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Series: Series Q
Published: 01 January 1999
DOI: 10.1215/9780822379157-008
EISBN: 978-0-8223-7915-7
Series: Latin America Otherwise
Published: 28 August 2001
DOI: 10.1215/9780822383284-037
EISBN: 978-0-8223-8328-4
Published: 17 August 2015
DOI: 10.1215/9780822375784-001
EISBN: 978-0-8223-7578-4
Published: 09 September 2016
DOI: 10.1215/9780822373926-018
EISBN: 978-0-8223-7392-6
... Dance music slumped to a national sales nadir during 1981. Although Kool and the Gang hit number one on the Hot 100 with “Celebration” early in the year, the rest of the chart featured few black, up-tempo recordings, and while the successes of Blondie’s “Rapture” and Queen’s “Another One Bites...
Published: 16 September 2016
DOI: 10.1215/9780822373742-006
EISBN: 978-0-8223-7374-2
... The remarkable rise of the Tea Party and its project to make a specific economic narrative out of common sense provides the material for a second case study. According to this narrative, jobs are created by the rich; welfare payments simply reward moochers; and, in the distorted sound bite...
Book Chapter

By Kate Crehan
Published: 16 September 2016
EISBN: 978-0-8223-7374-2
..., jobs are created by the rich; welfare payments simply reward moochers; and, in the distorted sound bite into which Adam Smith’s complex argument has degenerated, all economic decisions are best left to the invisible hand of the market. Emerging suddenly and apparently out of nowhere, the Tea Party has...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... the successes of Blondie’s “Rapture” and Queen’s “Another One Bites the Dust” indicated that dance music could still cross over, the majors declined to develop these records beyond a pop context. The corporate exodus presented the city’s independent labels and record stores with an opportunity; Vinyl Mania...