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alain

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Series: Post-Contemporary Interventions
Published: 01 July 2011
EISBN: 978-0-8223-9447-1
Published: 01 September 2012
DOI: 10.1215/9780822395461-005
EISBN: 978-0-8223-9546-1
Published: 12 October 2018
DOI: 10.1215/9781478002512-004
EISBN: 978-1-4780-0251-2
Series: Post-Contemporary Interventions
Published: 02 November 1998
DOI: 10.1215/9780822382522-010
EISBN: 978-0-8223-8252-2
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-024
EISBN: 978-1-4780-2139-1
Published: 04 November 2022
DOI: 10.1215/9781478023654-039
EISBN: 978-1-4780-2365-4
Series: e-Duke books scholarly collection.
Published: 31 July 2009
DOI: 10.1215/9780822390930-003
EISBN: 978-0-8223-9093-0
Published: 14 July 2017
DOI: 10.1215/9780822372905-002
EISBN: 978-0-8223-7290-5
Series: e-Duke books scholarly collection.
Published: 19 July 2006
DOI: 10.1215/9780822388586-010
EISBN: 978-0-8223-8858-6
Series: e-Duke books scholarly collection.
Published: 19 July 2006
DOI: 10.1215/9780822388586-025
EISBN: 978-0-8223-8858-6
Series: [sic] Series
Published: 02 May 2006
DOI: 10.1215/9780822387602-002
EISBN: 978-0-8223-8760-2
Published: 01 January 1994
DOI: 10.1215/9780822399889-002
EISBN: 978-0-8223-9988-9
Series: Post-Contemporary Interventions
Published: 19 June 2009
DOI: 10.1215/9780822390763-009
EISBN: 978-0-8223-9076-3
Series: [sic] Series
Published: 21 May 2007
DOI: 10.1215/9780822389552-002
EISBN: 978-0-8223-8955-2
Published: 26 June 2012
DOI: 10.1215/9780822395348-005
EISBN: 978-0-8223-9534-8
Published: 04 March 2015
DOI: 10.1215/9780822375739-005
EISBN: 978-0-8223-7573-9
Series: [sic] Series
Published: 18 March 1998
DOI: 10.1215/9780822382126-005
EISBN: 978-0-8223-8212-6
Series: [sic] Series
Published: 03 July 2000
DOI: 10.1215/9780822381082-002
EISBN: 978-0-8223-8108-2
Series: [sic] Series
Published: 03 July 2000
DOI: 10.1215/9780822381082-011
EISBN: 978-0-8223-8108-2
Series: Visual Arts of Africa and its Diasporas
Published: 01 March 2024
DOI: 10.1215/9781478059165-010
EISBN: 978-1-4780-5916-5
... In the mid-1930s, painter Norman Lewis was fully enmeshed in the question of what it meant to be an artist, a member of the Harlem community, and an heir to what Alain Locke had famously termed “the ancestral legacy” that African art had bequeathed to her descendants in the diaspora...