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Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... after-hours venues Paradise Garage the Loft Larry Levan Michael Brody David Morales ...
Published: 09 September 2016
DOI: 10.1215/9780822373926-031
EISBN: 978-0-8223-7392-6
... Officers clamped down on after-hours venues in early 1983, using Arthur Weinstein as an informant. Dave Peaslee argued in Dance Music Report that choreographed closure of the city’s after-hours spots was motivated by a desire to move unwelcome populations out of gentrifying locations...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... clamped down on after-hours venues in early 1983, using Arthur Weinstein as an informant. Dave Peaslee argued in Dance Music Report that choreographed closure of the city’s after-hours spots was motivated by a desire to move unwelcome populations out of gentrifying locations, with the official target...
Published: 09 September 2016
DOI: 10.1215/9780822373926-011
EISBN: 978-0-8223-7392-6
... proceeded to fire Mike Stone and invite Fouratt and Piper to run Studio 54. Meanwhile after-hours rock-dance venue AM/PM invited disco producer François Kevorkian to DJ, and the midtown discotheque Bond’s shifted to live shows that featured bands such as the Clash. Mudd Club Club 57 Modern Classix...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... to launch “Modern Classix” at the Underground in May 1981. Rubell proceeded to fire Mike Stone and invite Fouratt and Piper to run Studio 54. Meanwhile after-hours rock-dance venue AM/PM invited disco producer François Kevorkian to DJ, and the midtown discotheque Bond’s shifted to live shows that featured...
