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absolution

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Book Chapter

By Rafael Campo
Book: The Enemy
Published: 17 April 2007
DOI: 10.1215/9780822389576-047
EISBN: 978-0-8223-8957-6
Published: 09 August 1985
DOI: 10.1215/9780822382959-039
EISBN: 978-0-8223-8295-9
Published: 17 March 2010
DOI: 10.1215/9780822392514-020
EISBN: 978-0-8223-9251-4
Published: 02 February 2018
EISBN: 978-0-8223-7240-0
Published: 02 February 2018
EISBN: 978-0-8223-7240-0
Published: 05 May 2008
DOI: 10.1215/9780822388920-001
EISBN: 978-0-8223-8892-0
Published: 01 January 1993
DOI: 10.1215/9780822396901-008
EISBN: 978-0-8223-9690-1
Published: 15 October 2003
DOI: 10.1215/9780822385356-005
EISBN: 978-0-8223-8535-6
Published: 27 May 2005
DOI: 10.1215/9780822386490-011
EISBN: 978-0-8223-8649-0
Published: 03 November 2009
DOI: 10.1215/9780822392019-003
EISBN: 978-0-8223-9201-9
Published: 01 January 1998
DOI: 10.1215/9780822399100-002
EISBN: 978-0-8223-9910-0
Published: 13 July 2010
DOI: 10.1215/9780822392880
EISBN: 978-0-8223-9288-0
Published: 02 January 2008
DOI: 10.1215/9780822390589-002
EISBN: 978-0-8223-9058-9
Published: 13 March 2009
DOI: 10.1215/9780822392460-005
EISBN: 978-0-8223-9246-0
Published: 10 May 2006
DOI: 10.1215/9780822387572-009
EISBN: 978-0-8223-8757-2
Published: 06 March 2003
DOI: 10.1215/9780822384618-008
EISBN: 978-0-8223-8461-8
Published: 02 July 2012
DOI: 10.1215/9780822391876-007
EISBN: 978-0-8223-9187-6
Published: 01 January 1991
DOI: 10.1215/9780822378655-003
EISBN: 978-0-8223-7865-5
Published: 01 January 2017
DOI: 10.1215/9780822373940-011
EISBN: 978-0-8223-7394-0
... commitment to revolutionary emancipation. The essay reexamines James’s treatment of the enslaved as emancipators and the implication of his nearly absolute deracination of the revolution for the historiography of subaltern abolitionism. ...
Published: 29 April 2016
DOI: 10.1215/9780822374510-023
EISBN: 978-0-8223-7451-0
..., and the jet-black coloration of his monumental figurative ensembles, the analysis of Marshall’s self-positioning in relation to Western “history painting” situates him at a critical remove from the absolutes of Greenbergian modernism, since the intermedia nature of his practice cuts across abstraction...