Search Results for Hong Kong cinema

... This chapter explores Hong Kong cinema as a rich site for queer Sinophone theory, positioning Hong Kong as a geographic locale through the visual mapping of global intimacies and connections. It expands on Shu-mei Shih’s insight into the Sinophone as a nonrelational approach toward Chineseness...

... Hong Kong cinema diaspora film music musicals opera films ...

... border Sinophone Hong Kong cinema Fruit Chan sex work ...

... Project 1:99 City of SARS Golden Chicken Cantopop Hong Kong cinema ...

.... Overall, Chan’s cinematic aesthetic trespasses multiple Sinophone borders. border Sinophone Hong Kong cinema Fruit Chan sex work ...

... an unruly method of comparison that unsettles the Eurocentrism of queer theory and the China-centrism of area studies. Conceptually, unruly comparison reads queerness in Hong Kong cinema, literature, and visual cultures across the incommensurable terrains of British colonialism, settler colonialism, Chinese...

... in Hong Kong popular culture in the post-SARS era and Sam Hui's COVID-19 virtual concert. Project 1:99 City of SARS Golden Chicken Cantopop Hong Kong cinema ...

.... Film songs flourished in this period bookended by the Chinese jazz age and the era of rock ‘n’ roll. Hong Kong cinema diaspora film music musicals opera films ...

... architecture of the cold war? This essay listens closely to the musical cinema of Hong Kong and Taiwan of the 1960s in order to answer these questions. Jones focuses on the Hong Kong diva Grace Chang and her appropriation of Afro-Caribbean genres, such as mambo and calypso, in a series of high-flying...

... of the cold war? This essay listens closely to the musical cinema of Hong Kong and Taiwan of the 1960s in order to answer these questions. Jones focuses on the Hong Kong diva Grace Chang and her appropriation of Afro-Caribbean genres, such as mambo and calypso, in a series of high-flying transnationally...

... Chapter 2 investigates a shift in the intersection of gender, sexuality, and ethnicity in Thailand. This analysis of the anachronisms of haunting in the 2002 Hong Kong–Thai coproduction The Eye sheds light on the recent transformation of Chinese femininity from denigrated minority identity...

... This chapter explores the Sonagi Village tourist attraction in Yangp’yŏng, South Korea, dedicated to the Korean novelist Hwang Sun-wŏn’s classic postwar short story “Sonagi” (1959), and the way in which Daisy (2006), a collaboration between the Hong Kong director Andrew Lau and the Korean...

... to the Korean novelist Hwang Sun-wŏn’s classic postwar short story “Sonagi” (1959), and the way in which Daisy (2006), a collaboration between the Hong Kong director Andrew Lau and the Korean filmmaker Kwak Jae-yong, appropriates and adapts the traditional Korean trope of the sonagi , or sudden rain shower...

... Grace Chang was one of the biggest stars of postwar Hong Kong film and popular music, most remembered for her debut role in Mambo Girl, which introduced to Chinese cinema the figure of the singing and dancing teenager. Her performances introduced new, foreign musical styles—such as American rock...

... transnationality Chinese history femininity Hong Kong memory ...

... Sinophone cinema settler colonialism lesbianism Scud minor transnationalism ...