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Published: 21 June 2007
DOI: 10.1215/9780822389606-003
EISBN: 978-0-8223-8960-6
Published: 03 October 2007
DOI: 10.1215/9780822390190-003
EISBN: 978-0-8223-9019-0
...Ta n i a M o d l e s k i Women’s Cinema as Counterphobic Cinema Doris Wishman as the Last Auteur hen Lorena Bobbitt was on trial for castrating her hus- Wband, who she said had repeatedly abused her, there was one aspect of her story...
Published: 01 August 2011
DOI: 10.1215/9780822393009-005
EISBN: 978-0-8223-9300-9
... 4 a transitional cinema The Feature Film Industry and Sound Cinema eature fiction film production...
Published: 06 April 2012
DOI: 10.1215/9780822393535-002
EISBN: 978-0-8223-9353-5
... 1 transition from “cinema of idolatry” to an “islamicate cinema” he transition from the Pahlavi-­era cinema to the Islamic...
Published: 01 November 2012
DOI: 10.1215/9780822393542-003
EISBN: 978-0-8223-9354-2
... 3 All Certainties Melt into Thin Air Art-House Cinema...
Published: 01 November 2012
DOI: 10.1215/9780822393542-005
EISBN: 978-0-8223-9354-2
... 5 I i, rbutan awithn a Different Accent A Cinema of Displacement...
Published: 26 January 2015
DOI: 10.1215/9780822376019-002
EISBN: 978-0-8223-7601-9
Published: 26 January 2015
DOI: 10.1215/9780822376019-003
EISBN: 978-0-8223-7601-9
... style undermine them. Persepolis marks its physical distance from Iran through animation; Shirin Neshat’s Women without Men (2010) does so through stylization. All are examples of what Hamid Naficy calls “accented cinema.” This chapter considers the role of diasporan women filmmakers in facilitating the...
Published: 24 October 2008
DOI: 10.1215/9780822381198-001
EISBN: 978-0-8223-8119-8
Published: 26 January 2015
DOI: 10.1215/9780822376019
EISBN: 978-0-8223-7601-9
Published: 01 January 1998
DOI: 10.1215/9780822377580-008
EISBN: 978-0-8223-7758-0
... 7· Sex and Cinema The notion of a more personal, poetic, experimental cinema is not without some...
Published: 01 January 1999
DOI: 10.1215/9780822396680-006
EISBN: 978-0-8223-9668-0
... .~ 4 Ethnotopias of Early Cinema The theory is meant to orient, to provide the roughest sketch for travel, by means of moving within and through a relentless artifactualism, which forbids any direct si(gh)tings of nature, to...
Published: 01 January 1992
DOI: 10.1215/9780822396345-001
EISBN: 978-0-8223-9634-5
...In'l'odudlon: '(he fa_lly Mlelodl'a.a Jane M. Gaines * * * * * * The authors in this volume all circle dubiously around the basic paradigm that has dominated film studies since the 1970s: classical Hollywood narrative cinema. That is, the protagonist-driven story film, valued for...
Published: 01 January 2003
DOI: 10.1215/9780822384915-093
EISBN: 978-0-8223-8491-5
...For an Imperfect Cinema Julio García Espinosa In an essay whose title appears to refer to Chilean poet and Nobel laureate Pablo Neruda’s poetic manifesto ‘‘Sobre una poesía sin purezas’’ (On an impure poetry) Cuban film director Julio García Espinosa lays the foundations for an ars poetica...
Published: 01 September 2011
DOI: 10.1215/9780822394167-001
EISBN: 978-0-8223-9416-7
... introDUCtion | Utility anD Cinema Haidee Wasson and Charles R. Acland ovies seem to appear everywhere: the palm of the mhand, the top of a desk, the façade of a building. No longer an evening’s entertainment—the reigning definition of cinema for the better part of the...
Published: 01 September 2011
DOI: 10.1215/9780822394167-002
EISBN: 978-0-8223-9416-7
...1 Ce llU loi D Classrooms “What a PoWer for education!” tHe Cinema anD sites of learninG in tHe 1930s Eric Smoodin moment of film viewing first made me aware that film a education had an extended history, and that it was, indeed, more common many years ago than I may...
Published: 01 September 2011
DOI: 10.1215/9780822394167-011
EISBN: 978-0-8223-9416-7
...“a moving Picture of the heavenS” tHe PlanetariUm sPaCe sHoW as UsefUl Cinema Alison Griffiths nless you are a teacher, tourist, parent of a teenager, or Uex- hippy looking for a retro psychedelic experience at a Laserium show, chances are you haven’t set foot in a plane...
Published: 01 September 2011
DOI: 10.1215/9780822394167-014
EISBN: 978-0-8223-9416-7
...exPerimental film aS uSeleSS cinema Michael Zryd he film begins in long shot of the interior of a large troom.1 There’s some wild street noise—trucks accel- erating, cars honking their horns—rising from the space visible through the windows at the far wall. A woman di- rects two...
Published: 06 August 2008
DOI: 10.1215/9780822388692-004
EISBN: 978-0-8223-8869-2
... chapter 2 ‘‘lest others speak for us the neglected roots and uncertain future of maori cinema in new zealand Jennifer Gauthier The Indigenous peoples of New Zealand, the Maori, became the subject of global...
Published: 03 January 2006
DOI: 10.1215/9780822387947-001
EISBN: 978-0-8223-8794-7
...INTRODUCTION The Filmic Fourth Dimension CINEMA AS AUDIOVISUAL VEHICLE JEFFREY RUOFF The cinema is a machine for constructing relations of space and time; the exploration of the world through images and sounds of travel has always been one of its principal features. This anthology...