... This chapter critically surveys the mid-1990s moment in which the populist irreverence of the Young British Artist phenomenon attracted attention, especially through the 1997 Sensation exhibition, even though it was not widely understood that the self-parodying Britishness put on display...

... British black art 1980s culture,politics ...

... Chapter 12 thinks about the 1980s as an object of critical knowledge. Hall maps the black arts in Britain at that time as part of a wider cultural and political moment. British black art 1980s culture,politics ...

... institutions art black British ...

... as an object of critical knowledge. Hall maps the black arts in Britain at that time as part of a wider cultural and political moment. British black art 1980s culture,politics ...

... Hall engages with the absences and elisions of the dominant institutions of the art world that have persistently ignored the black British presence, resisting its imprint on the construction of Britishness. Here is Stuart Hall at the coal face of institution building, moving between...

... of official culture and established museum historiography. museum historiography art Hall engages with the absences and elisions of the dominant institutions of the art world that have persistently ignored the black British presence, resisting its imprint on the construction of Britishness. Here...

... This chapter offers a midcareer review of cut-and-mix collage strategies in black British artist Keith Piper’s multimedia art practice, which spans painting, installation, computer-generated montage, and video. Approached as a “history painter” of post-Empire Britain, in that his art bears...

... Hall draws out the long durée by which diasporan artists today address slavery’s afterlives. He goes on to map the work of several black British artists who undertook Belisario’s diasporic journey in reverse, “returning to some of the thematic ground that his work occupied” and articulating...

... This monographic study examines the oeuvre of Nigerian-British photographer Rotimi Fani-Kayode (1956–89) in light of his posthumous Communion series. Where the artist’s choice of the black male nude as his primary subject was narrowly interpreted in terms of identity, close reading of Fani...

...Differential Proliferations This chapter offers a midcareer review of cut-and-mix collage strategies in black British artist Keith Piper’s multimedia art practice, which spans painting, installation, computer-generated montage, and video. Approached as a “history painter” of post-Empire...

....” creolization Britain cultural studies Hall draws out the long durée by which diasporan artists today address slavery’s afterlives. He goes on to map the work of several black British artists who undertook Belisario’s diasporic journey in reverse, “returning to some of the thematic ground that his...

... This chapter accompanied a 1995 exhibition that curated black British artists’ responses to mid-twentieth-century African studio portraits by Seydou Keïta in Mali and Mama Casset in Senegal. With close attention to stylistic choices that reflect the agency of such practitioners, as well...

...Global Modernities This chapter accompanied a 1995 exhibition that curated black British artists’ responses to mid-twentieth-century African studio portraits by Seydou Keïta in Mali and Mama Casset in Senegal. With close attention to stylistic choices that reflect the agency...

... Film, video, and moving-image installation by black British artist Isaac Julien is examined through the lens of the interracial same-sex couple, which is approached as a trope Julien employs in an art practice that results in a queer aesthetic of perversion in which previously fixed meanings...

...The New Politics of Representation<subtitle>Black Film/British Cinema</subtitle> Hall traces a shift in black cultural politics that is marked by a transformation in the dominant regimes of representation. black culture representation ethnicities Chapter 5 is a transcript...

... black bodies Britishness Caribbean multimedia masculinities ...

... understood as the first printed portrait of a named African American in the British Americas. This essay challenges the veracity of this myth and examines the various ways that Black women were imaged during the late eighteenth century. It argues for the broader significance of this portrait for women's...

... This interview-based introduction to installation art by Nigerian-British artist Yinka Shonibare highlights the history of cross-cultural translation woven into the very fabric of his signature material, Dutch wax print cloth. Originating in East Asian batik, which was copied by Dutch colonials...