... W. E. B. Du Bois Shirley Graham Du Bois Worlds of Color Great Leap Forward ...

... and contradictions of China’s postrevolutionary phase, particularly the government’s efforts to conceal foreign visitors from the impact of its political repression and economic mismanagement on Chinese life. The chapter closes by putting the couple’s visit in conversation with Worlds of Color , one Du Bois’s final...

... Beb Vuyk The Color Curtain cultural exchange Bandung Conference third world Cold War ...

... the couple’s visit in conversation with Worlds of Color , one Du Bois’s final works. In this historical novel, Du Bois theorized travel and the political imagination as radical, though limited, modes of perception and community formation. Ultimately, this chapter argues that Du Bois’ model offers a productive...

... Third World women (organic) intellectuals led the search for a new language to express and a theory to explain their everyday experiences as women of color, queers, poor, and migrants. The complexity of intersecting oppressions, they believed, better explained their condition than race alone...

... Describes a dream that Rachel had just after her mother was diagnosed with diabetes. In the dream, a number of Pachamamas (Spiritwomen) of all colors/races are standing together, and the white one is protecting Rosemarie from harm. Rosemarie loves the idea that these diverse women are protecting...

... development as a creative writer; discusses his political activist and public intellectual work; and suggests a new literary and cultural approach to the biographical in general and to the biography of the writer of color in particular who productively participates in the generation of scholarship...

.... In reproducing this counter-narrative of Wright’s associations with modern Indonesia, this book explores the multiplicity of a world not flattened by Euro-American modernity but reimagined as radically heterogeneous. The Color Curtai n Afro-Asian studies postcolonial studies Congress for Cultural...

... This chapter describes a partnership launched by the author between two world-class universities (Duke and the University of Cape Town) to help build a culture of ethical and effective leadership in southern Africa and among communities of color in the United States. It showcases...

... of culturally grounded art museums, marks the 1970s as the beginning of the current era, a period of new opportunities for artists of color, but one that retains from the past culturally coded pathways through the art world; systems that sift artists by “race” and ethnicity; and culturally separate institutions...

... the intention of Wright’s Dutch translator and Vuyk herself to pursue further the question of the accuracy of Wright’s recollections. Beb Vuyk The Color Curtain cultural exchange Bandung Conference third world Cold War ...

... to look at queer bodies. It considers the political value of such a critique and its limitations, opening out the multivalences contained in scenes of translation, dramas of the European queer Muslim, and romantic comedies made by lesbians of color. Islamophobia multiculturalism transnational...

... and among communities of color in the United States. It showcases the contributions of some of the graduates of the program who have gone on to high-profile leadership roles in their communities and countries as mayors, private foundation executives, members of Parliament, senior executives in business...

... fiction and foundational category that is race. First, from the fifteenth to the nineteenth century, the Atlantic slave trade transformed Africans on the basis of skin color into human-commodities and human-money. Second, the eighteenth to twentieth centuries witnessed emerging consciousness among...

... “Black,” the color of night and nothingness, is a name given by someone else, an insult, a habit, and a way of being, but also a mechanism for objectification and degradation. For Marcus Garvey, Blackness was not lack but the possibility for redemption within the “African empire.” Aimé Césaire’s...

... norms of bodily decorum; on the other hand, they acknowledged that dancefloors can be spaces of heightened risk for sexual harassment and assault—a risk that women, trans folk, and people of color feel especially keenly. Nonetheless, several women interviewees stressed how beneficial tactile stranger...

... This chapter examines the use of color in the planning, shooting, and postproduction color correction of an experimental film set in nocturnal Chennai, pondering the conceptual challenges posed by color-related feeling and sensation in cinema. color sensation experiment Maurice Merleau...