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Published: 01 April 2025
DOI: 10.1215/9781478060413-011
EISBN: 978-1-4780-9417-3
... subjectivities travel and are ‘re-fashioned’. “refashioned.” Taking the films La noire de . . . (1966), by Ousmane Sembène, and Les saignantes (2006), by Jean-Pierre Bekolo, as its focus, this chapter suggests that material traffic between costume and cinema is a generative rubric through which to examine...
... costume fashion gender La noire de . . . Les saignantes ...
... referents to the people and cultures with whom they originated.” Cinema and dress are, in this sense, connected as situated, embodied practices through which African subjectivities travel and are ‘re-fashioned’. “refashioned.” Taking the films La noire de . . . (1966), by Ousmane Sembène, and Les...
