...Artifact, Narrative, Genocide ...

...Artifacts ...

...Society and Social Artifacts ...

... Louis Agassiz Sasha Huber Carrie Mae Weems artifact repatriation digital property ...

... of destruction, the artists suggest they may also become the site from where to rethink destruction and reimagine the possibility of revival—of becoming. Mobilizing several key conceptual features of modern archaeology (“ruins,” but also “the artifact” and the idea of “ancient civilizations”), the work revisits...

... The book's introduction places “Old Town Road” in context as a singular chart phenomenon and considers its value as both a piece of music and a pop artifact. An opening anecdote from a grade-school gymnasium reveals the depth of popularity of Lil Nas X's song with audiences of all ages...

... The epilogue concludes the book with a creative speculative vision for a world developed in the absence of policing and incarceration and the presence of life-sustaining systems. This final story models how current and future liberation struggles might build upon the spatial artifacts...

... survival has rested. This section prompts readers to ponder the following questions: How do we as conscientious tourists take in the wonders of Venice? What is our collective responsibility to protect Venice, an invaluable artefact of the past that continues to have global resonances? And what does...

... and the ambivalence of the intaglio rings, the couch and the armchair, the artifact collection, the cigars, and the canonical books around which the early community of psychoanalysis was organized. Sigmund Freud psychoanalysis fetishism ambivalence Oedipus complex Afro-Atlantic religions ...

... obsolete. The history of immaterial art and the aestheticization of property contextualize this uneasy transition into digital property. Louis Agassiz Sasha Huber Carrie Mae Weems artifact repatriation digital property ...