Skip Nav Destination
Close Modal
By
Doyle D. Calhoun
Search Results for
La noire de . . .
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Date
Availability
1-4 of 4
Search Results for La noire de . . .
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Published: 01 April 2025
DOI: 10.1215/9781478060413-011
EISBN: 978-1-4780-9417-3
... subjectivities travel and are ‘re-fashioned’. “refashioned.” Taking the films La noire de . . . (1966), by Ousmane Sembène, and Les saignantes (2006), by Jean-Pierre Bekolo, as its focus, this chapter suggests that material traffic between costume and cinema is a generative rubric through which to examine...
... costume fashion gender La noire de . . . Les saignantes ...
Book Chapter
Screen Memories Ousmane Sembène's Black Girl between Image, Icon, and Archive
Available to PurchasePublished: 13 September 2024
DOI: 10.1215/9781478059738-004
EISBN: 978-1-4780-5973-8
... Chapter 3 draws on the oral archive of Nder, psychoanalysis, and the black feminist tradition to reread perhaps the best-known suicide in Francophone African cinema and literature: that of Diouana Gomis, the protagonist of Ousmane Sembène’s film La Noire de . . . / Black Girl (1966...
... referents to the people and cultures with whom they originated.” Cinema and dress are, in this sense, connected as situated, embodied practices through which African subjectivities travel and are ‘re-fashioned’. “refashioned.” Taking the films La noire de . . . (1966), by Ousmane Sembène, and Les...
