Search Results for Aboriginal history

... Aboriginal history painting biliterary and biliteracy Indigenous ficto-drama visual literacy Warakurna Artists ...

... counterhistory and memory Aboriginal history Indigenous new media community art and media industry Yiwarra Kuju: The Canning Stock Route ...

..., an intercultural project team of community arts experts consulted with Aboriginal communities and artists, generating original artworks and oral history, partnering with art centers, and mentoring Aboriginal curators, researchers, and media makers to engender an Aboriginal-determined national archive. Chapter 8...

... words alone on canvas; words as art that are equally of art, bespeaking an Aboriginal counterhistory to the Western Desert art movement. The opposite of anomie (or the rapid social change associated with modernization), her work instead demonstrates a present-continuous of a colonial history...

..., an intercultural project team of community arts experts consulted with Aboriginal communities and artists, generating original artworks and oral history, partnering with art centers, and mentoring Aboriginal curators, researchers, and media makers to engender an Aboriginal-determined national archive. Chapter 8...

... a present-continuous of a colonial history that is in no sense over or past to those who live its effects in the place of the “remote” today. Aboriginal history painting biliterary and biliteracy Indigenous ficto-drama visual literacy Warakurna Artists Digital capacities for the making...

... music’s well-known pastoral tropes of loss to speak to the distinct situation of Aboriginal people in Australia. The chapter explores this history and its remediation in film and other forms of new media and argues that country, the first commercial music shared across Aboriginal Australia, is produced...

... moment in the organization’s history when its producers were asked to refigure their remote Aboriginal constituents as a market under state-driven demands that Indigenous media embrace commercial modes of production. The tensions such demands entail are apparent in two opposing rituals of recognition—one...

... In 2007, the Australian government seized by compulsory acquisition seventy-three remote Aboriginal communities and townships to “stabilize and normalize” what was constructed as a national emergency humanitarian crisis. Chapter 1 models the so-called crisis of remote Aboriginal communities...

... tracks how, within less than ten years, Tjanpi has become high Aboriginal art, moving from a secular-based art form using secular (imported) grasses to a becoming-traditional art form, utilizing local lands-based grasses for works that reveal Tjukurpa (the Dreaming) today, as they take shape across...

... Tangentyere Artists is the first community arts center for Aboriginal people and community members living in town camps of Alice Springs in the Northern Territory. Chapter 2 provides an original analysis of the emergent aesthetics of Tangentyere Artists. It presents the practice basis...

... to the bodies and lifeworlds of its producers. Unlike in northern Australia, where there was a tradition of utilizing ochre in what first became known as “Aboriginal art”—bark paintings, hollow log burial sculptures, mimi figures, shields, spears, and other art objects—the Western Desert art movement did...

... Aboriginal English Aboriginal literature metrolect and communilect biliterary and biliteracy Tangentyere Artists ...

... hapticity phenomenology of art ochre in Aboriginal art affect and sensation Warnayaka Art and Cultural Aboriginal Corporation ...

... of Yarrenyty Arltere Artists. There is a marked emergence of animation as an experimental art form across remote Aboriginal communities. Animation uniquely enables the capacity to present (not represent) Aboriginal life world(s): making proximate and making ready unique social conditions for cultural emergence...

... less than ten years, Tjanpi has become high Aboriginal art, moving from a secular-based art form using secular (imported) grasses to a becoming-traditional art form, utilizing local lands-based grasses for works that reveal Tjukurpa (the Dreaming) today, as they take shape across the highly traveled...