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Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-026
EISBN: 978-1-4780-2139-1
Published: 20 August 2014
DOI: 10.1215/9780822376316-001
EISBN: 978-0-8223-7631-6
Series: Perverse modernities
Published: 02 November 2005
DOI: 10.1215/9780822387442-004
EISBN: 978-0-8223-8744-2
Published: 01 January 1998
DOI: 10.1215/9780822397922-045
EISBN: 978-0-8223-9792-2
Published: 12 March 2014
DOI: 10.1215/9780822377313-009
EISBN: 978-0-8223-7731-3
Published: 12 January 2024
DOI: 10.1215/9781478059097-003
EISBN: 978-1-4780-5909-7
... The second chapter grapples with the tensions between authenticity, spectacle, and exoticism in its examination of Shango (1945), a dance choreographed for Broadway and performed in repertoire by Katherine Dunham and her dancers. Dunham's ethnographically informed invocation of Vodou makes...
Published: 09 September 2016
DOI: 10.1215/9780822373926-023
EISBN: 978-0-8223-7392-6
... single, “Don’t Make Me Wait,” combined soul, disco, dub, and rock. During 1981 Levan also began to work with Island Records, reworking Gwen Guthrie’s “Seventh Heaven,” “It Should Have Been You,” and “Getting Hot” for the subsidiary label 4th & Broadway and also completing unreleased remixes of Grace...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
...,” “It Should Have Been You,” and “Getting Hot” for the subsidiary label 4th & Broadway and also completing unreleased remixes of Grace Jones’s “Feel Up” and “Pull Up to the Bumper.” Although Levan enjoyed a remarkably low profile in the city and no national profile to speak of, influential figures from...