Search Results for art and philosophy

... Art & Language Conceptual Art art and philosophy history and philosophy of science linguistics ...

... activist art Native American contemporary art Earth Renewal indigenous philosophy contemporaneity ...

... art world modernism philosophy of science Thomas S. Kuhn Paul Feyerabend ...

... vernacular philosophy material rhetoric materialist art abstract design object-oriented ontology ...

... the group. The author argues that Art & Language developed its perspectives by drawing on English analytic philosophy, studies of the logic of languages, and contemporary explanations of change in science (above all, those advanced by Thomas S. Kuhn). Smith shows that Art & Language uses key ideas...

... in the philosophy of science, to a project called Comparative Models, in which specific concepts—modernism, individualism, and empiricism—are identified as constitutive for art worlds and occlusive of art’s societal dimensions. In setting up this alternate genealogy for Art & Language’s work, the chapter...

... in relation to Plains Native ceremony and worldview, in particular the Earth Renewal, or Sun Dance, in which he has been a participant and leader for over three decades. The chapter concludes by arguing that Heap of Birds’s art, grounded in indigenous philosophies and notions of time, intervenes in current...

... for “dimensionality reduction” are critically explored. Examining their sociotechnical dimensions, bequeathed via their statistical genealogy and contemporary computational infrastructure and power, machine learning experience is analyzed as tending toward a control assembly or agencement . Artful probing of machine...

... project of making space within aesthetic discourse for the artistic practices and preferences of people who are not legitimized by an institutional theory of art and art making. This choice to contest the marginalization of the non-expert is distinctive of the philosophies of liberation within which...

...—requires analytic attention, the entry summarizes the conceptual affordances of transduction. It also describes the parallel history of transduction as a term of art in process philosophy, particularly in the work of Gilbert Simondon. The entry concludes, however, that we must not take transduction...

... as of an indigenous philosophy and worldview vis-à-vis nonhuman nature. land and environment landscape painting public art Cheyenne-Arapaho history sovereignty ...

...|interiority” and “in|exteriority”—occur in “Yard,” and with the design objects in “Orisa” and “Surd.” vernacular philosophy material rhetoric materialist art abstract design object-oriented ontology ...

... This chapter picks up the theme of sociality and explores how this fractious issue stands behind a rift between Art & Language’s English and American sections after their participation in the major exhibition Documenta 5. By attending to indexing projects developed in New York through...

... and motifs, (un)set by the limits between philosophy and (neuro)science (in-difference,) writing and politics (the question of the ‘sans papiers”), art and culture (gender and “revolution”). The aim is an attempt to (un)read Malabou’s dialectical “pro-ject”, Derrida’s disseminating “pro-gram,” Bouabdellah’s...

..., and subsequently canvasses media studies, philosophy, postcolonial theory, and art writing and art practices through which radio and wireless sound have become the objects of analysis, philosophical speculation, and aesthetic experimentation. It concludes by contextualizing the insights of these diverse...

... truths often concealed within bourgeois cultures most civilized expressions. Hegel noted an early symptom of this critical condition when he noted that by the nineteenth century art, as a vehicle of historical progress, had ended. Religion and philosophy as credible expressions of universal truths have...

... Uzor’s first work for George Floyd, 8′46″ George Floyd in Memoriam , presents a way to theorize blackness at the intersection of the aesthetic, the social, and philosophy. Uzor’s 8′46″ George Floyd in Memoriam is paired with an analogous work in the visual domain by German Ghanian, Swiss...

... Black discourse in literature, philosophy, the arts, or politics is the appropriation of the ideology of cultural difference. Slavery, colonialism, and apartheid dominated Black discourse. From the fifteenth century on, mercantile reason was driven by liberalist expansion and the accumulation...

...AFRICOBRA Principles and Philosophy ...