Search Results for Sinophone

... in the transnational Sinophone world. The Chinese example analyzed in this chapter foregrounds the normative definition of adult femininity as an identity focused on familial care work. In contrast, an alternative subcategory of women’s lifestyle television, originating in Taiwan, centers on an emergent and idealized...

... The introduction shows how the dynamic queer radicalism of Hong Kong since the 1997 handover demands a theory of unruly comparison. Exploring queer Sinophone visual arts and cross-racial solidarity during the 2019 protests, this chapter demonstrates that queering Hong Kong itself can offer...

... officer and a local mafia boss during the Second Sino-Japanese War. Ma’s novel also serves as a self-reflexive theorization of the queer archive. Overall, Wong, Cheung, and Ma’s works actualize a queer Sinophone worlding of Hong Kong through archival undoings that ultimately disrupt masculinist narrations...

... This chapter explores Hong Kong cinema as a rich site for queer Sinophone theory, positioning Hong Kong as a geographic locale through the visual mapping of global intimacies and connections. It expands on Shu-mei Shih’s insight into the Sinophone as a nonrelational approach toward Chineseness...

... in Sinophone theory and Hong Kong studies. queer migration intimacies migrant workers Taiwan documentary film ...

.... Overall, Chan’s cinematic aesthetic trespasses multiple Sinophone borders. border Sinophone Hong Kong cinema Fruit Chan sex work ...

... transnational Sinophone television gender individualization ...

... unruly comparison Sinophone queer theory Hong Kong unknowing ...

... Sinophone cinema settler colonialism lesbianism Scud minor transnationalism ...

... border Sinophone Hong Kong cinema Fruit Chan sex work ...

... Crystal Boy s Chen Ruoxi queer transnationalism sinophone rise of the novel ...

... The epilogue performs a final act of unruly comparison by juxtaposing Jun Li’s Drifting (2021), a film on homelessness and queer intimacies in post-2019 Hong Kong, with Eric Yip’s queer poem “Fricatives” (2021). The chapter presents Li’s film as an unlikely queer Sinophone text...