... James Nares slow motion slowness Street film cut-up ...

... Can slow motion offer a new optics? “Slow” is a meditation on slowness and slow motion inspired by artist James Nares and his 2011 film Street . Excerpts of an interview with Nares are interspersed with various slow-related considerations including David Levine’s research on pedestrian speed...

... This chapter discusses Wendell B. Harris Jr.’s Chameleon Street (1989) and the ways the film stages racial passing in the key of racial performativity. The film’s protagonist (Douglas Street) does not impersonate in the classical sense of racial passing pathologies. His passing and mimicry...

... in the street, or reveal the economic context of romantic relationships are disciplined, discarded, and replaced. Just as the accumulation of women’s bodies are necessary for the performance of virile masculinity, so too is the disposal of women who exceed the limits of patriarchal intimacy. women...

... Initially working in collaboration with Diego Cortez and Anya Phillips, Steve Mass opened the Mudd Club on White Street in the autumn of 1978. He sought to create a hangout for the downtown art crowd, punks, and miscellaneous others while ridiculing the ostentatiousness of the midtown...

... illustrate practices of ?mecherie—a Romanian word with Romani roots connoting street-smart ingenuity and cleverness. These ?mecherie narrations, technocultures, imaginations, and speculations, the chapter suggests, corrupt Siliconization and queer technofuturity. technoculture computers speculation...

... in the 1980s has a new introduction connecting that earlier, effective, long-term demonstration to the work of Occupy Wall Street. Greenham was a political location of extraordinary diversity and invention. It became women-only after the first nine months for a variety of reasons explored here in detail...

... people in North American streets and neighborhoods, in those ongoing crossings of and drownings in the Mediterranean Sea, and in the form of the prison, the refugee camp, and the school. Haitian earthquake Charles Gaines Mediterranean Sea The Forgotten Space June Jordan ...

..., is such a failed subject, so incoherent, that the police officer’s attempts to interpellate him fail miserably. Rossmann exposes the way that interpellation is a two-way street and, given that he doesn’t project any authority back onto the police officer (not because he doesn’t want to but because he is unable...

...1980<subtitle>The Recalibration of Disco</subtitle> Initially working in collaboration with Diego Cortez and Anya Phillips, Steve Mass opened the Mudd Club on White Street in the autumn of 1978. He sought to create a hangout for the downtown art crowd, punks, and miscellaneous others while...

... search to transcend the deep chasm between self and other and to reconcile the truths of love and death. Saenz was fascinated by the city’s dark underside and nocturnal fringes, and he captured the soul of its ancient, twisting streets and decaying neighborhoods in atmospheric prose. His exotic...