... to illustrate claims. Italian futurism politics ugly inaesthetic aestheticization ...

... Pasolini the worst film cinema freedom and slavery Italian politics ...

... Italian futurism politics ugly inaesthetic aestheticization ...

.... Pasolini the worst film cinema freedom and slavery Italian politics ...

...Italian Affirmations A forceful intervention into contemporary politics, this chapter argues that the designations left and right must be preserved, as they are names for different relations to the political origin. Drawing on Schmitt’s genealogy of modern politics, the chapter argues...

... This chapter traces the genealogical line connecting European (and especially Italian) autonomist movements to the diverse struggles for, and debates about, autonomy in current decolonial movements in North and South America. De Bloois argues that the Italian movements of the 1970s understood...

... of Schmitt’s thought nor even a sustained object of Schmitt’s attention. Although Schmitt certainly does turn to Machiavelli to make sense of the “technics” of modern politics, does cite Machiavelli to legitimize his support of Italian Fascism, and does share with Machiavalli a certain “pessimistic” view about...

... struggles for, and debates about, autonomy in current decolonial movements in North and South America. De Bloois argues that the Italian movements of the 1970s understood their position as a point of transition between older Marxist-Leninist models of State-oriented politics and an emerging post-autonomist...

... The chapter is made up of the afterword to the Italian edition of The Black Jacobins (December 2005). It is translated and published here in English for the first time. Written by the respected novelist of the Haitian Revolution Madison Smartt Bell, the chapter describes the writer’s encounter...

... Pitched somewhere between essay and conversation, this chapter records an exchange in which the voice of the Italian philosopher Roberto Esposito merges with that of his interlocutor, Roberto Ciccarelli, to create a third person. The two figures, at once diverging and blending, present...

... This chapter begins with an exploration of the difference between the English term common sense and the Italian senso commune , which lacks the strong positive connotations of the English term. The decision to use the English term is explained. Common sense in the notebooks is seen...

... by the neutralizing reception of Gramsci by the Italian Communist Party. In this political and historical entanglement, the monochrome was evidently less about the drama of opticality and the flatness it seemed to portend in the American context and more about the tension among partially recovered histories...

... The chapter opens the second part of the book, where the conceptual grammar laid out in the first is made to work across the cases of Italy and translocal Atlantic geographies. The housing question in Italy is presented to ground the discussion around the violences of the Italian home...

... representation that had managed and contained labor, such as the unions. The disintegration of the Italian Communist Party is part of the story. Marshall Plan Economic Miracle Operaia ...

...Part II The chapter opens the second part of the book, where the conceptual grammar laid out in the first is made to work across the cases of Italy and translocal Atlantic geographies. The housing question in Italy is presented to ground the discussion around the violences of the Italian home...

... procedural economy: irrevocable violence. In 1944, while interred in Texas a prisoner of war, after his capture during service in the Italian army in North Africa, Burri had started to make art works by painting on and stitching together burlap sacks. This aesthetic decision was motivated by the situation...