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akerman
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Published: 01 January 1996
DOI: 10.1215/9780822399254-007
EISBN: 978-0-8223-9925-4
Published: 21 July 2017
DOI: 10.1215/9780822372844-010
EISBN: 978-0-8223-7284-4
Published: 01 January 1998
DOI: 10.1215/9780822377580-011
EISBN: 978-0-8223-7758-0
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
DOI: 10.1215/9780822399254
EISBN: 978-0-8223-9925-4
Published: 01 January 2007
DOI: 10.1215/9780822397779-011
EISBN: 978-0-8223-9777-9
... Chantal Akerman Simone de Beauvoir phenomenology avant-garde appeal ...
Published: 01 November 2024
DOI: 10.1215/9781478060215-002
EISBN: 978-1-4780-6021-5
... In Jeanne Dielman (1975), From the Other Side (2002) and No Home Movie (2015), Chantal Akerman’s camerawork does motherwork by creating spaces where characters and viewers encounter, hold, and work through events and fantasies around mothering that are shaped by discomforting feelings...
Published: 01 November 2024
DOI: 10.1215/9781478060215-001
EISBN: 978-1-4780-6021-5
... the “real” of lived experiences and help viewers sense what freedom (existential, relational, antiracist, nonhierarchical) might feel like. Chantal Akerman’s avant-garde cinematic style and Simone de Beauvoir’s emphasis on phenomenology guide the film choices and method of reading films that invite viewers...
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
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