... African American painting modernism portraiture Henri Matisse Pablo Picasso ...

... of modern painting: Vincent van Gogh, Henri Matisse, and Pablo Picasso. Returning to the painting through affect studies shows how Delaney’s critique of art historical traditions is an outcome of his creative investment in the kind of modernist subjectivity that emphasized the fluidity of interior...

... protégé, James Baldwin. Self-Portrait (1944) presents itself to students of Western European modernism as a series of formal encounters between Delaney’s painterly persona and three central figures of modern painting: Vincent van Gogh, Henri Matisse, and Pablo Picasso. Returning to the painting through...

... challenged in the 1980s. Following criticism of separatist tendencies that compound neglect of aesthetics in diasporic practices, it is argued that the visual culture model most relevant to intercultural conversations among artists such as Romare Bearden and Pablo Picasso, or Jasper Johns and David Hammons...

... of separatist tendencies that compound neglect of aesthetics in diasporic practices, it is argued that the visual culture model most relevant to intercultural conversations among artists such as Romare Bearden and Pablo Picasso, or Jasper Johns and David Hammons, is one that takes account of Fanon’s analysis...