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This chapter is a critique of recent theories of world literature by Franco Moretti, David Damrosch, and Pascale Casanova. It contrasts the lack of a normative dimension in these theories and their reduction of the world to the spatial extensiveness of the global market with Erich Auerbach’s normative view of world literature and his emphasis on the world’s temporal structure. The chapter argues for the importance of a more careful reading of Goethe’s normative account of Weltliteratur, which distinguishes the world as a higher spiritual realm from the globe.

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