... Maria Dominguez bomba gentrification Lower East Side sculpture ...

... Lower East Side New Rican Village performance spectacle bodega Surrealism ...

... This chapter examines the underacknowledged contributions of Maria Dominguez, a community muralist, painter, and arts educator, to the Nuyorican art movement in the 1980s. Focused on the Nuyorican Lower East Side, the chapter analyzes three projects undertaken by Dominguez between 1983 and 1987...

... This chapter delves into the artivist interventions of Puerto Rican artists Adál Maldonado and Sandra María Esteves at the New Rican Village (NRV) cultural arts and education center on Manhattan’s Lower East Side. Focused on challenging social alienation and mainstream art institutions...

... scenes filmed primarily on New York’s Lower East Side with the performance at the Cheetah. Linking salsa’s aesthetic contours to the city’s poor and working-class Puerto Rican communities, the film illuminates an ambivalent relationship between Fania Records and Latin New York, one in which New York...

... Rican artists Adál Maldonado and Sandra María Esteves at the New Rican Village (NRV) cultural arts and education center on Manhattan’s Lower East Side. Focused on challenging social alienation and mainstream art institutions, these artists created Bodega Surrealism, an avant-garde approach to art...

...-time director Leon Gast intermingled scenes filmed primarily on New York’s Lower East Side with the performance at the Cheetah. Linking salsa’s aesthetic contours to the city’s poor and working-class Puerto Rican communities, the film illuminates an ambivalent relationship between Fania Records...