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In this chapter, Omi Osun Joni L. Jones examines Pamela Booker’s Seens from the Unexpectedness of Love. She considers the ways in which Booker uses the trope of love and experiments with dramatic form to resist oppressive forms. Though Jones ultimately argues that queerness rather than race is the central theme of the play, she contends that the play “sits squarely in a Black theater tradition.”

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