Search Results for aesthetics of access

... disability arts third space DANT aesthetics of access ...

... into the particular ways in which saints understand that a woman, by her appearance, is an “ambassador for Christ” and the institution. At the same time, she is also a conduit for access to sacred realms by performing aesthetic labor in unrestrained liturgical practices—music making and worship—rendering...

... Africans in the contemporary era interact with screen media cultures that are dynamic, fragmented, multiply connected, decentered, and more accessible than the screen media cultures of previous eras. These attributes have implications for how audiovisual stories by Africans are accessed using...

..., and organized events at their university, learning again and again how participation in the arts offered new opportunities, resources, and models for living otherwise. disability arts third space DANT aesthetics of access ...

... and Rodchenko are examined in detail, attention is also given to the theoretical or “aesthetic” supporters of constructivism or, at least, of the radical art such as Arvatov, Brik, Gan, Punin, and Tarabukin—arguments being that a primary aspiration of the constructivists was to reduce art to a formula, to make...

... of online music, with devotees dwelling on their craftlike production and surrendering themselves to their analog temporality. Even the audible distortion that accrues from the cassette's notorious fragility has become a source of aesthetic value among fans. The cassette's material and acoustic...

... state institutions do. In light of their experiences with a legal system perceived as ineffective, corrupt, and biased, dons’ “community justice” system may appear not only more accessible but also more legitimate. While community justice is certainly an imperfect system, residents’ overall positive...

... democratized access to being on-screen and serves as a mode of claiming visibility as citizens in contemporary Jamaica. photography Jamaica dancehall Ebony G. Patterson skin bleaching ...

... recorded using 2-track technologies. Whereas the recordings featured on the From the Vault series more closely resemble the sound and aesthetic of the band’s professionally produced, major-label live releases, the compact discs included as part of the DickWithin the community and the culture...

...Protest and Reclaiming This chapter explores revolutionary aesthetics and the role of online engagement for the twenty-first-century incarnation of the 1970s radical feminist group W.I.T.C.H. The politics of both groups are radical for their times, although they differ dramatically in terms...

... the mid-1990s through the early millennium, and the local history of access to health care, provide a context within which ngoma’s competitive camaraderie and danced poetics offer forms of expression that are palpable but inexplicit. Analyzing moments of breakdown and recovery in performance...

... In addition to the Grateful Dead’s commercially released live albums, by the early 1970s, fans also had access to a rapidly growing body of unofficial live concert recordings that were being produced and traded within a growing community of tapers and tape traders. Appearing alongside other...

...Art, Aesthetics, and Cultural Production This chapter presents a portrait of the drag queen and witch Alejandro Garza (AKA Mista Boo) that blurs the line between character and performer in three acts, inspired by the faces of the Neopagan Triple Goddess—maiden, mother, crone. Drawing on oral...

... Carolina Folklore —though obviously pertinent to bibliographic sections lH and 3C—appears under neither heading because Kirkland, Croom, and Baldwin all cite it in their respective essays. To facilitate access to these materials, we have organized this bibliography by topic. Section 1 identifies books...