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Series: e-Duke books scholarly collection.
Published: 11 February 2013
EISBN: 978-0-8223-9906-3
Published: 24 July 2020
DOI: 10.1215/9781478008873-004
EISBN: 978-1-4780-0887-3
Published: 12 April 2006
DOI: 10.1215/9780822387749-004
EISBN: 978-0-8223-8774-9
Book Chapter

By Homay King
Published: 02 October 2015
EISBN: 978-0-8223-7515-9
... time video installations digital media Henri Bergson cinematograph ...
Book Chapter

By Anand Pandian
Published: 02 November 2015
DOI: 10.1215/9780822375166-008
EISBN: 978-0-8223-7516-6
... This chapter explores a cinematographer’s construction and lighting of a film set for a historical romance set in colonial Madras, reflecting on the force and agency of light in cinema. light cinematography agency image spiritual ...
Published: 02 October 2015
DOI: 10.1215/9780822375159-003
EISBN: 978-0-8223-7515-9
... This chapter defines the analog, the digital, and the virtual through the collected writings of Henri Bergson. It begins with a meditation on Bergson’s critique of the cinematograph: his perplexing claim that cinema is not a time-based medium. But the cinematograph is only a metaphor...
Book Chapter

By Nick Salvato
Published: 11 March 2016
DOI: 10.1215/9780822374473-004
EISBN: 978-0-8223-7447-3
... inputs that mark the works’ production and because of the aesthetic outputs achieved through their formal manipulations, including chiefly the stillness of Reichardt’s camera and the rich depth of field in her cinematographers’ compositions. slowness cinema Kelly Reichardt Old Joy, Wendy...
Published: 12 May 2017
DOI: 10.1215/9780822372899-007
EISBN: 978-0-8223-7289-9
...’ physical virtuosity, and cinematographers’ technical capacities constituting key audience attractions. Even as Rio de Janeiro film magazines like Cinearte , Selecta and Para Todos . . . called for the modernization of film exhibition and the creation of a national film industry on the model...
... strategic use of adventure melodrama conventions (location shooting, risky stunt sequences), with displays of local landscapes, actors’ physical virtuosity, and cinematographers’ technical capacities constituting key audience attractions. Even as Rio de Janeiro film magazines like Cinearte , Selecta...