... black left critique independence Marxism postcolonial sovereignty settler-master ...

... The introduction presents the conceptual, theoretical, and historical relations between blackness and indigeneity against the limits of Marxist and left critique. It traces the black left’s pressure on Marxism in seeking to account for blacks’ bound, unwaged, and waged labour in the contexts...

... The chapter reads Cedric Robinson’s Black Marxism , which traces the black radical tradition to Indigenous African discourses. It uses Robinson to critique the separation between Indigenous Elimination and black Death as the separate, respective spheres of settler and franchise colonialism...

...Art’s Critique of Representation Installation art by African American artists Renée Green and Fred Wilson, addressing the institutional authority by which museums stage representations of the past, is examined in this chapter, which accompanied a 1992 exhibition of the archival turn...

..., managing, and understanding social divisions of labor, discrepancies of privilege, resources, and life chances and qualities—have been crucial for fulfilling. If struggles of decolonization in the past were always critiques and struggles against racism, insofar as colonialism was itself the invention...

... for a consideration of antiracist social formations that arose in the 1980s and 1990s and the transmission of anti-imperialist and antiracist ideas through popular music and the technologies of the mixtape and boombox, Von Eschen explores LKJ’s influential sonic linkage of black struggles in Britain to those...

... culture as a symbol of Puerto Rican identity and critiquing colonial history. Taller Boricua diaspora studies exile aesthetics Taino Máximo Rafael Colón, an artist and activist, captures the Puerto Rican community’s evolution in New York through a prolific photographic archive spanning five...

... of October 2003 had a major impact on him, and the propulsive songs of his group Ukamau y ké (in Aymara and Spanish: That’s How It Is and What of It?) contain a scathing critique of social injustice and an affrmation of indigenous identity. He once declared, “I’m a modern Aymara—you can be modern and still...