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1-9 of 9 Search Results for
Alfred Hitchcock
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Series: Theory Q
Published: 22 July 2016
EISBN: 978-0-8223-7404-6
... melodrama aesthetic life Alfred Hitchcock Patricia Highsmith ...
... Scientology Institutional Space Motion Pictures Twitter Stupidity Patricia Highsmith J. G. Ballard Alfred Hitchcock ...
Book: The Official World
Published: 08 April 2016
DOI: 10.1215/9780822374459-004
EISBN: 978-0-8223-7445-9
.... Via crime stories and crime films, and belief systems such as Scientology, this part details the medium of suspense as a worldview—focusing on one the suspense novel’s great practitioners, Patricia Highsmith, and on one of the suspense motion picture’s great strategists, Alfred Hitchcock. A central...
... the medium of suspense as a worldview—focusing on one the suspense novel’s great practitioners, Patricia Highsmith, and on one of the suspense motion picture’s great strategists, Alfred Hitchcock. A central focus on the novel and the film Strangers on a Train . Scientology Institutional Space...
Series: Theory Q
Published: 22 July 2016
DOI: 10.1215/9780822374046-003
EISBN: 978-0-8223-7404-6
.... melodrama aesthetic life Alfred Hitchcock Patricia Highsmith ...
Series: Theory Q
Published: 22 July 2016
EISBN: 978-0-8223-7404-6
... of aesthetic existence. melodrama aesthetic life Alfred Hitchcock Patricia Highsmith This chapter examines an early story by Willa Cather and a late novel to see her ongoing struggle with and adaptation to a Wildean aesthetic in her work that underlies queer possibility, which she attaches...
Series: [sic] Series
Published: 10 February 2017
DOI: 10.1215/9780822373384-009
EISBN: 978-0-8223-7338-4
...” provides the literary coordinates for what Willis dubs an “aesthetics of the Real.” While a number of critics have attended to, as well as built on, Žižek’s analyses of filmic representations of the Real (especially those found in the films of Alfred Hitchcock and David Lynch), Willis, drawing on Žižek’s...
Series: [sic] Series
Published: 10 February 2017
EISBN: 978-0-8223-7338-4
... coordinates for what Willis dubs an “aesthetics of the Real.” While a number of critics have attended to, as well as built on, Žižek’s analyses of filmic representations of the Real (especially those found in the films of Alfred Hitchcock and David Lynch), Willis, drawing on Žižek’s theorization of the Real...