Book Chapter
Introduction: Envisioning Taiwan in a Changing World
-
Published:September 2004
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.
Bibliography
Chinese Sources
Kuang-han
Chao
(趙光漢). “Hsiang-t’u Literature Is a National Literature” (鄉土文學就是國民文學)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 281
–91
.Hung-chih
Chan
(詹宏志). “The Origins and Future Path of Taiwanese New Cinema” (臺灣新電影的來路與去路)
.In Hsiung-p’ing
Chiao
, Taiwanese New Cinema
, 25
–39
.Hung-chih
Chan
(詹宏志). “A Proclamation for Taiwanese Cinema, 1987” (七十年臺灣電影宣言)
. In Hsiung-p’ing
Chiao
, Taiwanese New Cinema
, 111
–18
.Ch’ien-p’ei
Chang
(張靚蓓). “Two Versions of City? Domestic Print Lacks a Scene” (兩種“悲情”:國內版少一段)
. China Times (中國時報)
, September
13
, 1989
.Ch’ing-yang
Chang
(張擎陽). “History and Cinema” (歷史與電影)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 214
–19
.Chung-tung
Chang
(張忠棟). “Hsiang-t’u, Nationalism, Autonomy” (鄉土,民族,自立自強)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 495
–500
.Ju-hsiu
Chen
(陳儒修). “A Report on Taiwanese Film Culture in the Nineties” (代台灣電影文化生態調查報告)
. Film Appreciation (電影欣賞)
, no. 75
(May–June
1995
): 98
–112
.Ying-chen
Ch’en
(陳映眞). “A Compassionate Outlook on Life” (關懷的人生觀)
. In T’ien-ts’ung
Yu
, 342
–47
.Ying-chen
Ch’en
(陳映眞). “Establishing a Style for a National Literature” (建立民族文學的風格)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 334
–41
.Ying-chen
Ch’en
(陳映眞). “Literature Comes from Social Self-Reflection” (文學來自社會反應社會)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 53
–68
.Ying-chen
Ch’en
(陳映眞). “Nationalism and Our Society” (我們的社會和民族精神教育)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 23
.Ying-chen
Ch’en
(陳映眞). Taiwan under American Rule (美國統制下的台灣). Vol. 13 of his Collected Works
, Taipei
: Jen-chien
, 1988
.Ying-chen
Ch’en
(陳映眞). “A Tenth Anniversary Retrospective Look at the Hsiang-t’u Literary Debates” (《鄉土文學》論戰十周年的回顧)
. In The Poverty of Ideology (思想的貧困), vol. 6 of his Collected Works
, 99
. Taipei
: Jen-chien
, 1988
.Lung-jen
Ch’i
(齊隆壬). “The Tendencies of Taiwanese Film Criticism” (臺灣電影批評的傾向)
. In Hsiung-p’ing
Chiao
, Taiwanese New Cinema
, 40
–46
.Hsiung-p’ing
Chiao
(焦雄屏). “The Camera-Swept Back Alleys of History: An Interview with Hou Hsiao-hsien” (鏡頭掃過歷史的暗巷)
. China Times (中國時報)
, September
4–5
, 1989
.Hsiung-p’ing
Chiao
(焦雄屏). “Caught in the Tides of Sweeping Change” (縱浪大化中)
. Interview with Hou Hsiao-hsien
, China Times (中國時報)
, June
7–13
, 1993
, in seven parts
.Hsiung-p’ing
Chiao
(焦雄屏). ed. Hong Kong Cinema Style (香港電影風貌)
. Taipei
: Jen-chien Books
, 1987
.Ying-jui
Ching
(井迎瑞). “No Longer Adrift on the Long River of History” (在歷史的長河裏我們不在漂泊)
. Film Appreciation (電影欣賞)
,, no. 53
(September
1991
), 2
–4
.Ch’iu
, Kuei-fen
(邱貴芬). “‘Discovering Taiwan’: Constructing a Theory of Taiwanese Post-Coloniality” (發現臺灣: 建構臺灣後殖民述)
. In Ming-li
Cheng
(鄭明利), ed., Contemporary Literary Criticism in Taiwan.Vol. 3, The Novel (當代臺灣文學評論大系:小說批評)
. Taipei
: Cheng-chung Books
, 1993
, 157
–81
.T’ien-wen
Chu
(朱天文). “Thirteen Questions on City of Sadness” (“悲情城市” 十三問)
. Tzu-li Morning Post (自立早報)
, July
11–13
, 1989
.Chao-cheng
Chung
(鐘肇政), ed. The Selected Works of Native Taiwanese Writers (本省籍作家作品選集)
. 10
vols. Taipei
: Wen-t’an
, 1965
.“City of Sadness and the Febuary 28 Incident: A Symposium” (悲情城市二二八)
. Contemporary (當代)
, no. 43
(November
1
, 1989
): 111
–30
.Feng
, Tsuo-min
(馮作民). One Hundred Lessons of Taiwanese History (臺灣歷史百講)
. Taipei
: Youth Culture Press
, 1965
.Film Appreciation (電影欣賞)
, no. 45
(May
1990
). Special issue on “Film, History and Popular Memory,” which includes translations of articles discussing Edgar Reitz’s film Heimat from the fall 1985 issue of New German Critique
.Fang
Ho
(何方). “Foucault, Film, and Popular Memory” (傅柯, 電影與人民記憶)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 194
–96
.Fang
Ho
(何方). “Reshaping Memory” (記憶的重塑)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 184
–89
.Hsin
Ho
(何欣), “How Hsiang-t’u Literature Is ‘Hsiang-t’u’” (鄉土文學怎樣“鄉土”)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 271
–80
.Hsin
Ho
(何欣), “The Modern Chinese Literary Heritage” (中國現代小說的傳統)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 465
–66
.Hou Hsiao-hsien: The Making of a Director (侯孝賢: 一個導演的來歷)
. Coordinated by Chan Hung-chih (詹宏志)
. Taiwan
: 1993
. Color video
.Jen-ch’ang
Hsieh
(謝仁昌). “Interview with Wu Nien-chen” (吳念眞)
. Film Appreciation (電影欣賞)
, no. 71
(September–October
1994
): 50
–57
.Jen-ch’ang
Hsieh
(謝仁昌). “A Report on My Life” (我生命過程的一個報告)
. Film Appreciation (電影欣賞)
, no. 64
(July–August
1993
): 45
–62
. Interview with Hou Hsiao-hsien.
Nan-ts’un
Hsu
(許南村) [Ch’en Ying-chen]
. “The Blind Spot of Hsiang-t’u Literature” (鄉土文學的盲點)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 93
–99
.Nan-ts’un
Hsu
(許南村) [Ch’en Ying-chen]
. “A Preliminary Discussion of Ch’en Ying-chen” (試論陳映眞)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 172
–74
.Nan-ts’un
Hsu
(許南村) [Ch’en Ying-chen]
. “The Taiwanese Art World’s First Spring in Thirty Years” (台灣畫界三十年來的初春)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 130
–47
.Ch’iu-yuan
Hu
(胡秋原). “On Nationalism and Economic Colonization” (談民族主義與殖民經濟)
. Interview collected in Yu T’ien-ts’ung
, A Collection of Essays on Hsiang-tu Literature
, 561
–77
.Ch’iu-yuan
Hu
(胡秋原). “The Restoration of a Chinese Position” (中國人立場之復歸)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 1
–44
.Chien-yeh
Huang
(黃建業). Interview with Edward Yang
. Film Appreciation (電影欣賞)
, no. 71
(September–October
1994
): 15
–26
.Chien-yeh
Huang
(黃建業). The Quest of Humanist Cinema (人文電影的追尋)
. Taipei
: Yuan-liu Publications
, 1990
.Chien-yeh
Huang
(黃建業). “A Retrospective Look at Taiwanese Cinema of 1983” (一九八三年台灣電影回顧)
. In Hsiung-p’ing
Chiao
, Taiwanese New Cinema
, 48
–60
.Mei-ying
Huang
(黃美英). “The Reproduction of‘February 28’” (再造的“二二八”)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 153
–57
.Chun-ming
Hwang
(黃春明). Awaiting the Name of a Flower (等待一朵花的名字)
. Taipei
: Huang-kuan
, 1989
.Chun-ming
Hwang
(黃春明). “One Writer’s Humble Thoughts” (一個作者的卑鄙心靈)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 629
–47
.Chun-ming
Hwang
(黃春明). “From ‘Confucius Says…’ to According to the Newspaper…’” (從“子曰”到“報紙說”)
. In Huang
, Awaiting the Name of a Flower
, 52
–77
.Chun-ming
Hwang
(黃春明). “The Tomato Tree On the Roof” (屋頂上的番茄樹)
. In Awaiting the Name of a Flower
, 32
–44
.Chun-ming
Hwang
(黃春明). “A Lovable Country Balladeer” (一個可愛的農村歌手)
In Awaiting the Name of a Flower
, 131
–33
.Chun-ming
Hwang
(黃春明). “I Remember…” (使我想起來)
. In Awaiting the Name of a Flower
, 142
–46
.Chun-ming
Hwang
(黃春明). “The Age of Folk Songs” (產生民謠的時代)
. In Awaiting the Name of a Flower
, 152
–55
.Chun-ming
Hwang
(黃春明). “Folk Songs That Count” (算術民謠)
. In Awaiting the Name of a Flower
, 162
–64
.Chun-ming
Hwang
(黃春明). “A Taboo Folk Song” (一支令人忌諱的民謠)
. In Awaiting the Name of a Flower
, 165
–67
.Chun-ming
Hwang
(黃春明). “Notes on Taiwanese Folk Songs” (台灣民謠札記)
. In Awaiting the Name of a Flower
, 171
–77
.Chun-ming
Hwang
(黃春明). “Little Three-Character Classics, Old Three-Character Classics
.” In Awaiting the Name of a Flower
, 78
–88
.Imagekeeper Monthly (影響)
1
(November
20
, 1989
). Inaugural issue, featuring interviews with Hou Hsiao-hsien (候孝賢), and Chu T’ien-wen (朱天文), as well as numerous articles on Hou’s City of Sadness (悲情城市)
.Po-chou
Lan
(藍博洲) Song of the Swinging Chariot (幌馬車之歌)
. Taipei
: Times Cultural Publications
, 1991
.Ao
Li
(李敖), ed., Research on the February 28 Incident (二二八事件研究)
. 3
vols. Taipei
: Li Ao Publications
, 1989
.Er-mo
Li
(李爾莫). “Regression or Innovation? A Discussion with Zhang Yimou of To Live” (是回歸還是創新? 與張藝謀談“活著”)
. Film Appreciation (電影欣賞)
, no. 69
(June
1994
): 105
–14
.You-hsin
Li
(李幼新), ed. Six Major Directors from Hong Kong and Taiwan (港台六大導演)
. Taipei
: Tzu-li News Publications
, 1986
.Yung-wei
Li
(李詠薇) and Hsiao-fen
P’eng
(彭小芬). “Interviews with Seventeen Taiwanese‘New Cinema’ Film Workers” (臺灣“新電影”工作者訪問錄)
. Film Appreciation (電影欣賞)
, no. 26
(March
1987
): 5
–16
.Hsin-hua
Liang
(梁新華). “Banana Paradise: Evocation of a Divisive Era” (香蕉天堂: 分裂時代的心情故事)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 208
–13
.Liao
, Ping-hui
(廖炳惠). “A Deaf, Dumb Photographer” (即聾又啞的攝影師)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 129
–34
.Liao
, Ping-hui
(廖炳惠). “A Rejection of History?” (歷史的楊棄)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 158
–61
.Lin
, Huai-ming
(林懷民). “Warm Affections, Deep Sighs: On Watching City of Sadness in New York” (溫潤的關照, 深沉的探思: 紐約看“悲情城市”)
. China Times (中國時報)
, October
18
, 1989
.Lin
, Nien-t’ong
(林年同). Wandering in the Lens (鏡游)
. Hong Kong
: Su-yeh Publications
, 1984
.Tsou
Mi
(迷走) and Hsin-hua
Liang
(梁新華), eds. The Death of Taiwanese New Cinema (臺灣新電影之死)
. Taipei
: T’ang-shan Publications
, 1991
.“Overseas Press Materials for City of Sadness Stir Controversy” (悲海外宣材引起震憾)
. In Ming Sheng News (明生報)
, August
30
, 1989
.Ko
P’eng
(彭歌). “Without Humanity, How Can There Be Literature?” (不談人性,何有文學)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 245
–63
.Ko
P’eng
(彭歌). “Notes By San-san” (三三草)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiangtu Literature
, 227
–44
.The Republic of China Handbook
. Taipei
: Government Information Office
, 1989
, 1994
.Shao
, Yi-teh
(邵懿德). “On the ‘New’ in Taiwanese New Cinema of the 1980s” (關於八十年代臺灣新電影環境“新” 的聲音)
. In Film Appreciation (電影欣賞)
, no. 26
(March
1987
): 27
–31
.Po-tung
Sun
(孫伯東). “Is Taiwan a Colonized Economy?” (台灣是殖民經濟嗎)
. In Yu
, A Collection of Essays on Hsiang-tu Literature
, 501
–7
.Higashi-o
Tobari
(戶張東夫). “New Creative Directions in the Post-martial-law Era
.” The People Biweekly (百姓)
, no. 210
, February
26
, 1990
, 46
–47
; no. 211, March 1, 1990, 36–37
.Wa
T’ong
(童娃). “Language Laws and Colored Pens” (語法與彩色筆)
. Film Appreciation (電影欣賞)
, no. 20
(March
1986
): 29
–36
.Tsai
, Ling-ling
(紫玲玲). “The Critical Fog Surrounding City of Sadness” (環繞著“悲” 的論述霧)
. Tzu-li Evening News (自立晚報)
, October
10
, 1989
.Ch’eng
Tun
(敦誠). “Eye in the Sky: Direct Satellite Broadcasting and the Logic of Capital Distribution” (天眼: 從直播衛星電視看資本運作邏輯)
. Contemporary (當代)
, no. 50
(July
1990
): 4
–16
.Wai
, Min
(韋名), ed. The February 28 Incident in Taiwan (臺灣的二二八事件)
. Hong Kong
: Seventies Magazine Publications
, 1975
.Chen-ho
Wang
(王禎和). “The Eternal Quest: On My Fiction-Writing Experiences” (永恆的尋求:談我的小說寫作經驗)
. (素葉文學)
, nos. 20–21
(November
1983
): 14
.T’o
Wang
(王拓). “‘Colonialism’ or ‘Self-Determination’” (《 殖民地意願》還是《自主意願》)
. In Yu
, A Collection of Essays on Hsiang-tu Literature
, 578
–86
.T’o
Wang
(王拓). “Embrace the Healthy Earth” (擁抱健康的大地)
. In Yu
, A Collection of Essays on Hsiang-tu Literature
, 384
–62
.T’o
Wang
(王拓). “‘Realism,’Not‘Ruralism,’” (是《現實主義》文學,不是《鄉土文學》)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 100
–119
.Wen-hsing
Wang
(王文興). “The Merits and Faults of Hsiang-t’u Literature” (鄉土文學的功與過)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 515
–46
.Ko-chih
Wen
(文戈止). “The Rashomon Quality of City of Sadness” (悲情城市”的“羅生門本質)
. Tsu-li Morning Post (自立早報)
, October
10
, 1989
.Cheng-huan
Wu
(吳正桓). “Taiwanese Cinema Culture and Two Ways of Looking at Films
.” Contemporary
10
: 97
–98
.Wu
, Ch’i-yen
(吳其諺). “Historical Memory, Film Aesthetics and Politics” (歷史記憶, 電影藝術與政治)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 229
–34
.Wu
, Ch’i-yen
(吳其諺). “Notes on the Release of City of Sadness” (“悲情城市”現象記)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 84
.Wu
, Ch’i-yen
(吳其諺). “Taiwan Enters an Era of Auterist Cinema” (台灣邁入作者電影的時期)
, Film Appreciation (電影欣賞)
, no. 68
(March–April
1994
): 13
–15
.Wu
, Ch’i-yen
(吳其諺). “The Taiwanese Experience on Film” (臺灣經驗的影像塑造)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 179
–83
.Wu
, Ch’i-yen
(吳其諺). “Thru the Narrow Cracks of History” (透過歷史的那道狹窄隙縫)
. In Mi
and Liang
, The Death of Taiwanese New Cinema
, 123
–28
.Ming-jen
Wu
(吳明仁). “From the Adulation of the West’ to the Awakening of a ‘Nationalistic Consciousness’” (從崇洋媚外到民族意識的覺醒)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 3
–13
.Wan-ju
Wu
(吳婉茹). “Seeing the World through Warm and Sympathetic Eyes: The Social Engagement of Writer Hwang Chun-ming” (用溫柔的眼睛觀看紅塵:奮力淑世的小說家黃春明)
. Central Daily News (中央日報)
, July
15–16
, 1995
.Yearbook of Motion Pictures in the Republic of China
, 1979
.Shih-t’ao
Yeh
(葉石濤). “An Introduction to Taiwanese Hsiang-t’u Literature” (臺灣鄉土文學討論)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 69
–92
.Yuan-shu
Yen
(諺元叔). “Social Realism in Recent Chinese Fiction in Taiwan
.” In Thirty Years of Turmoil in Asian Literature
Taipei
: Taipei Chinese Center, International PEN
, 1976
, 218
. Proceedings of the Fourth Asian Writer’s Conference
.Cheng-hsiung
Yin
(銀正雄). “From Whence Come the Bells in the Graveyard?” (墳地E 哪來的鐘聲)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 93
–203
.Yip
, Wai-lim
(葉維廉). “Colonialism, Culture Industry, and Consumer Desire” (殖民主義,文化工業與消費欲望)
. Contemporary (當代)
, no. 52
(August
1990
): 40
–60
.Kuang-chung
Yu
(余光中). “Crying Wolf” (狼來了)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 264
–67
.T’ien-ts’ung
Yu
(尉天聰). “Literature in the Service of Life” (文學爲人生服務)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 158
–60
.T’ien-ts’ung
Yu
(尉天聰). “Nationalism and Our Society” (我們的社會和民族精神教育)
. In T’ien-ts’ung
Yu
, A Collection of Essays on Hsiang-tu Literature
, 22
–27
.T’ien-ts’ung
Yu
(尉天聰), ed. A Collection of Essays on Hsiang-tu Literature (鄉土文學討論集)
. Taipei
: Yuan-ching Publications
, 1978
.Western-Language Sources
Abbas
, Ackbar
. Hong Kong: Culture and the Politics of Disappearance
. Minneapolis
: University of Minnesota Press
, 1997
.Abu Lughod
, Janet
. “Going beyond Global Babble
.” In King
, ed., Culture, Globalization and the World-System
, 131
–38
.Adam
, Ian
, and Tiffin
Helen
, eds. Past the Last Post: Theorizing Post-colonialism and Post-modernism
. Calgary
: University of Calgary Press
, 1990
.Ahmad
, Aijaz
. “Jameson’s Rhetoric of Otherness and the ‘National Allegory,’
” Social Text
, no. 17
(fall 1987
): 3
–25
.Alea
, Tomás Gutiérrez
. “The Viewer’s Dialectic
.” Translated by Julia Lesage
. Jump Cut
29
(February
1984
): 18
–21
.Allen
, Robert C.
, and Gomery
Douglas
. Film History: Theory and Practice
. New York
: Knopf
, 1985
.Althusser
, Louis
. “Ideology and Ideological State Apparatuses (Notes towards an Investigation)
.” In Lenin and Philosophy and Other Essays
. Translated by Ben Brewster
. New York
: Monthly Review Press
, 1971
, 170
–83
.American Historical Review
93
, no. 5
(December
1988
): 1127
–73
.Anderson
, Benedict
. Imagined Communities: Reflections on the Origin and Spread of Nationalism
. London
: Verso
, 1991
.Andrews
, William L.
The First Century of Afro-American Autobiography, 1760–1865
. Urbana
: University of Illinois Press
, 1988
.Ang
, Ien
. Watching Dallas: Soap Opera and the Melodramatic Imagination
. London
: Methuen
, 1985
.Appadurai
, Arjun
. “Disjuncture and Difference in the Global Cultural Economy
.” Public Culture
2
, no. 2
(spring 1990
): 1
–24
.Applegate
, Celia
. A Nation of Provincials: The German Idea of Heimat
. Berkeley
: University of California Press
, 1990
.Armes
, Roy
. Third World Film Making and the West
. Berkeley
: University of California Press
, 1987
.Armstrong
, Nancy
, and Tennenhouse
Leonard
. The Imaginary Puritan
. Berkeley
: University of California Press
, 1992
.Ashcroft
, Bill
, Griffiths
Gareth
, and Tiffin
Helen
. The Empire Writes Back: Theory and Practice in Post-colonial Literatures
. London
: Routledge
, 1989
.Aufderheide
, Pat
. “Dynamic Duo” In Chute, “Made in Hong Kong
,” 44
. Interview with Tsui Hark and Nansun Shi
.Aufderheide
, Pat
. “Oriental Insurgents
.” Film Comment
23
, no. 6
(November–December
1987
): 7376
.Bakhtin
, Mikhail
. The Dialogic Imagination
. Edited by Holquist
Michael
, translated by Caryl Emerson
. Austin
: University of Texas Press
, 1982
.Bakhtin
, Mikhail
. “Discourse in the Novel
.” In Bakhtin
, The Dialogic Imagination
, 259
–422
.Bakhtin
, Mikhail
. “Epic and Novel
.” In Bakhtin
, The Dialogic Imagination
, 5
–40
.Bakhtin
, Mikhail
. “Forms of Time and Chronotope in the Novel
.” In Bakhtin
, The Dialogic Imagination
, 84
–258
.Bakhtin
, Mikhail
. Problems of Dostoevsky’s Poetics
. Edited and translated by Caryl Emerson
. Minneapolis
: University of Minnesota Press
, 1984
.Bakhtin
, Mikhail
. Rabelais and His World
. Translated by Helene Iswolsky
. Bloomington
: Indiana University Press
, 1984
.Bakhtin
, Mikhail
. Speech Genres and Other Late Essays
. Translated by Vern W. McGee
, edited by Emerson
Caryl
and Holquist
Michael
. Austin
: University of Texas Press
, 1986
.Bakhtin
, Mikhail
, and Volosinov
V. N.
. Marxism and the Philosophy of Language
. Translated by Ladislav Matejka and I. R. Titunik
. Cambridge
: Harvard University Press
, 1986
.Baldwin
, Karen
. “‘One Thing about Your Grandad—He Never Lied, He Just Told Stories’: The Importance of Family Narratives to Ethnic and Regional Studies
.” MELUS
10
, no. 2
(summer 1983
): 69
–77
.Barker
, Francis
, Hulme
Peter
, Iversen
Margaret
, and Loxley
Diana
, eds. Europe and Its Others
. Vols. 1–2
. Colchester
: University of Essex
, 1985
.Benjamin
, Walter
. Illuminations
. Translated by Harry Zohn
, edited and with an introduction by Arendt
Hannah
. New York
: Schocken
, 1969
.Benjamin
, Walter
. “The Storyteller: Reflections on the Works of Nikolai Leskov
.” In Benjamin
, Illuminations
, 83
–109
.Benjamin
, Walter
. “Theses on the Philosophy of History
.” In Benjamin
, Illuminations
, 253
–67
.Benjamin
, Walter
. “The Work of Art in the Age of Mechanical Reproduction
.” In Benjamin
, Illuminations
, 217
–51
.Bennington
, Geoffrey
. “Postal Politics and the Institution of the Nation
.” In Bhabha
, Nation and Narration
, 121
–37
.Berger
, John
. “Historical Afterword
.” In Pig Earth
. London
: Writers and Readers Publishing Cooperative
, 1979
,195
–213
.Bernheimer
, Charles
, ed. Comparative Literature in the Age of Multiculturalism
, Baltimore
: Johns Hopkins University Press
, 1995
.Bhabha
, Homi K.
“DissemiNation: Time, Narrative, and the Margins of the Modern Nation
.” In Bhabha
, Nation and Narration
, 291
–322
.Bhabha
, Homi K.
“Of Mimicry and Man: The Ambivalence of Colonial Discourse
.” October
28
(spring 1984
): 125
–33
.Bhabha
, Homi K.
“The Other Question: Stereotype and Colonial Discourse
.” Screen
5
, no. 6
(November–December
1983
): 18
–36
.Bhabha
, Homi K.
“Representation and the Colonial Text: Some Forms of Mimeticism
.” In Gloversmith
Frank
, ed., The Theory of Reading
. Brighton
: Harvester
, 1984
, 99
–122
.Bhabha
, Homi K.
“The Third Space
.” In Rutherford
Jonathan
, ed., Identity, Community, Culture, Difference
. London
: Lawrence and Wishart
, 1990
, 207
–21
.Blaine
, Nancy
. “East by Northeast: Wedding Banquet Director Ang Lee Discusses Sex, Food, Marriage, and the Politics of Filmmaking
.” LA Village View
, August
13
–19
, 1993
.Blythe
, Martin
. “Third Cinema at Home in the First World
.” The Independent
, November
1990
, 24
–27
.Bondanella
, Peter
. Italian Cinema: From Neo-realism to the Present
. New York
: Frederick Ungar
, 1990
.Bordwell
, David
, Staiger
Janet
, and Thompson
Kristin
. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960
. New York
: Columbia University Press
, 1985
.Brannen
, Mary Yoko
. “‘Bwana Mickey’: Constructing Cultural Consumption at Tokyo Disneyland
.” In Tobin
Joseph J.
, ed., Re-made in Japan: Everyday Life and Changing Consumer Taste in a Changing Society
. New Haven
: Yale University Press
, 1992
, 216
–34
.Brauchli
, Marcus W.
“Rising in the East: Why Historic Election in Taiwan Is Rattling Both China and U.S.
” Wall Street Journal
, February
26
,1996
.Brennan
, Timothy
. “The National Longing for Form
.” In Bhabha
, Nation and Narration
, 44
–70
.Browne
, Nick
, Pickowicz
Paul G.
, Sobshack
Vivian
, and Yau
Esther
, eds. New Chinese Cinemas: Forms, Identities, Politics
. New York
: Cambridge University Press
, 1996
.Bruni
, Frank
. “Arriving from Afar to Get Inside America
.” New York Times
, September
21
, 1997
.Buell
, Frederick
, National Culture and the New Global System
. Baltimore
: Johns Hopkins University Press
, 1994
.Burch
, Noel
. To the Distant Observer: Form and Meaning in the Japanese Cinema
. Berkeley
: University of California Press
, 1979
.Burton
, Julianne
. Cinema and Social Change in Latin America
. Austin
: University of Texas Press
, 1986
.Burton
, Julianne
. “Marginal Cinemas and Mainstream Critical Theory
.” Screen
26
, nos. 3–4
(May–August
1985
).Canby
, Vincent
. Review of Farewell My Concubine. New York Times
, October
11
,1993
, B5
.Chambers
, Iain
. Popular Culture: The Metropolitan Experience
. London
: Routledge
, 1990
.Chanan
, Michael
, ed. Twenty-Five Years of the New Latin American Cinema
. London
: British Film Institute
, 1983
.Hsi-kuo
Chang
. “Realism in Taiwan Fiction: Two Directions
.” In Faurot
Jeannette L.
, ed., Chinese Fiction from Taiwan: Critical Perspectives
. Bloomington
: Indiana University Press
, 1980
, 31
–42
.Chang
, Sung-cheng Yvonne
. “Chu T’ien-wen and Taiwan’s Recent Cultural and Literary Trends
.” Modern Chinese Literature
6
, nos. 1–2
(spring–fall 1992
): 61
–83
.Chatterjee
, Partha
. Nationalist Thought and the Colonial World: A Derivative Discourse
. London
: Zed
, 1986
.Cheah
, Pheng
, and Robbins
Bruce
, eds. Cosmopolitics: Thinking and Feeling beyond the Nation
. Minneapolis
: University of Minnesota Press
, 1998
.Chen
, Lucy
. “Literary Formosa
.” In Mancall
, Formosa Today
, 131
–41
.Chen
, Nina
. “Virtual Asian American Orphans: The ‘Parachute Kid’ Phenomenon
.” Asian Week
, January
27
,1995
.Cheng
, Tun-jen
, and Haggard
Stephan
, eds. Political Change in Taiwan
. Boulder
: Lynne Reinner
, 1992
.Pang-yuan
Ch’i
et al., eds. An Anthology of Contemporary Chinese Literature, Taiwan, 1949–1974: Poetry Collection
. Taipei
: National Institute for Compilation and Translation
, 1975
.Chiao
, Hsiung-p’ing
. “The Distinct Taiwanese and Hong Kong Cinemas
.” In Berry
Chris
, ed., Perspectives on Chinese Cinema
. London
: British Film Institute
, 1991
,155
–65
.Chiao
, Hsiung-p’ing
. “White Terror and the Formosa Incident: Introspection on Recent Political Films from Taiwan
.” Translated by Sam Ho
. Cinemaya
32
(1996
): 22
–24
.Chin
, Daryl
. “Multiculturalism and Its Masks: The Art of Identity Politics
.” Performing Arts Journal
, no. 40
(vol. 14
no. 1
) (January
1992
): 1
–15
.Chou
, Ying-hsiung
. “Imaginary Homeland: Postwar Taiwan in Contemporary Political Fiction
.” Modern Chinese Literature
6
, nos. 1–2
(spring–fall 1992
): 23
–37
.Chow
, Rey
, “In the Name of Comparative Literature
.” In Bernheimer
, Comparative Literature in the Age of Multiculturalism
, 107
–16
.Chow
, Rey
. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema
. New York
: Columbia University Press
, 1995
.how
, Rey
. Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies
. Bloomington
: Indiana University Press
, 1993
.Tse-tsung
Chow
. The May Fourth Movement: Intellectual Revolution in Modern China
. Stanford
: Stanford University Press
, 1967
.Cieko
, Anne T.
“Transnational Action: John Woo, Hong Kong, Hollywood
.” In Lu
, Transnational Chinese Cinemas
, 224
–37
.Clifford
, James
. “Mixed Feelings
.” In Cheah
and Robbins
, Cosmopolitics
, 362
–70
.Clifford
, James
. “Traveling Cultures
.” In Grossberg
L.
, Nelson
C.
, and Treichler
P.
, eds., Cultural Studies
. New York
: Routledge
, 1992
, 96
–116
.Combs
, Richard
. “Venice: Standing on the Tower of Babel
.” Sight and Sound
59
, no. 1
(winter 1989–90
): 4
–5
.“
Coming of Age in Taiwan
.” World Press Review
31
, no. 7
(July
1984
): 60
.Cooper
, Scott
. “Third Cinema Reconsidered: Evolving Forms of Politicized Aesthetics
.” The Spectator
8
, no. 2
(spring 1988
): 66
–73
.Corrigan
, Timothy
. New German Film: The Displaced Image
. Austin
: University of Texas Press
, 1982
.Dariotis
, Wei Ming
, and Fung
Eileen
. “Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee
.” In Lu
, Transnational Chinese Cinemas
, 187
–220
.Dasenbrock
, Reed Way
. “Creating a Past: Achebe, Naipaul, Soyinka, Farah
.” Salmagundi
(fall 1985–winter 1986
): 312
–32
.Davis
, Darrell William
. Picturing Japaneseness: Monumental Style, National Identity, Japanese Film
. New York
: Columbia University Press
, 1996
.de Certeau
, Michel
. The Practice of Everyday Life
. Berkeley
: University of California Press
, 2002
.de Man
, Paul
. “Conclusions: Walter Benjamin’s ‘The Task of the Translator.’
” Yale French Studies
69
(1985
): 25
–46
.Dissanayake
, Wimal
, ed. Colonialism and Nationalism in Asian Cinema
. Bloomington
: University of Indiana Press
, 1994
.Dissanayake
, Wimal
. “Nationhood, History, and Cinema: Reflections on the Asian Scene
.” In Dissanayake
, Colonialism and Nationalism in Asian Cinema
, ix
–xxix
.D’Lugo
, Marvin
. “Catalan Cinema: Historical Experience and Cinematic Practice
.” Quarterly Review of Film and Video
13
, nos. 1–3
(1991
): 131
–46
.Downing
, John D. H.
, ed. Film and Politics in the Third World
. New York
: Automedia
, 1986
.Duke
, Michael S.
“Past, Present and Future in Mo Yan’s Fiction of the 1980s
.” In Widmer
and Wang
, From May Fourth to June Fourth
, 43
–70
.During
, Simon
. “Literature, Nationalism’s Other? The Case for Revision
.” In Bhabha
, Nation and Narration
, 138
–53
.Eakin
, Paul John
, ed. American Autobiography: Retrospect and Prospect
. Madison
: University of Wisconsin Press
, 1991
.Eckholm
, Eric
. “Nationalist Party Expels Taiwan’s Ex-President
.” New York Times
, September
22
, 2001
.Egan
, Susanna
. “‘Self-Conscious History: American Autobiography after the Civil War
.” In Eakin
, American Autobiography
, 70
–94
.Eguino
, Antonio
. “Neorealism in Bolivia (an Interview)
.” In Burton
, Cinema and Social Change in Latin America
, 161
–69
.Elsaesser
, Thomas
. New German Cinema: A History
. New Brunswick, N.J.
: Rutgers University Press
, 1989
.Ernst
, Wolfgang
. “distory: Cinema and Historical Discourse
.” Journal of Contemporary History
18
, no. 3
(July
1983
): 396
–409
.Evans
, Richard
. “The New Nationalism and the Old History: Perspectives on the West German Historikerstreit.
” Journal of Modern History
59
, no. 4
(December
1987
): 761
–97
.Faison
, Seth
. “Taiwan’s New Doctrine Unintelligible in Chinese
.” New York Times
, July
21
,1999
.Faurot
, Jeannette L.
, ed. Chinese Fiction from Taiwan: Critical Perspectives
. Bloomington
: Indiana University Press
, 1980
.Ferguson
, Russell
, with Gever
Martha
, Minh-ha
Trinh T.
, and West
Cornel
, eds., Out There: Marginalization and Contemporary Cultures
. Cambridge
: MIT Press
, 1990
.Ferro
, Marc
. Cinema and History
. Translated by Naomi Greene
. Detroit
: Wayne State University Press
, 1988
.Fleishman
, Avrom
. Narrated Films: Storytelling Situations in Cinema History
. Baltimore
: Johns Hopkins University Press
, 1992
.Frank
, André Gubder
. “The Development of Underdevelopment
.” In Rhodes
Richard L.
, ed., Imperialism and Underdevelopment: A Reader
. New York
: Monthly Review Press
, 1970
.Fraser
, Nancy
. “Rethinking the Public Sphere
.” In Calhoun
Craig
, ed., Habermas and the Public Sphere
. Cambridge
: MIT Press
, 1992
.Fruehauf
, Heinrich
. “Urban Exoticism in Modern and Contemporary Chinese Culture
.” In Widmer
and Wang
, From May Fourth to June Fourth
, 133
–64
.Gabriel
, Teshome
. “Towards a Critical Theory of Third World Films
.” In Pines
and Willemen
, Questions of Third Cinema
, 30
–52
.Gabriel
, Teshome
. “Colonialism and ‘Law and Order’ Criticism
.” Screen
27
, nos. 3–4
(May–August
1986
).Gabriel
, Teshome
. “Theses on Memory and Identity: The Search for the Origin of the Nile
.” Emergences
, no. 1
(1989
): 131
–37
.Gabriel
, Teshome
. “Third Cinema as Guardian of Popular Memory: Towards a Third Aesthetics
.” In Pines
and Willemen
, Questions of Third Cinema
, 53
–64
.Gabriel
, Teshome
. Third Cinema in the Third World: An Aesthetics of Liberation
. Ann Arbor
: University of Michigan Press
, 1983
.Gabriel
, Teshome
. “Thoughts on Nomadic Aesthetics and the Black Independent Cinema: Traces of a Journey
.” In Mybe
Cham
and Watkins
Claire
, eds., Blackframes: Critical Perspectives on Black Independent Cinema
. Cambridge, Mass.
: Celebration of Black Cinema
, 1988
, 62
–77
.Gabriel
, Teshome
, and Naficy
Hamid
, eds. Quarterly Review of Film and Video
13
, nos. 1–3
(1991
). Special issue, “Discourse of the Other: Postcoloniality, Positionality, and Subjectivity.”
Gates
, Henry Louis
. “‘Authenticity,’ or the Lesson of Little Tree
.” New York Times Book Review
, November
24,1991,1
, 26
–30
.Gates
, Henry Louis
. Loose Cannons: Notes on the Culture Wars
. New York
: Oxford University Press
, 1992
.Gates
, Henry Louis
Jr., ed., Race, Writing and Difference
. Chicago
: University of Chicago Press
, 1986
.Geisler
, Michael E.
“‘Heimat’ and the German Left: The Anamnesis of Trauma
.” New German Critique
, no. 36
(fall 1985
): 25
–66
.George
, Lynell
. “Gray Boys, Funky Aztecs, and Honorary Homegirls
.” Los Angeles Times Magazine
, January
17
,1993
,14
–17
, 37–39
.Gikandi
, Simon
. “Ngugi’s Conversion: Writing and the Politics of Language
.” Research in African Literatures
23
, no. 1
(spring 1992
): 131
–44
.Gladney
, Dru
. Muslim Chinese: Ethnic Nationalism in the People’s Republic
. Cambridge
: Council on East Asian Studies, Harvard University
, 1990
.Goldblatt
, Howard
. Introduction to Hwang Chun-ming
, The Drowning of an Old Cat and Other Stories
. Translated by Howard Goldblatt
. Bloomington
: Indiana University Press
, 1980
, xi
–xiv
.Goldblatt
, Howard
. “The Rural Stories of Hwang Chun-ming
.” In Faurot
Jeannette L.
, ed., Chinese Fiction from Taiwan: Critical Perspectives
. Bloomington
: Indiana University Press
, 1980
,110
–33
.Goldman
, Merle
, ed. Modern Chinese Literature in the May Fourth Era
. Cambridge
: Harvard University Press
, 1977
.Gramsci
, Antonio
. An Antonio Gramsci Reader
. Edited by Forgacs
David
. New York
: Shocken
, 1988
.Grindon
, Leger
. Shadows on the Past: Studies in the Historical Fiction Film
. Philadelphia
: Temple University Press
, 1994
.Gugelberger
, Georg
, and Kearney
, Michael
. “Voices for the Voiceless: Testimonial Literature in Latin America
.” Latin American Perspectives
70
(summer 1991
): 3
–14
.Guha
, Ranajit
, and Spivak
Gayatri Chakravorty
, eds. Selected Subaltern Studies
. New York
: Oxford University Press
, 1988
.Hall
, Stuart
. “Cultural Identity and Cinematic Representation
.” Framework
, no. 38
(1989
): 68
–81
.Hall
, Stuart
. “Gramsci’s Relevance for the Study of Race and Ethnicity
.” Journal of Communication Inquiry
10
, no. 2
(summer 1986
): 5
–27
.Hall
, Stuart
. “The Local and the Global: Globalization and Ethnicity
.” In King
, Culture, Globalization and the World-System
, 19
–40
.Hall
, Stuart
. “Old and New Identities, Old and New Ethnicities
.” In King
Anthony D.
, ed., Culture, Globalization and the World-System: Contemporary Conditions for the Representation of Identity
. Binghamton
: Department of Art and Art History, State University of New York at Binghamton
, 1991
, 41
–68
.Hanan
, Patrick
. The Chinese Vernacular Story
. Cambridge
: Harvard University Press
, 1981
.Hannerz
, Ulf
. Transnational Connections: Culture, People, Places
. London
: Routledge
, 1996
.Hannerz
, Ulf
. “Scenarios for Peripheral Cultures
.” In King
, Culture, Globalization and the World-System
, 107
–28
.Hansen
, Miriam
, ed. “Dossier on Heimat
.” New German Critique
, no. 36
(fall 1985
): 3
–24
.Hardt
, Michael
, and Negri
, Antonio
. Empire
. Cambridge
: Harvard University Press
, 2001
.Herlihy
, David
. “Am I a Camera? Other Reflections on Film and History
.” American Historical Review
93
, no. 5
(1988
): 1186
–92
.HHH: Portrait of Hou Hsiao-hsien
. Directed by Oliver Assayas
. AMIP
, 1997
.Higonnet
, Margaret R.
“Comparative Literature on the Feminist Edge
.” In Bernheimer
, Comparative Literature in the Age of Multiculturalism
, 155
–64
.Hite
, Molly
. “Foreword
.” In Morgan
and Hall
, Gender and Genre in Literature
, xiii
–xvi
.Hobsbawm
, Eric
. “Introduction: Inventing Traditions
.” In Hobsbawm
Eric
and Ranger
Terence
, eds., The Invention of Tradition
. Cambridge
: Cambridge University Press
, 1983
.Hobsbawm
, Eric
. Nations and Nationalism since 1780: Programme, Myth, Reality
. Cambridge
: Cambridge University Press
, 1991
.Hobsbawn
, Eric J.
, and Ranger
Terence
, eds. The Invention of Tradition
. Cambridge
: Cambridge University Press
, 1983
.Holley
, David
. “Army Killed Thousands in ’47 Massacre, Taiwan Admits
.” Los Angeles Times
, February
24
,1992
.Holquist
, Michael
. “Introduction
.” In Bakhtin
, The Dialogic Imagination
, xv
–xxxiv
.Horkheimer
, Max
, and Adorno
, Theodor
. “The Culture Industry: Enlightenment as Mass Deception
.” In Dialectic of Enlightenment
. Translated by John Cumming
. New York
: Continuum
, 1988
,120
–67
.Huyssen
, Andreas
. “The Inevitability of Nation: German Intellectuals after Unification
,” October
61
(1992
): 65
–73
.Hwang
, Chun-ming
. The Drowning of an Old Cat and Other Stories
. Translated by Howard Goldblatt
. Bloomington
: Indiana University Press
, 1980.Hwang
, Chun-ming
. “A Flower in the Rainy Night
.” Translated by Earl Wieman
. In Lau
Joseph S. M.
, ed., Chinese Stories from Taiwan, 1960–70
. New York
: Columbia University Press
, 1976
,195
–241
.Hwang
, David Henry
. “In Today’s World, Who Represents the ‘Real’ China
?” New York Times
, April
1
, 2001
.Jackson
, Thomas H.
“Orality, Orature, and Ngugi wa Thiong’o
.” Research in African Literatures
22
, no. 1
(spring 1991
): 5
–15
.Jameson
, Fredric
. “Cognitive Mapping
.” In Nelson
C.
and Grossberg
L.
, eds., Marxism and the Interpretation of Culture
. Urbana
: University of Illinois Press
, 1988
, 347
–56
.Jameson
, Fredric
. The Political Unconscious: Narrative as Symbolic Act
. Ithaca
: Cornell University Press
, 1981
.Jameson
, Fredric
. “Postmodernism: or, the Cultural Logic of Late-Capitalism
.” New Left Review
146
(1984
): 53
–92
.Jameson
, Fredric
. Postmodernism: or, the Cultural Logic of Late Capitalism
. Durham
: Duke University Press
, 1991
.Jameson
, Fredric
. “Remapping Taipei
.” In Browne
Nick
, Sobchak
Paul Pickowicz, Vivian
, and Yau
Esther
, eds., New Chinese Cinemas: Forms, Identities, Politics
. Cambridge
: Cambridge University Press
, 1994
,117
–50
.Jameson
, Fredric
. “Third-World Literature in the Era of Multinational Capitalism
.” Social Text
, no. 15
(1986
): 65
–88
.Janmohamed
, Abdul R.
Manichean Aesthetics: The Politics of Literature in Colonial Africa
. Amherst
: University of Massachusetts Press
, 1983
.Janmohamed
, Abdul R.
, and Lloyd
David
, eds. The Nature and Context of Minority Discourse
. New York
: Oxford University Press
, 1997
.Jay
, Martin
. “Songs of Experience: Reflections on the Debate over Alltagsgeschichte
.” Salmagundi
, no. 81
(winter 1989
): 29
–41
.Johnson
, Marshall
. “Making Time: Historic Preservation and the Space of Nationality
.” positions: east asia cultures critique
2
, no. 2
(fall 1994
): 177
–249
.Kaes
, Anton
. “History, Fiction, Memory: Fassbinder’s The Marriage of Maria Braun
.” In Rentschler
Eric
, ed., German Film and Literature
. New York
: Methuen
, 1986
, 276
–88
.Kaes
, Anton
. From Hitler to Heimat: The Return of History as Film
. Cambridge
: Harvard University Press
, 1989
.Kang
, K. Connie
. “Dual U.S.-Korean Nationality Nears
.” Los Angeles Times
, June
14
, 1998
.Kaplan
, Caren
. “Deterritorializations: The Rewriting of Home and Exile in Western Feminist Discourse
.” In Janmohamed
and Lloyd
, The Nature and Context of Minority Discourse
, 357
–68
.Kaplan
, Caren
. “The Poetics of Displacement in Alicia Ortiz’s Buenos Aires
.” Discourse
, no. 8
(fall–winter 1986–87
), 84
–100
.Kerr
, George
. Formosa: Licensed Revolution and the Home Rule Movement, 1895–1945
. Honolulu
: University of Hawaii Press
, 1974
.Kinder
, Marsha
. Blood Cinema: The Reconstruction of National Identity in Spain
. Berkeley
: University of California Press
, 1993
.King
, Anthony D.
“Introduction: Spaces of Culture, Spaces of Knowledge
.” In King
, Culture, Globalization and the World-System
, 1
–18
.King
, Anthony D.
Global Cities: Post-imperialism and the Internationalization of London
. New York
: Routledge
, 1990
.King
, Anthony D.
ed. Culture, Globalization and the World-System: Contemporary Conditions for the Representation of Identity
. Binghamton
: Department of Art and Art History, State University of New York at Binghamton
, 1991
.Kiryakakis
, Andreas
. The Ideal of “Heimat” in the Works of Hermann Hesse
. New York
: Peter Lang
, 1988
.Kristof
, Nicholas D.
“A Dictatorship That Grew Up
.” New York Times Magazine
, February
16
,1992
,16
–22
, 53–57
.Kuipers
, Dean
. “The Rise of the New Global ‘Empire.’
” Los Angeles Times
, October
1
, 2001
.Lai
, Tse-han
, Meyers
, Ramon H.
, and Wou
, Wei
. A Tragic Beginning: The Taiwan Uprising of February 28,1947
. Stanford
: Stanford University Press
, 1991
.Landler
, Mark
. “One China? Perhaps Two? Little Things Mean a Lot
.” New York Times
, March
7
, 2002
.Lasch
, Christopher
. “The Politics of Nostalgia: Losing History in the Mists of Ideology
.” Harper’s
269
, no. 163
(November
1984
): 65
–70
.Lau
, Joseph S. M.
“How Much Truth Can a Blade of Grass Carry? Ch’en Ying-chen and the Emergence of Native Taiwanese Writers
.” Journal of Asian Studies
32
, no. 4
(August
1973
): 624
–25
.Lee
, Leo Ou-fan
. “On the Margins of the Chinese Discourse: Some Personal Thoughts on the Cultural Meaning of the Periphery
.” Daedalus
vol. 120
, no. 2
(spring 1991
): 207
–26
.Lee
, Leo Ou-fan
. “Modernism and Romanticism in Taiwan Literature
.” In Faurot
Jeannette L.
, ed., Chinese Fiction from Taiwan: Critical Perspectives
. Bloomington
: Indiana University Press
, 1980
, 6
–30
.Lee
, Teng-hui
. The Road to Democracy: Taiwan’s Pursuit of Identity
. Tokyo
: PHP Institute
, 1999
.Lejeune
, Phillipe
. On Autobiography
. Translated by Katherine Leary
. Minneapolis
: University of Minnesota Press
, 1987
.Leong
, Russell
, ed. Moving the Image: Independent Asian Pacific Media Arts
. Los Angeles
: Asian American Studies Center and Visual Communications, UCLA
, 1991
.Leong
, Russell
. “Lived Theory (Notes on the Run)
.” Amerasia Journal
21
, nos. 1–2
(1995
): v
–x
.Liao
, Ping-hui
. “Rewriting Taiwanese National History: The February 28 Incident as Spectacle.” Public Culture
vol. 5
, no. 2
(1993
): 281
–96
.Lim
, Cheng-sim
. “Rojak
.” In Leong
, Moving the Image
, 197
–99
.Lin
, Yaofu
. “Language as Politics: The Metamorphosis of Nativism in Recent Taiwan Literature
.” Modern Chinese Literature
6
, nos. 1–2
(spring–fall 1992
): 7
–22
.Liu
, Hai-ming
. “The Trans-Pacific Family: A Case Study of Sam Chang’s Family History
.” Amerasia Journal
18
, no. 2
(1991
): 1
–34
.Lowe
, Lisa
. “Heterogeneity, Hybridity, Multiplicity: Marking Asian-American Differences
.” Diaspora
, no. 1
(1991
): 24
–44
.Lu
, Sheldon Hsiao-peng
, ed. Transnational Chinese Cinemas: Identity, Nationhood, Gender
. Honolulu
: University of Hawaii Press
, 1997
.Lukács
, Georg
. “The Epic and the Novel
.” In The Theory of the Novel
. Translated by A. Bostock
. Cambridge
: MIT Press
, 1971
.MacDonald
, Scott
. “Lost, Lost, Lost over Lost, Lost, Lost
.” Cinema Journal
25
, no. 2
(winter 1986
).Marshall
, Tyler
. “Taiwan Hails Shift toward Mainland
.” Los Angeles Times
, August
28
, 2001
.Marshall
, Tyler
. “Taiwan Sees New Ties with Mainland
.” Los Angeles Times
, August
27
, 2001
.Maslin
, Janet
. “Suburbanites Pure as Driven Slush
.” New York Times
, September
26
, 1997
.McGuire
, James
. “Forked Tongues, Marginal Bodies: Writing as Translation in Khatibi
.” Research in African Literatures
23
, no. 1
(spring 1992
): 107
–16
.Meisner
, Maurice
. “The Development of Formosan Nationalism
.” In Mancall
, Formosa Today
, 147
–62
.Memmi
, Albert
. The Colonizer and the Colonized
. Translated by Howard Greenfield
. Boston
: Beacon Press
, 1967
.Mendel
, Douglas H.
The Politics of Formosan Nationalism
. Berkeley
: University of California Press
, 1970
.Meucke
, Stephen
. “The Discourse of Nomadology: Phylums in Flux
.” Art and Text
14
(1984
).Miyoshi
, Masao
. Off-Center: Power and Culture Relations between Japan and the U. S
. Cambridge
: Harvard University Press
, 1991
.Montrose
, Louis
. “The Work of Gender in the Discourse of Discovery
.” Representations
33
(winter 1991
): 1
–41
.Moody
, Peter
. Political Change on Taiwan: A Study of Ruling Party Adaptability
. New York
: Praeger
, 1992
.Morgan
, Janice
. “Subject to Subject/Voice to Voice: Twentieth-Century Autobiographical Fiction by Women Writers
.” In Morgan
and Hall
, Gender and Genre in Literature
, 3
–19
.Morgan
, Janice
, and Hall
Colette T.
, eds. Gender and Genre in Literature: Redefining Autobiography in Twentieth-Century Women’s Fiction
. New York
: Garland
, 1991
.Mouffe
, Chantal
. “Citizenship and Political Identity
.” October
61
(1992
): 28
–32
.Nadeau
, Jules
. “Orphaned Authors in a More-or-Less Free China
.” In Twenty-Million Chinese Made in Taiwan
. Translated by David Homel
. Montreal
: Montreal Press
, 1990
.Naficy
, Hamid
. “The Poetics and Practice of Iranian Nostalgia in Exile
.” Diaspora
, no. 3
(1992
): 1
–32
.Nairn
, Tom
. The Break-up of Britain: Crisis and Neo-Nationalism
. London
: New Left Books
, 1977
.Ngugi wa
Thiong’o
. Decolonizing the Mind: The Politics of Language in African Literature
. London
: James Currey
, 1986
.Noriega
, Chon
, ed. Visible Nations: Latin American Cinema and Video
. Minneapolis
: University of Minnesota Press
, 2000
.Nussbaum
, Felicity A.
“Toward Conceptualizing Diary
.” In Olney
, Studies in Autobiography
, 128
–40
.O’Connor
, John E.
“History in Images/Images in History
.” American Historical Review
93
, no. 5
(1988
): 1200
–1209
.Olney
, James
, “Autobiography and the Cultural Moment: A Thematic, Historical, and Bibliographic Introduction
.” In Olney
, Autobiography: Essays Theoretical and Critical
. Edited by James Olney
. Princeton
: Princeton University Press
, 1980
, 3
–27
.Omi
, Michael
, and Takagi
Dana
. “Thinking Theory in Asian American Studies
.” Amerasia Journal
21
, nos. 1–2
(1995
). Special issue
.Ong
, Aihwa
. “Flexible Citizenship among Chinese Cosmopolitans
.” In Cheah
and Robbins
, Cosmopolitics
, 134
–62
.Ong
, Walter J.
Interfaces of the Word: Studies in the Evolution of Consciousness and Culture
. Ithaca
: Cornell University Press
, 1977
.Ong
, Walter J.
Orality and Literacy: The Technologizing of the Word
. London
: Methuen
, 1982
.Ortiz
, Alicia Dujovne
. “To Be Porteño
.” In Aires
Buenos
. Translated by Caren Kaplan
. Discourse
, no. 8
(fall–winter 1986–87
): 73
–83
.Pasolini
, Pier Paolo
. “New Linguistic Questions
.” In Heretical Empiricism
. Edited and translated by Lawton
Ben
and Barnett
Louise K.
. Bloomington
: Indiana University Press
, 1988
, 3
–22
.Payne
, James Robert
, ed. Multicultural Autobiography: American Lives
. Knoxville
: University of Tennessee Press
, 1992
.Pines
, Jim
, and Willemen
Paul
, eds. Questions of Third Cinema
. London
: British Film Institute
, 1990
.Pollack
, Andrew
. “A Cyberspace Front in a Multicultural War
.” New York Times
, August
7
,1995
, C1
, 6
.Rafael
, Vicente
. Contracting Colonialism: Translation and Christian Conversion in Tagalog Society under Early Spanish Rule
. Manila
: Ateneo de Manila University Press
, 1988
.Rattigan
, Neil
. Images of Australia: 100 Films of the New Australian Cinema
. Dallas
: Southern Methodist University Press
, 1991
.Reich
, Robert
. The Work of Nations: Preparing Ourselves for Twenty-First-Century Capitalism
. New York
: Knopf
, 1991
.Renan
, Ernest
. “What Is a Nation?
” Translated and annotated by Martin Thom
. In Bhabha
, Nation and Narration
, 8
–22
.Rhodes
, Richard I.
, ed. Imperialism and Underdevelopment: A Reader
. New York
: Monthly Review Press
, 1970
.Ricoeur
, Paul
. “Universal Civilization and National Cultures
.” In History and Truth
. Translated by Charles A. Kelbley
. Evanston
: Northwestern University Press
, 1965
.Ritch
, Massie
. “Sign Directs Sister Cities to Diplomatic Soap Opera
.” Los Angeles Times
, November
16
, 2002
.Robertson
, Roland
. “Social Theory, Cultural Relativity and the Globality
.” In King
Anthony D.
, ed., Culture, Globalization and the World-System: Contemporary Conditions for the Representation of Identity
. Binghamton
: Department of Art and Art History, State University of New York at Binghamton
, 1991
, 69
–90
.Robbins
, Bruce
. “Introduction Part 1: Actually Existing Cosmopolitanism
.” In Cheah
and Robbins
, Cosmopolitics
, 1
–19
.Rosaldo
, Renato
. Culture and Truth: The Remaking of Social Analysis
. Boston
: Beacon Press
, 1989
.Rosaldo
, Renato
. “Ideology, Place, and People without Culture
.” Cultural Anthropology
3
, no. 1
(1988
): 77
–87
.Rosen
, Phillip
, “Making a Nation in Sembene’s Ceddo
.” Quarterly Review of Film and Video
13
, nos. 1–3
(1991
): 147
–72
.Rosenstone
, Robert A.
“History in Images/History in Words
.” American Historical Review
93
, no. 5
(1988
): 1173
–85
.Rouse
, Roger
. “Mexican Migration and the Social Space of Postmodernism
.” Diaspora
1
, no. 1
(1991
): 8
–23
.Rushdie
, Salman
. “In Good Faith: A Pen against the Sword
.” Newsweek
, February
12
, 1990
, 52
–57
.Rushdie
, Salman
. “Imaginary Homelands
.” In Imaginary Homelands
. London
: Granta
, 1991
, 9
–21
.Said
, Edward
. “Foreword
.” In Guha
and Chakravorty
, Selected Subaltern Studies
.Said
, Edward
. “The Mind of Winter: Reflections on a Life in Exile
.” Harper’s
, September
1984
.Said
, Edward
. “Jane Austen and Empire
.” In Eagleton
Terry
, ed., Raymond Williams: Critical Perspectives
. Boston, MA
: Northeastern University Press
, 1989
.Said
, Edward
. “Reflections on Exile
.” In Fergusson
et al., Out There
, 357
–66
.Said
, Edward
. “Representing the Colonized: Anthropology’s Interlocutors
.” Critical Inquiry
15
, no. 2
(winter 1989
): 205
–25
.Sakai
, Nokai
. “Modernity and Its Critique: The Problem of Universalism and Particularism
.” In Miyoshi
Masao
and Harootunian
H. D.
, eds., Postmodernism and Japan
. Durham
: Duke University Press
, 1989
, 93
–122
.Santner
, Eric L.
Stranded Objects: Mourning, Memory, and Film in Postwar Germany
. Ithaca
: Cornell University Press
, 1990
.Sasson-Koob
, Saskia
. “Recomposition and Peripheralization at the Core
.” Contemporary Marxism
5
(summer 1982
): 88
–100
.Seton-Watson
, Hugh
. Nations and States: An Enquiry into the Origins of Nations and the Politics of Nationalism
. Boulder
: Westview
, 1977
.Shohat
, Ella
. “Gender and the Culture of Empire: Toward a Feminist Ethnography of the Cinema
.” Quarterly Review of Film and Video
13
, nos. 1–3
(1991
): 45
–84
.Sklar
, Robert
, and Musser
Charles
, eds. Resisting Images: Essays on Cinema and History
. Philadelphia
: Temple University Press
, 1990
.Snead
, James
. “European Pedigrees/African Contagions: Nationality, Narrative, and Communality in Tutuola, Achebe, and Reed
.” In Bhabha
, Nation and Narration
, 231
–49
.Snyder
, Louis L.
Global Mini-nationalisms: Autonomy or Independence?
Westport
: Greenwood
, 1982
.Soja
, Edward W.
Postmodern Geographies: The Reassertion of Space in Critical Social Theory
. London
: Verso
, 1989
.Solas
, Humberto
. “Every Point of Arrival Is a Point of Departure (Interviewed by Marta Alvear)
.” In Burton
, Cinema and Social Change in Latin America
, 143
–59
.Sommer
, Doris
. “‘Not Just a Personal Story’: Women’s Testimonios and the Plural Self
.” In Brodzki
Bella
and Schenck
Celeste
, eds., Life/Lines: Theorizing Women’s Autobiography
. Ithaca
: Cornell University Press
, 1989
.Spivak
, Gayatri Chakravorty
. “Can the Subaltern Speak?
” In Nelson
Cary
and Grossberg
Lawrence
, eds., Marxism and the Interpretation of Culture
. Urbana
: University of Illinois Press
, 1988
, 271
–313
.Srivastava
, Aruna
. “‘The Empire Writes Back’: Language and History in Shame and Midnight’s Children
.” In Adam
and Tiffin
, Past the Last Post
, 65
–78
.Stallybrass
, Peter
, and White
Allon
. The Politics and Poetics of Transgression
. Ithaca
: Cornell University Press
, 1986
.Stam
, Robert
, and Spence
Louise
. “Colonialism, Racism, and Representation
.” Screen
24
, no. 2
(March–April
1983
): 4
.Stanbrook
, Alan
. “The Worlds of Hou Hsiao-hsien
.” Sight and Sound
59
, no. 2
(spring 1990
): 120
–24
.Stephens
, Mitchell
. “Pop Goes the World
.” Los Angeles Times Magazine
, January
17
, 1993
.Stone
, Oliver
. “The Flicker of an Eye Means Nothing in Print
.” Los Angeles Times
, March
26
, 1992
, B7
.Hung-Mao
Tien
. The Great Transition: Political and Social Change in the Republic of China
. Stanford
: Hoover Institution Press
, 1988
.Tomlinson
, John
. Cultural Imperialism
. Baltimore
: Johns Hopkins University Press
, 1991
.Toplin
, Robert Brent
. “The Filmmaker as Historian
.” American Historical Review
93
, no. 5
(1988
): 1210
–27
.Visconti
, Luchino
. “Anthropomorphic Cinema
.” In Overby
David
, ed., Springtime in Italy: A Reader in Neorealism
. Hamden, Conn.
: Archon
, 1979
, 83
–85
.Van Kemenade
, Willem
. China, Hong Kong, Taiwan, Inc.: The Dynamics of a New Empire
. New York
: Knopf
, 1997
.Wachman
, Alan
. Taiwan: National Identity and Democratization
. Armonk, N.Y.
: M. E. Sharpe
, 1994
.Jing
Wang
. “Taiwan Hsiang-t’u Literature: Perspectives in the Evolution of a Literary Movement
.” In Faurot
Jeannette L.
, ed., Chinese Fiction from Taiwan: Critical Perspectives
. Bloomington
: Indiana University Press
, 1980
, 43
–70
.Warner
, Michael
. The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America
. Cambridge
: Harvard University Press
, 1990
.Watson
, Julia
, and Smith
Sidonie
, “Introduction: De/Colonization and the Politics of Discourse in Women’s Autobiographical Practices
.” In Watson
Julia
and Smith
Sidonie
, eds., De/Colonizing the Subject: The Politics of Gender in Women’s Autobiography
. Minneapolis
: University of Minnesota Press
, 1992
, xiii
–xxxi
.Westley
, David
. “Language and African Literature: A Bibliographic Essay
.” Research in African Literatures
23
, no. 1
(spring 1992
): 159
–71
.Widmer
, Ellen
, and Wang
David Der-wei
, eds. From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China
. Cambridge
: Harvard University Press
, 1993
.White
, Hayden
. The Content of the Form: Narrative Discourse and Historical Representation
. Baltimore
: Johns Hopkins University Press
, 1986
.White
, Hayden
. “Historiography and Historiophoty
.” American Historical Review
93
, no. 5
(1988
): 1193
–99
.White
, Hayden
. Metahistory: The Historical Imagination in Nineteenth Century Europe
. Baltimore
: Johns Hopkins University Press
, 1973
.White
, Hayden
. “The Value of Narrativity in the Representation of Reality
.” Critical Inquiry
7
, no. 1
(autumn 1980
): 5
–27
.Willemen
, Paul
. “The Third Cinema Question: Notes and Reflections
.” In Pines
and Willeman
, Questions of New Cinema
, 1
–29
.Williams
, Alan
. Republic of Images: A History of French Filmmaking
. Cambridge
: Harvard University Press
, 1992
.Williams
, Katherine
. “Decolonizing the Word: Language, Culture and the Self in the Works of Ngugi wa Thiong’o and Gabriel Okara
.” Research in African Literatures
22
, no. 4
(winter 1991
): 53
–61
.Williams
, Raymond
. Culture and Society, 1780–1950
. New York
: Columbia University Press
, 1959
.Williams
, Raymond
. Keywords: A Vocabulary of Culture and Society
. New York
: Oxford University Press
, 1976
.Wollen
, Peter
. Raiding the Icebox: Reflections on Twentieth-Century Culture
. Bloomington
: Indiana University Press
, 1993
.Wong
, Sau-ling C.
“Denationalization Reconsidered: Asian American Cultural Criticism at a Theoretical Crossroads
.” Amerasia Journal
21
, nos. 1–2
(1995
): 1
–28
.Yau
, Esther
. “China after the Revolution
.” In Nowell-Smith
Geoffrey
, ed., The Oxford History of World Cinema
. New York
: Oxford University Press
, 1996
, 693
–704
.Zahar
, Renate
. Frantz Fanon: Colonialism and Alienation
. Translated by Willfried F. Feuser
. New York
: Monthly Review Press
, 1974
.Films by Hou Hsiao-hsien
Cute Girl (就是溜溜的她),1980.
Cheerful Wind (風兒踢蹋踩),1982.
Green Green Grass of Home (在那河畔青草青), 1982.
“His Son’s Big Doll” (兒子的大玩偶), episode of His Son’s Big Doll (兒子的大玩偶), 1983.
The Boys from Feng Kuei (楓櫃來的人), also known as All the Youthful Days, 1983.
Summer at Grandpa’s (冬冬的假期), 1984.
A Time to Live and a Time to Die (童年往事), 1985.
Dust in the Wind (戀戀風塵), 1987.
Daughter of the Nile (尼羅河女兒), 1987.
City of Sadness (悲情城市), 1989.
The Puppetmaster (戲夢人生),1993.
Good Men, Good Women (好男好女), 1995.
Goodbye South, Goodbye (再見南國,再見), 1996.
Flowers of Shanghai (海上花), 1998.
Millennium Mambo (千禧曼波), 2000.