... Aboriginal history painting biliterary and biliteracy Indigenous ficto-drama visual literacy Warakurna Artists ...

... that is in no sense over or past to those who live its effects in the place of the “remote” today. Aboriginal history painting biliterary and biliteracy Indigenous ficto-drama visual literacy Warakurna Artists ...

... a present-continuous of a colonial history that is in no sense over or past to those who live its effects in the place of the “remote” today. Aboriginal history painting biliterary and biliteracy Indigenous ficto-drama visual literacy Warakurna Artists Digital capacities for the making...

... to the bodies and lifeworlds of its producers. Unlike in northern Australia, where there was a tradition of utilizing ochre in what first became known as “Aboriginal art”—bark paintings, hollow log burial sculptures, mimi figures, shields, spears, and other art objects—the Western Desert art movement did...

... Australia, where there was a tradition of utilizing ochre in what first became known as “Aboriginal art”—bark paintings, hollow log burial sculptures, mimi figures, shields, spears, and other art objects—the Western Desert art movement did not have an ochre-to-art trajectory. The utilization of ochre today...