... archives Jacques Derrida Michel Foucault Ann Cvetkovich Saidiya Hartman ...

... punctum Roland Barthes Saidiya Hartman Black feminist thought holding spaces ...

... Allan deSouza Chitra Ganesh Mariam Ghani Saidiya Hartman Akram Zaatari ...

... This chapter takes Saidiya Hartman’s Wayward Lives, Beautiful Experiments as a launchpad. Instead of offering a “reading” of or a conventional scholarly response to Hartman’s text, this track, as the name states, takes the shape of a remix that emphasizes certain aspects surely present...

... Saidiya Hartman Wayward Lives Beautiful Experiments remix R&B music W. E. B. Du Bois ...

... The introduction uses Saidiya Hartman’s concept/method of “critical fabulation” to think about the theoretical significance of the Now via the conduit of R&B music. It also makes an argument for the theoretical, cultural, and political significance of contemporary R&B music...

... Chapter 4 explores the interface of archive, affect, and the everyday in the aesthetic practices of queer diaspora. It examines in tandem a memoir by African American studies scholar Saidiya Hartman, the photography of Allan deSouza, a collaborative multimedia project by the artists Chitra...

... Chapter 1 analyzes cultural productions of the late contemporary moment that complicate the hypervisibilty of slave women’s sexual embodiment. The chapter uses Mary Ann Doane’s theory of the photographic afterimage along with Saidiya Hartman’s articulation of gendered submission as a way...

... as moments of self-shattering and jouissance, momentary escapes from the trap of being. Looking to what Saidiya Hartman calls “escape subsistence,” pleasure and sensuality emerge as cultivating practices of cultivation and cohabitation apart from the architectures of enclosure. pleasure glory hole...

... To reach some conclusions, the coda recounts and analyses an everyday occurrence at a presentation in the framework of the 150-year anniversary of the abolition of slavery, in 2013. Saidiya Hartman’s moving presentation on the treatment and murder of two enslaved girls aboard a slave ship...

... child on a beach to die. punctum Roland Barthes Saidiya Hartman Black feminist thought holding spaces ...

... archives. Weaving together a complex story that straddles Senegalese independence (1960), this chapter reads Sembène’s Diouana as an instantiation of Saidiya Hartman’s “Black Venus,” the “dead girl” in the archive of colonization. Ousmane Sembène Black Girl Senegalese literature African cinema...

... the normative “color line,” as Saidiya Hartman terms it, of computational experience. This chapter asks: what would it take to artfully prize open AI’s racist aesthetics and allow other colors to shade computational experience? Stephanie Dinkins’s art offers a differently colored AI. She refashions AI...

... projects those attachments can serve. archives Jacques Derrida Michel Foucault Ann Cvetkovich Saidiya Hartman ...

... , Haile Gerima’s Sankofa , Saidiya Hartman’s Lose Your Mother, and Thomas Allen Harris’s é Minha Cara/That’s My Face, this chapter argues that these cultural productions have helped structure and advance the Afro-Atlantic imaginaries that are examined in subsequent chapters regarding homeland returns...

... projects those attachments can serve. archives Jacques Derrida Michel Foucault Ann Cvetkovich Saidiya Hartman In this chapter, I interweave theorizations and histories of dust, especially dust in the archives, and echoes of transhumanism and tranimacies, with actual trans stories...