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Western Desert art history

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Series: Objects/Histories
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... Warburton Arts Project Western Desert art history relational aesthetics globalization Tu Di Shen Ti—Our Land Our Body ...
Series: Objects/Histories
Published: 05 February 2016
DOI: 10.1215/9780822374602-010
EISBN: 978-0-8223-7460-2
... poetics and ensure an alive and en-living archive for the future that operates in relation to the people to whom this history matters most. Warburton Arts Project Western Desert art history relational aesthetics globalization Tu Di Shen Ti—Our Land Our Body ...
Series: Objects/Histories
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... that operates in relation to the people to whom this history matters most. Warburton Arts Project Western Desert art history relational aesthetics globalization Tu Di Shen Ti—Our Land Our Body ...
Series: Objects/Histories
Published: 05 February 2016
DOI: 10.1215/9780822374602-004
EISBN: 978-0-8223-7460-2
... words alone on canvas; words as art that are equally of art, bespeaking an Aboriginal counterhistory to the Western Desert art movement. The opposite of anomie (or the rapid social change associated with modernization), her work instead demonstrates a present-continuous of a colonial history...
Series: Objects/Histories
Published: 05 February 2016
DOI: 10.1215/9780822374602-005
EISBN: 978-0-8223-7460-2
... Digital capacities for the making of Indigenous futures are thriving across the Central and Western Desert, under the aegis of initiatives such as the Desart Art Workers Photography Award, which are serving to Indigenize the Aboriginal art industry. This chapter tracks the history of this award...
Series: Objects/Histories
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... of Indigenous futures are thriving across the Central and Western Desert, under the aegis of initiatives such as the Desart Art Workers Photography Award, which are serving to Indigenize the Aboriginal art industry. This chapter tracks the history of this award and its importance for art-workers-cum-artists...
Series: Objects/Histories
Published: 05 February 2016
EISBN: 978-0-8223-7460-2
... Australia, where there was a tradition of utilizing ochre in what first became known as “Aboriginal art”—bark paintings, hollow log burial sculptures, mimi figures, shields, spears, and other art objects—the Western Desert art movement did not have an ochre-to-art trajectory. The utilization of ochre today...
Series: Objects/Histories
Published: 05 February 2016
DOI: 10.1215/9780822374602-007
EISBN: 978-0-8223-7460-2
... to the bodies and lifeworlds of its producers. Unlike in northern Australia, where there was a tradition of utilizing ochre in what first became known as “Aboriginal art”—bark paintings, hollow log burial sculptures, mimi figures, shields, spears, and other art objects—the Western Desert art movement did...
Series: Experimental Futures: Technological Lives, Scientific Arts, Anthropological Voices
Published: 13 October 2023
DOI: 10.1215/9781478027539-005
EISBN: 978-1-4780-2753-9
... In the dry season of 1889 on the coast of Western Australia, a station manager went in search of a white man rumored to be living deep in the desert. This chapter explores episodes in the history of Indigenous whiteness, often a settler fantasy but occasionally real. It focused on the “archaic...