... performance criticism radical feminism Allan Kaprow Charlotte Moorman Betty Friedan ...

... Chapter 3 focuses on Jill Johnston as an “embedded writer,” always writing from within an event even as she thought of herself as a perpetual outsider. Writing in this chapter includes pieces that focus on an Allan Kaprow–directed Happening in which Johnston performed; on a Charlotte Moorman...

....” The chapter focuses closely on Johnston’s writing from 1965 to 1969, a period when she experimented boldly with the form of performance reviews, often to trouble a divide between performance and spectator. This is first demonstrated through close readings of a series of Johnston reviews of Charlotte Moorman’s...