...Anticolonial Collaboration in the Bienal de La Habana's Early Iterations<subtitle>Havana, 1984–1991</subtitle> “Chapter 1: Polyphonic Internationalism” explores the production of a Third World avant-garde in the first iterations of the Bienal de La Habana. It contextualizes this effort...

... craft indigenismo popular art production aesthetics Bienal de La Habana ...

... anticolonial curating collaborative labor nonorthodox Marxism Cuban art Bienal de La Habana ...

... Julio Le Parc kinetic art Third World avant-garde Bienal de La Habana ...

... “Chapter 2: Curating the Third World” assesses the development of a collaborative approach to curation in the early iterations of the Bienal de La Habana. Empirical material for this chapter comes in the form of detailed description of instances of curatorial collaboration such as research trips...

... “Chapter 1: Polyphonic Internationalism” explores the production of a Third World avant-garde in the first iterations of the Bienal de La Habana. It contextualizes this effort in Havana's internationally oriented effervescent cultural and intellectual life of the 1980s, and the time's renovation...

... embraced neoliberal globalization, but some helped imagine an internationalism of the subaltern instead. craft indigenismo popular art production aesthetics Bienal de La Habana ...