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Club 57

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Published: 09 September 2016
DOI: 10.1215/9780822373926-003
EISBN: 978-0-8223-7392-6
... CBGB regulars Ann Magnuson, Susan Hannaford, and Tom Scully took over the running of Club 57, located on St. Mark’s Place, in the spring of 1979. With Magnuson taking the lead role, they introduced an eclectic program that included DJ-ing, the screening of old B-movies, performance art...
Book Chapter

By Tim Lawrence
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... Mudd Club Club 57 Modern Classix AM/PM the Clash art-punk ...
Book Chapter

By Tim Lawrence
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... Danceteria Jim Fouratt Rudolf Piper Ruth Polsky Club 57 Mudd Club ...
Book Chapter

By Tim Lawrence
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... Club 57 Ann Magnuson Keith Haring Kenny Scharf Anita Sarko performance art ...
Published: 09 September 2016
DOI: 10.1215/9780822373926-020
EISBN: 978-0-8223-7392-6
... The live music scene fractured as smaller venues complained that they were being bullied by larger spots such as the Ritz and the Peppermint Lounge. An air of decline hung over the Mudd Club while Club 57 slipped into a somewhat darker, more chaotic rhythm. These developments were overshadowed...
Published: 09 September 2016
DOI: 10.1215/9780822373926-011
EISBN: 978-0-8223-7392-6
... Mass continued to curate a dissident music program as well as interlocking fashion, performance, film, and video events, but by the end of the year his core crowd had started to disperse. Club 57 also splintered after Magnuson stepped back from managing the venue in September 1980, even if her...
Published: 09 September 2016
DOI: 10.1215/9780822373926-004
EISBN: 978-0-8223-7392-6
..., and experimental filmmakers curated a groundbreaking video lounge. Danceteria offered a level of explorative creativity that threatened to dwarf the offerings of Club 57 and the Mudd Club. Yet in contrast to both of those spots, Fouratt and Piper’s venue was located not in downtown but midtown. Danceteria...
Published: 09 September 2016
DOI: 10.1215/9780822373926-029
EISBN: 978-0-8223-7392-6
... Club 57 closed in early 1983 and Steve Mass wound down the Mudd Club soon after, but Danceteria and Pyramid maintained their frenzied schedules. Patti Astor and Bill Stelling opened the new year at the Fun Gallery with a Futura 2000 show, selling every piece but one before opening night...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... integrating live music, DJ-ing, immersive happenings, and underground film, the Mudd Club became a focal point for a new form of hybrid partying. Mudd Club Steve Mass downtown art scene punk disco CBGB regulars Ann Magnuson, Susan Hannaford, and Tom Scully took over the running of Club 57...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
...1982<subtitle>Dance Culture Seizes the City</subtitle> The live music scene fractured as smaller venues complained that they were being bullied by larger spots such as the Ritz and the Peppermint Lounge. An air of decline hung over the Mudd Club while Club 57 slipped into a somewhat darker...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
...1981<subtitle>Accelerating Toward Pluralism</subtitle> Mass continued to curate a dissident music program as well as interlocking fashion, performance, film, and video events, but by the end of the year his core crowd had started to disperse. Club 57 also splintered after Magnuson stepped...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
...1983<subtitle>The Genesis of Division</subtitle> Club 57 closed in early 1983 and Steve Mass wound down the Mudd Club soon after, but Danceteria and Pyramid maintained their frenzied schedules. Patti Astor and Bill Stelling opened the new year at the Fun Gallery with a Futura 2000 show...