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Book Chapter

Introduction: Photography on the Color Line

Doi:
https://doi.org/10.1215/9780822385783-001
  • Published:
    May 2004
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.

Bibliography

Archival Sources

Atlanta History Center, Atlanta, Georgia Long-Rucker-Aiken Family Photographs Collection

Auburn Avenue Research Center, Atlanta-Fulton Public Library, Atlanta, Georgia Matthews Collection

Library of Congress, Washington, D.C., Prints and Photographs Division Daniel Murray Collection General Collection

National Museum of American History, Smithsonian Institution, Washington, D.C. Photographic History Collection

Newark Museum Archives, Newark, New Jersey Against the Odds: African American Artists and the Harmon Foundation

Peabody Museum, Harvard University, Cambridge, Massachusetts

Robert W. Woodruff Library, Atlanta University Center, Atlanta, Georgia Atlanta University Photographs Horace Bumstead Records

Robert W. Woodruff Library, Emory University, Atlanta, Georgia Allen-Littlefield Collection

Royal Anthropological Institute, London

Schomburg Center for Research in Black Culture, New York Public Library General Research Division Photographs and Prints Division

Skip Mason’s Archives, Ellenwood, Georgia Isiah S. Blocker Collection

University of Massachusetts, Amherst W. E. B. Du Bois Papers

Washington State University Libraries, Manuscripts, Archives, and Special Collections, Pullman, Washington

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figures&tables
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Contents

Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture
a John Hope Franklin Center Book

Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture

By
Shawn Michelle Smith
Shawn Michelle Smith

Shawn Michelle Smith is Associate Professor of American Studies at Saint Louis University. She is the author of American Archives: Gender, Race, and Class in Visual Culture.

Search for other works by this author on:
This Site
Google
Duke University Press
DOI:
https://doi.org/10.1215/9780822385783
Copyright:
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
ISBN electronic:
978-0-8223-8578-3
Publication date:
2004
Chapter Contents

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References

Bibliography

Archival Sources

Atlanta History Center, Atlanta, Georgia Long-Rucker-Aiken Family Photographs Collection

Auburn Avenue Research Center, Atlanta-Fulton Public Library, Atlanta, Georgia Matthews Collection

Library of Congress, Washington, D.C., Prints and Photographs Division Daniel Murray Collection General Collection

National Museum of American History, Smithsonian Institution, Washington, D.C. Photographic History Collection

Newark Museum Archives, Newark, New Jersey Against the Odds: African American Artists and the Harmon Foundation

Peabody Museum, Harvard University, Cambridge, Massachusetts

Robert W. Woodruff Library, Atlanta University Center, Atlanta, Georgia Atlanta University Photographs Horace Bumstead Records

Robert W. Woodruff Library, Emory University, Atlanta, Georgia Allen-Littlefield Collection

Royal Anthropological Institute, London

Schomburg Center for Research in Black Culture, New York Public Library General Research Division Photographs and Prints Division

Skip Mason’s Archives, Ellenwood, Georgia Isiah S. Blocker Collection

University of Massachusetts, Amherst W. E. B. Du Bois Papers

Washington State University Libraries, Manuscripts, Archives, and Special Collections, Pullman, Washington

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