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Published: 16 November 2006
DOI: 10.1215/9780822388296-013
EISBN: 978-0-8223-8829-6
...DOCUMENT Art Museums and the International Exchange of Cultural Artifacts ASSOCIATION OF ART MUSEUM DIRECTORS he responsibility for the presentation, study...
Published: 29 June 2018
DOI: 10.1215/9780822374688-004
EISBN: 978-0-8223-7468-8
Published: 03 June 2016
DOI: 10.1215/9780822374121
EISBN: 978-0-8223-7412-1
Published: 17 September 2007
DOI: 10.1215/9780822390374-012
EISBN: 978-0-8223-9037-4
... 11 Making Art in the Age of Art History, or How to Become a Canonical Artist Anna Brzyski hat does it take for an artist to enter the canon? How precisely is the consensus formed as to who the great artists...
Published: 08 May 2015
DOI: 10.1215/9780822375661-002
EISBN: 978-0-8223-7566-1
... This chapter looks at Italian futurism as a founding aesthetic revolution of the twentieth century. The chapter first argues that futurism is to be situated within a longer history, taking off with romanticism, which presents the inclusion of (so far) “ugly” or inaesthetic objects into art as a...
Published: 01 January 2017
DOI: 10.1215/9780822374329-002
EISBN: 978-0-8223-7432-9
... In chapter 1, an article from the journal Artforum (February 1974), the author offers an exposition of the Art & Language point of view. Art & Language was a loose grouping of conceptual artists based in Britain and New York. Previously an art critic, the author had recently joined the...
Published: 10 May 2006
DOI: 10.1215/9780822387572-008
EISBN: 978-0-8223-8757-2
... 8 Albert Barnes’s Foundation and the Place of Modernist Art within the Art Museum America isthecountryofthefuture, and its world-historical im- portancehasyettoberevealedintheageswhichlieaheadItisa land of desire for all those who are weary of the historical arsenal of old...
Published: 30 August 2001
DOI: 10.1215/9780822380078-019
EISBN: 978-0-8223-8007-8
... 12 Greek Art Without Egypt, Hamlet Without the Prince: A Review of Sarah Morris’s Daidalos and the Origins of Greek Art Daidalos and the Origins of Greek Art is a tour de force. Sarah Morris is both a trained archaeologist with interests in the Levant and a professor of...
Published: 01 January 2010
DOI: 10.1215/9780822392521-003
EISBN: 978-0-8223-9252-1
...Editors’ Note to Principles of Art History: The Problem of the Development of Style in Later Art,   Excerpt from the Introduction, by Heinrich Wölfflin Like  nietzsche, the Swiss art historian Heinrich Wölfflin (1864–1945) was influenced by Jacob Burckhardt at the University of Basel...
Published: 22 August 2011
DOI: 10.1215/9780822394433-012
EISBN: 978-0-8223-9443-3
... eleven Living Art and the Art of Life women’s painting from the western desert In the preceding chapter, I looked at how the animal prepares and enables the world of human art to fill itself with qualities: the qualities of mate- riality, nature, and the real; the...
Published: 27 February 2001
DOI: 10.1215/9780822380603-004
EISBN: 978-0-8223-8060-3
...CHAPTER FOUR THE PATRONAGE OF DIFFERENCE: MAKING INDIAN ART ‘‘ART, NOT ETHNOLOGY’’ The art of the Indians, so eloquent of this land, is American art and of the most important kind. A hundred years ago, men could not have real- ized this. Art was then a thing to be seen in the Vatican or...
Published: 01 March 2011
DOI: 10.1215/9780822393399-011
EISBN: 978-0-8223-9339-9
... Art Ethics: Thomas Kinkade and Contemporary Art Anna Brzyski If one looks at the history of Western discourse on visual and material culture, that history divides rather neatly into two separate but unequal fields of knowledge: (1) the knowledge about the fine arts, until fairly...
Published: 04 March 2013
DOI: 10.1215/9780822393993-010
EISBN: 978-0-8223-9399-3
Published: 01 January 1994
DOI: 10.1215/9780822399278-008
EISBN: 978-0-8223-9927-8
... lIaria Teresa lIarrero Public Art) Peiformance An) and the Politics ofSite o Performance art and conceptual public art are two hybrid artistic media employed by Los Angeles Chicano Daniel...
Published: 18 May 2018
DOI: 10.1215/9780822371564-005
EISBN: 978-0-8223-7156-4
Published: 18 May 2018
DOI: 10.1215/9780822371564-010
EISBN: 978-0-8223-7156-4
Published: 09 August 1994
DOI: 10.1215/9780822382652
EISBN: 978-0-8223-8265-2
Published: 01 October 2011
DOI: 10.1215/9780822394679-005
EISBN: 978-0-8223-9467-9
Published: 01 January 2003
DOI: 10.1215/9780822384915-022
EISBN: 978-0-8223-8491-5
Published: 06 March 2003
DOI: 10.1215/9780822384618-008
EISBN: 978-0-8223-8461-8
... implicitly held as appropriate to, a subject’s age and social ‘‘presence The idea of living in the present, and its concomitant celebration of creative spontaneity and the rejection of official history, became a potent shibboleth in 1960s art and countercultural activities: happenings, be-ins, protests...