cinematography immediately gives an impression of subjectivity, handheld in the midst of the dance or peering intimately over the shoulder of the serviteur as he draws a crossroads or other symbol of the loa (god). Many shots are focused on the lower half of the dancers...
Book Chapter

By Lauren Steimer
Published: 05 February 2021
DOI: 10.1215/9781478021261-009
EISBN: 978-1-4780-2126-1
... Cantopop, 97 capitalism, 92, 137 capoeira, 81 Carter, Lynda, 114 Cathay Studio, 27, 96 Catwoman, 87, 104, 117 ce kong fan (aerial cartwheel without hands), 31 Chaiworaporn, Anchalee, 65 Chan, Jackie, 35, 122, 176n29; and bodily dis- position, 28, 30; and cinematography, 34; fans of, 35 36, 37, 43, 44, 45...
Book Chapter

By Jie Li
Published: 13 November 2020
DOI: 10.1215/9781478012764-011
EISBN: 978-1-4780-1276-4
...: Chinese reception of, 150 52, 175 81, 183 84, 187, 190 91; cinematography of, 162 63; digital remediation of, 150 52, 185, 304n6; as epic, 187; filming of, 161 66, 176, 188; legacies of, 188 91; lyrical ele ments of, 187 88; as metacinema, 190; Orientalism of, 160 61; release of, 150; retrospective view...
Book Chapter

By Daisuke Miyao
Published: 24 July 2020
DOI: 10.1215/9781478008873-007
EISBN: 978-1-4780-0887-3
... Mizumachi. Yonj nen mae no satsueiki to satsuei o kiku zadankai [A round- table talk about the camera and cinematography of forty years ago]. Kinema Junp , January 1, 1940, 148 52. Owada, Shigeru. Hensh shukan Ukita Kazutami no ichi [Ukita Kazutami s position as the editor in chief]. In Zasshi Taiy to...
Book Chapter

By Doron Galili
Published: 06 March 2020
DOI: 10.1215/9781478009221-010
EISBN: 978-1-4780-0922-1
... Manifesto: A Modern Edition. Translated by Samuel Moore. London: Verso, 2012. Bibliography 231 Matuszewski, Boles as. A New Source of History: The Creation of a Depository for Historical Cinematography (1898). Translated by Laura U. Marks and Diane Ko- szarski. Film History 7, no. 3 (Autumn 1995): 322...
Published: 24 July 2020
DOI: 10.1215/9781478008873-002
EISBN: 978-1-4780-0887-3
Book Chapter

By Priya Jaikumar
Published: 09 October 2019
DOI: 10.1215/9781478005599-013
EISBN: 978-1-4780-0559-9
..., 80 82, 117 20 Lifson, Ben, 196 Lindsay, H. A. F., 67 68 line producers, 240, 245 48, 342n14 Lively, Penelope, 298 Llewellyn- Jones, Rosie, 200 Lloyd, David, 62 locational camera, 153 location cinematography, 153, 179 location man ag ers, 240 48 location shooting, 3, 12 14, 55, 109, 129, 193, 235 39...
Book Chapter

By Jie Li
Published: 13 November 2020
DOI: 10.1215/9781478012764-006
EISBN: 978-1-4780-1276-4
... with their homes and social networks. Wang Bing, who went on to study cinematography at the Beijing Film Acad emy, returned to Tiexi in 1999 with a small rented digital video (dV) cam- era, motivated by the sense that a history which used to be impor tant is now slowly declining, dissolving in front...
Book Chapter

By Doron Galili
Published: 06 March 2020
DOI: 10.1215/9781478009221-011
EISBN: 978-1-4780-0922-1
...; transmission, 17, 43 44, 54, 89, 102 institutionalization, 107, 108, 140, 174 75, 204n58 intermediality, 2, 13, 18, 169; Arnheim on, 171, 182 83; Gaudreault on, 8 9, 24 International Institute of Educational Cinematography, 1, 174 intertitles, 145, 161 In the Year 2889 (Verne), 36 Italy, 12, 146, 173...
Published: 27 March 2020
DOI: 10.1215/9781478007531-008
EISBN: 978-1-4780-0753-1
... worry appeared in 1954, in a fifty- page study of the French film market overseen by economist Paul Degand and published by the Centre nationale de la cinématographie (cnc), L Étude de marché du cinéma français. We can find the princi ple reason for the brochure in the title of chapter 2, Les Français...
Book Chapter

By Eric Smoodin
Published: 27 March 2020
DOI: 10.1215/9781478007531-010
EISBN: 978-1-4780-0753-1
... marché du cinéma français. Paris: Centre national de la cinématographie, 1954. Della Sudda, Magali. Right- Wing Feminism and Conservative Women s Militancy in Interwar France. In The French Right Between the Wars: Po liti cal and Intellectual Movements from Conservatism to Fascism, edited by Samuel...
Published: 20 March 2020
DOI: 10.1215/9781478007302-019
EISBN: 978-1-4780-0730-2
..., individual projects, so we had to get used to each taking on different roles, like you do when you re making a film. B I was in charge of writing and interactive design. Lishan was in charge of preproduction, locations, and permits. Jazmin did storyboard- ing and cinematography. Luciana was our assistant...
Published: 26 February 2021
EISBN: 978-1-4780-2130-8
... if she were a participant in the fast- paced dance. Members lock arms and spin, sway, hold hands, or tap their feet as they sit on the outer edge of the dance floor. The swirling 16 mm cinematography seems to echo Rouch s appeal for a balletic camera in ethnographic films, one that is not simply...
Published: 04 January 2021
DOI: 10.1215/9781478012870-006
EISBN: 978-1-4780-1287-0
... uses editing and cinematography to create tension/ conflict without relying on explicit statements or actions by cast members. When Jimmy enters the bar, he embraces Reyna and tells her, I love you, too. After Jimmy walks away, the camera stays on Reyna, in order to catch her reaction as Eliza walks...
Published: 05 February 2021
DOI: 10.1215/9781478021261-001
EISBN: 978-1-4780-2126-1
... spent decades developing a fairly standardized linguistic toolbox designed to identify the contributions of cinematography, editing, and mise- en- scène to screened performance. Additionally, this same disci- pline situates any performance in relation to genre standards within a na- tional media context...
Published: 01 January 2013
DOI: 10.1215/9780822377566-010
EISBN: 978-0-8223-7756-6
... same time, the plea- sure of identification remains in tune with the excess through which the narrative is presented—the mise-­en-­scène, the dramatic acting, the music, and the cinematography.29 In Freud’s terms, the hero must choose the un- pleasure of the reality principle over the immediate...
Published: 05 February 2021
DOI: 10.1215/9781478021261-006
EISBN: 978-1-4780-2126-1
... episode of Marvel s Agents of s.h.i.e.l.d.9 The distinctions between star and double are blurred both through editing and cinematography and through the discursive era- sure of the labor of the stunt double when a star s claims to do their own stunts are circulated by the popular press. This project...