... of suddenly becoming foreign oneself. The two examples here are Benedict Anderson and Arjun Appadurai. In their respective autobiographical accounts, they locate the beginning of their scholarly interests in their accidental encounters with unknown peoples and imported objects. In doing so they decisively...

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... In a close reading of David Mitchell’s Ghostwritten that uses Benedict Anderson’s formal categories, this chapter examines what happens to the novel form when the novelistic imagination goes global and acquires a networked orientation, when it is no longer analogous to imagining a nation...

... to the historiography of Dutch painting since the nineteenth century and has frequently been obfuscated and ignored by later scholars, with the exception of Walcott, for whom Rembrandt and race play a critical role in his work The Prodigal. colonial administrator Benedict Anderson monument ...

... as an ineffaceable aesthetic and normative horizon of our global present. Weltliteratur chronotope globe novel worlds nonmimetic realisms In a close reading of David Mitchell’s Ghostwritten that uses Benedict Anderson’s formal categories, this chapter examines what happens to the novel form when...

... with the foreign and experiences of suddenly becoming foreign oneself. The two examples here are Benedict Anderson and Arjun Appadurai. In their respective autobiographical accounts, they locate the beginning of their scholarly interests in their accidental encounters with unknown peoples and imported objects...