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Collections of Documents and Private Papers

Collections of Documents and Private Papers

Bauhaus Archive, Berlin. Collection of papers and photographs of Laszlo Moholy-Nagy.

Cincinnati Modern Art Society Papers. University of Cincinnati. Catalogued collection of papers, correspondence and press clippings.

Crane Collection. J. Paul Getty Museum. Santa Monica, California. Collection of photographs and photomontages of Laszlo Moholy-Nagy.

Hattula Moholy-Nagy Archives. Ann Arbor, Michigan. Uncatalogued collection of papers, correspondence, and press clippings of Laszlo and Sibyl Moholy-Nagy.

Illinois Institute of Technology Archives. Chicago. Uncatalogued collection of papers, correspondence, and press clippings including the New Bauhaus Scrapbook.

Institute of Design Archives. University of Illinois, Chicago. Catalogued collection of papers, correspondence, and press clippings. Files 79–86 on Laszlo Moholy-Nagy.

Works by Laszlo Moholy-Nagy (Note: Order is chronological)

Works by Laszlo Moholy-Nagy (Note: Order is chronological)

Books

Books
With
Kassak
Lajos
.
Buch Neuer Künstler
(Book of new artists).
Vienna and Budapest
:
Aktivista Foliorat
,
1922
.
With
Schlemmer
Oskar
and
Molnar
Farkas
.
Die Bühne im Bauhaus
.
Munich
:
A. Langen
,
1925
.
Trans.
Wensinger
Arthur S.
as
The Theater of the Bauhaus
.
Middletown, Conn.
:
Wesleyan University Press
,
1961
Malerei, Fotografie, Film
.
Munich
:
A. Langen
,
1925
.
Trans.
Seligmann
Janet
as
Painting, Photography, Film
.
Cambridge, Mass.
:
M.I.T. Press
,
1969
.
Moholy-Nagy, 60 fotos
. Ed.
Roh
Franz
.
Berlin
:
Klinkhardt and Biermann
,
1930
.
Von Material zu Architektur
.
Munich
:
A. Langen
,
1929
.
Trans.
Hoffman
Daphne M.
as
The New Vision: From Material to Architecture
.
New York
:
Breuer Warren and Putnam
,
1930
.
Rev. and expo ed.
The New Vision, And, Abstract of an Artist
.
New York
:
George Wittenborn
,
1947
.
Vision in Motion
.
Chicago
:
Paul Theobald
,
1947
.

Articles

Articles
With
Hausmann
Raoul
,
Puni
Ivan
, and
Arp
Hans
. “
Aufruf zur elementaren Kunst
.”
De Stijl
4
(
October
1921
):
156
.
Translated as “
Manifesto of Elemental Art
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Produktion-Reproduktion
.”
De Stijl
5
(
July
1922
):
98
101
.
Trans.
Samson
Frederic
as “
Production-Reproduction
.” In
Moholy-Nagy
, ed.
Haus
Andreas
.
New York
:
Pantheon
,
1978
.
Also translated in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Az új tartalom és az új forma problémájárol
.”
Akaszott ember
3–4
(
1922
):
3
.
Translated as “
On the Problem of New Content and New Form
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
With
Kemeny
Alfred
. “
Dynamisch-konstruktives Kraftsystem
.”
Der Sturm
13
(
December
1922
):
186
.
Translated as “
Dynamic-Constructive System of Forces
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Light–A Medium of Plastic Expression
.”
BROOM
4
(
March
1923
):
283
84
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Neue Gestaltung in der Musik: Möglichkeiten des Grammophons
.”
Der Sturm
14
, no.
7
(
July
1923
):
102
6
.
Translated as “
New Forms in Music. Potentialities of the Phonograph
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Die neue Typografie
.” In
Staatliches Bauhaus Weimar 1919–1923
.
Munich and Weimar
:
Bauhaus Verlag
,
1923
.
Trans.
Moholy-Nagy
Sibyl
as “
The New Typography
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
With
Kallai
Erno
,
Kemeny
Alfred
, and
Peri
Laszlo
. “
Nyilatkozat
.”
Egység
(
1923
).
Translated as “
Manifesto
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Das Bauhaus in Dessau
.”
Qualität
4
, nos.
5–6
(
May–June
1925
):
81
88
.
Translated as “
The Bauhaus in Dessau
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Bauhaus und Typografie
.”
Anhaltische Rundschau
(
September
14
,
1925
).
Trans.
Tabs
Wolfgang
and
Gilbert
Basil
as “
Bauhaus and Typography
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Ismus oder Kunst
.”
Vivos Vocos
5
, nos.
8–9
(
September
1926
):
272
77
.
Trans.
Moholy-Nagy
Sibyl
as “
Isms or Art
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Geradlinigkeit des Geistes—Umwege der Technik
.”
Bauhaus
1
(
1926
):
5
. Published also in i 10: Internationale Revue 1 (1927).
Trans.
Moholy-Nagy
Sibyl
as “
Directness of the Mind; Detours of Technology
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Zeitgemässe Typographie — Ziel, Praxis, Kritik
.” In
Offset-, Buch-, und Werbekunst
7
(
1926
):
375
76
.
Trans.
Tabs
Wolfgang
and
Gilbert
Basil
as “
Contemporary Typography—Aims, Practice, Criticism
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
A jövö szinháiza a teljes szinhaz
.”
Dokumentum
(
March
1927
):
6
7
.
Translated as “
Total Theatre is the Theatre of the Future
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Diskussion über Erno Kallai’s Artikel ‘Malerei und Fotografie.’
i 10: Internationale Revue
6
(
1927
):
227
36
.
Translated as “
Contribution to the Debate on the Article ‘Painting and Photography by Erno Kallai.’
” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Fotografie ist Lichtgestaltung
.”
Bauhaus
2
(
1928
):
2
8
.
Translated as “
Photography is Creation with Light
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Translated as “
Photography is Manipulation of Light
.” In
Moholy-Nagy
, ed.
Haus
Andreas
.
New York
:
Pantheon
,
1978
.
Fotogramm und Grenzgebiete
.”
i 10: Internationale Revue
21/22
(
1929
):
190
-
92
.
Translated as “
Photogram and Frontier Zones
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
The Future of the Photographic Process
.”
Transition
15
(
Feb.
1929
):
289
93
.
In Answer to Your Interview
.”
The Little Review
12
, No.
2
(
May
1929
):
54
-
56
.
Rpt. in
Moholy-Nagy
. Ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Scharf oder unscharf
.” i
10: Internationale Revue
20
(
1929
):
163
67
.
Translated as “
Sharp or Fuzzy?
” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Lichtrequisit einer elektrischen Bühne
.”
Die Form
5
, nos.
11–12
(
1930
):
297
99
.
Translated as “
Light-Space Modulator for an Electric Stage
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Fényháték-film
.”
Korunk
6
, no.
12
(
1931
):
866
67
.
Translated as “
Light Display Film
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
A film új lehetöségei
.”
Munka
5
, no.
24
(
1932
):
685
87
.
Translated as “
New Film Potentialities
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Festészet és fényképészet
.”
Korunk
7
, no.
2
(
1932
).
Translated as “
Painting and Photography
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Uj filmkisérletek
.”
Korunk
8
, no.
3
(
1933
):
231
.
Translated as “
New Film Experiments
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
An Open Letter to the Film Industry
.”
Sight and Sound
3
, no.
10
(
1934
):
56
57
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
From Pigment to Light
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
32
34
.
Letter to Kalivoda
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
30
32
.
Light Architecture
.”
Industrial Arts
1
, no.
1
(spring
1936
):
15
17
.
Rpt. in
Moholy- Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
A New Instrument of Vision
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
34
36
.
Once a Chicken, Always a Chicken
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
43
45
.
Photography in a Flash
.”
Industrial Arts (London)
1
, no.
4
(winter
1936
):
294
303
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Problems of the Modern Film
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
37
40
.
Subject without Art
.”
The Studio
12
(
November
1936
):
259
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Supplementary Remarks on the Sound and Colour Film
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
41
42
.
Modern Art and Architecture
.”
Journal of the Royal Institute of British Architects
44
, no.
4
(
January
1937
).
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Light Painting
.” In
Circle: International Survey of Constructive Art
, ed.
Martin
J. L.
,
Nicholson
Ben
, and
Gabo
Naum
.
London
:
Faber and Faber
,
1937
.
Moholy-Nagy, Picture Hunter, Looks at the Paris Exposition
.”
Architectural Record
82
(
October
1937
):
92
.
The New Bauhaus and Space Relationships
.”
American Architect and Architecture
no.
151
(
December
1937
):
23
28
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Paths to the Unleashed Color Camera
.”
Penrose Annual
39
(
1937
):
25
28
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Education and the Bauhaus
.”
Focus
2
(winter
1938
):
20
27
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
From Wine Jugs to Lighting Fixtures
.” In
Bauhaus 1919–1928
, ed.
Bayer
Herbert
,
Gropius
Walter
, and
Gropius
Ise
.
New York
:
Museum of Modern Art
,
1938
.
Why Bauhaus Education
.”
Shelter
1
(
March
1938
):
8
21
.
Light—A New Medium of Expression
.”
Architectural Forum
70
(
May
1939
):
388
92
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Painting with Light—A New Medium of Plastic Expression
.”
Penrose Annual
41
(
1939
):
25
31
.
Make a Light Modulator
.”
Minicam Photography
3
, no.
7
(
March
1940
).
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Better than Before
.”
Technology Review
46
, no.
1
(
November
1943
):
45
48
.
Space-time and the Photographer
.”
American Annual of Photography
57
, no.
52
(
1943
).
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Surrealism and the Photographer
.”
The Complete Photographer
9
, no.
52
(
1943
):
3337
42
.
Design Potentialities
.” In
New Architecture and City Planning
, ed.
Zucker
Paul
,
675
87
.
New York
:
Philosophical Library
,
1944
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Photography in the Study of Design
.”
American Annual of Photography
59
(
1944
):
158
64
.
In Defense of Abstract Art
.”
Journal of Aesthetics and Art Criticism
4
, no.
4
(
1945
):
74
76
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
On Art and the Photograph
.”
Technology Review
47
, no.
8
(
June
1945
):
491
94
.
New Education — Organic Approach
.”
Art and Industry
40
(
March
1946
):
66
77
.
Art in Industry
.”
Arts and Architecture
64
, no.
1
(
September
1947
):
30
, and (
October
1947
):
28
33
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.

Letters

Letters
Letter to Ivan Hevesy, April 5, 1920
. In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Letter to Antal Nemeth, July 18, 1924
. In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Letter to Herbert Read, January 24, 1934
. In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Letter to Beaumont Newhall, April 7, 1937
. In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.

Films

Films
Berliner Stilleben
(Berlin still life),
1926
.
Marseille Vieux Port
(The old port of Marseilles),
1929
.
Lichtspiel schwarz-weiss-grau
(Light display: black, white, gray),
1930
.
Tönendes ABC
(Sound ABC),
1932
.
Zigeuner
(Gypsies),
1932
.
Architekturkongress Athen
,
1933
.
Hattula
,
1933
.
Life of the Lobster
,
1935
.
Things to Come
,
1936
. Special effects.
The New Architecture at the London Zoo
,
1936
.
Do Not Disturb
,
1945
.

Works on Moholy-Nagy

Works on Moholy-Nagy
Books and Theses
Caton
Joseph
.
The Utopian Vision of Moholy-Nagy
.
Ann Arbor, Mich.
:
UMI Research Press
,
1985
.
Engelbrecht
Lloyd C
. “
The Association of Arts and Industries
.”
Ph.D. Diss.
,
University of Chicago
,
1973
.
Findeli
Alain
. “
Du Bauhaus à Chicago
.”
Ph.D. Diss.
,
Université de Paris
,
VIII
,
1989
.
Haus
Andreas
.
Moholy-Nagy: Fotos und Fotogramme
.
Munich
:
Schirmer-Mosel
,
1978
.
Translated as
Moholy-Nagy: Photographs and Photograms
.
New York
:
Pantheon
,
1980
.
Janosi
Ilona
. “
Laszlo Moholy-Nagy: His Early Life in Hungary (1895–1919)
.”
Master’s thesis
,
Indiana University
,
1979
.
Kostelanetz
Richard
, ed.
Moholy-Nagy
.
New York
:
Praeger
,
1970
.
Lusk
Irene-Charlotte
.
Montagen ins Blaue: Laszlo Moholy-Nagy, Fotomontagen und -collagen 1922–1943
.
Berlin
:
Anabas Verlag
,
1980
.
Mansbach
Steven
.
Visions of Totality: Laszlo Moholy-Nagy, Theo van Doesburg, and El Lissitzky
.
Ann Arbor
:
UMI Research Press
,
1978
.
Moholy
Lucia
.
Marginalien zu Moholy-Nagy/Moholy-Nagy, Marginal Notes
.
Krefeld
:
Scherpe Verlag
,
1972
.
Moholy-Nagy
Sibyl
.
Experiment in Totality
.
New York
:
Harper and Row
,
1950
.
Passuth
Krisztina
, ed.
Moholy-Nagy
.
New York
:
Thames and Hudson
,
1985
.
Senter
Terence A
. “
Moholy-Nagy in England
.”
Ph.D. Diss.
,
Nottingham University
,
1975
.
Weitemeier
Hannah
.
Licht-Visionen, Ein Experiment von Moholy-Nagy
.
Berlin
:
Bauhaus Archiv
,
1972
.
Articles and Studies
Davis
Douglas
. “
Mighty Machine
.”
Newsweek
,
November
16
,
1969
.
Fawkes
Caroline
. “
Photography and Moholy-Nagy’s Do-It-Yourself Aesthetic
.”
Studio International
190
(
July–August
1975
):
18
26
.
Galassi
Peter
. “
Laszlo Moholy-Nagy
.” In
Academic American Encyclopedia
.
Grolier Electronic Publishing
,
1993
.
Giedion
Siegfried
.
Introduction
.
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
).
Kirkpatrick
Diane
. “
Time and Space in the Work of Laszlo Moholy-Nagy
.”
The Hungarian Quarterly
15
(
1989
).
Koppe
Richard
. “
Laszlo Moholy-Nagy and His Visions
.”
Art International
13
(
December
1969
):
43
46
.
Kovacs
Steven
. “
Totality through Light. The Work of Laszlo Moholy-Nagy
.”
Form
6
(
1967
):
14
19
.
Kramer
Hilton
. “
A Utopian Vision of the Arts
.”
New York Times
,
June
8
,
1969
.
Moholy-Nagy
Sibyl
. “
Moholy-Nagy und die Idee des Konstruktivismus
.”
Die Kunst und das Schöne Heim
9
(
June
1959
):
330
33
.
Moholy-Nagy
Sibyl
. “
Constructivism from Kasimir Malevich to Laszlo Moholy-Nagy
.”
Arts and Architecture
80
(
June
1966
):
4
28
.
Morrison
C. L
. “
Chicago Dialectic
.”
Artforum
(
February
1978
):
32
39
.
Newhall
Beaumont
. “
The Photography of Moholy-Nagy
.”
Kenyon Review
3
, no.
3
(
1941
):
342
51
.
Passuth
Krisztina
. “
Debut of Laszlo Moholy-Nagy
.”
Acta Historiae Artium
19
, nos.
1–2
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Ulmer
Gregory L
. “
Op Writing: Derrida’s Solicitation of Theoria
.” In
Displacements: Derrida and After
. Ed.
Krupnick
Mark
,
29
58
.
Bloomington
:
University of Indiana Press
,
1983
.
Ulmer
Gregory L
.
Teletheory: Grammatology in the Age of Video
.
New York and London
:
Routledge
,
1989
.
Wiener
Norbert
.
God and Golem, Inc
.
Cambridge, Mass.
:
M.I.T. Press
,
1964
.
Won
Ko
.
Buddhist Elements in Dada: A Comparison of Tristan Tzara, Takahashi Shinkichi and Their Fellow Poets
.
New York
:
New York University Press
,
1977
.

Figures & Tables

Contents

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References

Collections of Documents and Private Papers

Collections of Documents and Private Papers

Bauhaus Archive, Berlin. Collection of papers and photographs of Laszlo Moholy-Nagy.

Cincinnati Modern Art Society Papers. University of Cincinnati. Catalogued collection of papers, correspondence and press clippings.

Crane Collection. J. Paul Getty Museum. Santa Monica, California. Collection of photographs and photomontages of Laszlo Moholy-Nagy.

Hattula Moholy-Nagy Archives. Ann Arbor, Michigan. Uncatalogued collection of papers, correspondence, and press clippings of Laszlo and Sibyl Moholy-Nagy.

Illinois Institute of Technology Archives. Chicago. Uncatalogued collection of papers, correspondence, and press clippings including the New Bauhaus Scrapbook.

Institute of Design Archives. University of Illinois, Chicago. Catalogued collection of papers, correspondence, and press clippings. Files 79–86 on Laszlo Moholy-Nagy.

Works by Laszlo Moholy-Nagy (Note: Order is chronological)

Works by Laszlo Moholy-Nagy (Note: Order is chronological)

Books

Books
With
Kassak
Lajos
.
Buch Neuer Künstler
(Book of new artists).
Vienna and Budapest
:
Aktivista Foliorat
,
1922
.
With
Schlemmer
Oskar
and
Molnar
Farkas
.
Die Bühne im Bauhaus
.
Munich
:
A. Langen
,
1925
.
Trans.
Wensinger
Arthur S.
as
The Theater of the Bauhaus
.
Middletown, Conn.
:
Wesleyan University Press
,
1961
Malerei, Fotografie, Film
.
Munich
:
A. Langen
,
1925
.
Trans.
Seligmann
Janet
as
Painting, Photography, Film
.
Cambridge, Mass.
:
M.I.T. Press
,
1969
.
Moholy-Nagy, 60 fotos
. Ed.
Roh
Franz
.
Berlin
:
Klinkhardt and Biermann
,
1930
.
Von Material zu Architektur
.
Munich
:
A. Langen
,
1929
.
Trans.
Hoffman
Daphne M.
as
The New Vision: From Material to Architecture
.
New York
:
Breuer Warren and Putnam
,
1930
.
Rev. and expo ed.
The New Vision, And, Abstract of an Artist
.
New York
:
George Wittenborn
,
1947
.
Vision in Motion
.
Chicago
:
Paul Theobald
,
1947
.

Articles

Articles
With
Hausmann
Raoul
,
Puni
Ivan
, and
Arp
Hans
. “
Aufruf zur elementaren Kunst
.”
De Stijl
4
(
October
1921
):
156
.
Translated as “
Manifesto of Elemental Art
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Produktion-Reproduktion
.”
De Stijl
5
(
July
1922
):
98
101
.
Trans.
Samson
Frederic
as “
Production-Reproduction
.” In
Moholy-Nagy
, ed.
Haus
Andreas
.
New York
:
Pantheon
,
1978
.
Also translated in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Az új tartalom és az új forma problémájárol
.”
Akaszott ember
3–4
(
1922
):
3
.
Translated as “
On the Problem of New Content and New Form
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
With
Kemeny
Alfred
. “
Dynamisch-konstruktives Kraftsystem
.”
Der Sturm
13
(
December
1922
):
186
.
Translated as “
Dynamic-Constructive System of Forces
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Light–A Medium of Plastic Expression
.”
BROOM
4
(
March
1923
):
283
84
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Neue Gestaltung in der Musik: Möglichkeiten des Grammophons
.”
Der Sturm
14
, no.
7
(
July
1923
):
102
6
.
Translated as “
New Forms in Music. Potentialities of the Phonograph
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Die neue Typografie
.” In
Staatliches Bauhaus Weimar 1919–1923
.
Munich and Weimar
:
Bauhaus Verlag
,
1923
.
Trans.
Moholy-Nagy
Sibyl
as “
The New Typography
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
With
Kallai
Erno
,
Kemeny
Alfred
, and
Peri
Laszlo
. “
Nyilatkozat
.”
Egység
(
1923
).
Translated as “
Manifesto
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Das Bauhaus in Dessau
.”
Qualität
4
, nos.
5–6
(
May–June
1925
):
81
88
.
Translated as “
The Bauhaus in Dessau
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Bauhaus und Typografie
.”
Anhaltische Rundschau
(
September
14
,
1925
).
Trans.
Tabs
Wolfgang
and
Gilbert
Basil
as “
Bauhaus and Typography
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Ismus oder Kunst
.”
Vivos Vocos
5
, nos.
8–9
(
September
1926
):
272
77
.
Trans.
Moholy-Nagy
Sibyl
as “
Isms or Art
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Geradlinigkeit des Geistes—Umwege der Technik
.”
Bauhaus
1
(
1926
):
5
. Published also in i 10: Internationale Revue 1 (1927).
Trans.
Moholy-Nagy
Sibyl
as “
Directness of the Mind; Detours of Technology
.” In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Zeitgemässe Typographie — Ziel, Praxis, Kritik
.” In
Offset-, Buch-, und Werbekunst
7
(
1926
):
375
76
.
Trans.
Tabs
Wolfgang
and
Gilbert
Basil
as “
Contemporary Typography—Aims, Practice, Criticism
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
A jövö szinháiza a teljes szinhaz
.”
Dokumentum
(
March
1927
):
6
7
.
Translated as “
Total Theatre is the Theatre of the Future
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Diskussion über Erno Kallai’s Artikel ‘Malerei und Fotografie.’
i 10: Internationale Revue
6
(
1927
):
227
36
.
Translated as “
Contribution to the Debate on the Article ‘Painting and Photography by Erno Kallai.’
” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Fotografie ist Lichtgestaltung
.”
Bauhaus
2
(
1928
):
2
8
.
Translated as “
Photography is Creation with Light
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Translated as “
Photography is Manipulation of Light
.” In
Moholy-Nagy
, ed.
Haus
Andreas
.
New York
:
Pantheon
,
1978
.
Fotogramm und Grenzgebiete
.”
i 10: Internationale Revue
21/22
(
1929
):
190
-
92
.
Translated as “
Photogram and Frontier Zones
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
The Future of the Photographic Process
.”
Transition
15
(
Feb.
1929
):
289
93
.
In Answer to Your Interview
.”
The Little Review
12
, No.
2
(
May
1929
):
54
-
56
.
Rpt. in
Moholy-Nagy
. Ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Scharf oder unscharf
.” i
10: Internationale Revue
20
(
1929
):
163
67
.
Translated as “
Sharp or Fuzzy?
” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Lichtrequisit einer elektrischen Bühne
.”
Die Form
5
, nos.
11–12
(
1930
):
297
99
.
Translated as “
Light-Space Modulator for an Electric Stage
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Fényháték-film
.”
Korunk
6
, no.
12
(
1931
):
866
67
.
Translated as “
Light Display Film
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
A film új lehetöségei
.”
Munka
5
, no.
24
(
1932
):
685
87
.
Translated as “
New Film Potentialities
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Festészet és fényképészet
.”
Korunk
7
, no.
2
(
1932
).
Translated as “
Painting and Photography
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Uj filmkisérletek
.”
Korunk
8
, no.
3
(
1933
):
231
.
Translated as “
New Film Experiments
.” In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
An Open Letter to the Film Industry
.”
Sight and Sound
3
, no.
10
(
1934
):
56
57
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
From Pigment to Light
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
32
34
.
Letter to Kalivoda
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
30
32
.
Light Architecture
.”
Industrial Arts
1
, no.
1
(spring
1936
):
15
17
.
Rpt. in
Moholy- Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
A New Instrument of Vision
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
34
36
.
Once a Chicken, Always a Chicken
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
43
45
.
Photography in a Flash
.”
Industrial Arts (London)
1
, no.
4
(winter
1936
):
294
303
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Problems of the Modern Film
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
37
40
.
Subject without Art
.”
The Studio
12
(
November
1936
):
259
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Supplementary Remarks on the Sound and Colour Film
.”
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
):
41
42
.
Modern Art and Architecture
.”
Journal of the Royal Institute of British Architects
44
, no.
4
(
January
1937
).
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Light Painting
.” In
Circle: International Survey of Constructive Art
, ed.
Martin
J. L.
,
Nicholson
Ben
, and
Gabo
Naum
.
London
:
Faber and Faber
,
1937
.
Moholy-Nagy, Picture Hunter, Looks at the Paris Exposition
.”
Architectural Record
82
(
October
1937
):
92
.
The New Bauhaus and Space Relationships
.”
American Architect and Architecture
no.
151
(
December
1937
):
23
28
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Paths to the Unleashed Color Camera
.”
Penrose Annual
39
(
1937
):
25
28
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Education and the Bauhaus
.”
Focus
2
(winter
1938
):
20
27
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
From Wine Jugs to Lighting Fixtures
.” In
Bauhaus 1919–1928
, ed.
Bayer
Herbert
,
Gropius
Walter
, and
Gropius
Ise
.
New York
:
Museum of Modern Art
,
1938
.
Why Bauhaus Education
.”
Shelter
1
(
March
1938
):
8
21
.
Light—A New Medium of Expression
.”
Architectural Forum
70
(
May
1939
):
388
92
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Painting with Light—A New Medium of Plastic Expression
.”
Penrose Annual
41
(
1939
):
25
31
.
Make a Light Modulator
.”
Minicam Photography
3
, no.
7
(
March
1940
).
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Better than Before
.”
Technology Review
46
, no.
1
(
November
1943
):
45
48
.
Space-time and the Photographer
.”
American Annual of Photography
57
, no.
52
(
1943
).
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Surrealism and the Photographer
.”
The Complete Photographer
9
, no.
52
(
1943
):
3337
42
.
Design Potentialities
.” In
New Architecture and City Planning
, ed.
Zucker
Paul
,
675
87
.
New York
:
Philosophical Library
,
1944
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Photography in the Study of Design
.”
American Annual of Photography
59
(
1944
):
158
64
.
In Defense of Abstract Art
.”
Journal of Aesthetics and Art Criticism
4
, no.
4
(
1945
):
74
76
.
Rpt. in
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
On Art and the Photograph
.”
Technology Review
47
, no.
8
(
June
1945
):
491
94
.
New Education — Organic Approach
.”
Art and Industry
40
(
March
1946
):
66
77
.
Art in Industry
.”
Arts and Architecture
64
, no.
1
(
September
1947
):
30
, and (
October
1947
):
28
33
.
Rpt. in
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.

Letters

Letters
Letter to Ivan Hevesy, April 5, 1920
. In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Letter to Antal Nemeth, July 18, 1924
. In
Moholy-Nagy
, ed.
Passuth
Krisztina
.
New York
:
Thames and Hudson
,
1985
.
Letter to Herbert Read, January 24, 1934
. In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.
Letter to Beaumont Newhall, April 7, 1937
. In
Moholy-Nagy
, ed.
Kostelanetz
Richard
.
New York
:
Praeger
,
1970
.

Films

Films
Berliner Stilleben
(Berlin still life),
1926
.
Marseille Vieux Port
(The old port of Marseilles),
1929
.
Lichtspiel schwarz-weiss-grau
(Light display: black, white, gray),
1930
.
Tönendes ABC
(Sound ABC),
1932
.
Zigeuner
(Gypsies),
1932
.
Architekturkongress Athen
,
1933
.
Hattula
,
1933
.
Life of the Lobster
,
1935
.
Things to Come
,
1936
. Special effects.
The New Architecture at the London Zoo
,
1936
.
Do Not Disturb
,
1945
.

Works on Moholy-Nagy

Works on Moholy-Nagy
Books and Theses
Caton
Joseph
.
The Utopian Vision of Moholy-Nagy
.
Ann Arbor, Mich.
:
UMI Research Press
,
1985
.
Engelbrecht
Lloyd C
. “
The Association of Arts and Industries
.”
Ph.D. Diss.
,
University of Chicago
,
1973
.
Findeli
Alain
. “
Du Bauhaus à Chicago
.”
Ph.D. Diss.
,
Université de Paris
,
VIII
,
1989
.
Haus
Andreas
.
Moholy-Nagy: Fotos und Fotogramme
.
Munich
:
Schirmer-Mosel
,
1978
.
Translated as
Moholy-Nagy: Photographs and Photograms
.
New York
:
Pantheon
,
1980
.
Janosi
Ilona
. “
Laszlo Moholy-Nagy: His Early Life in Hungary (1895–1919)
.”
Master’s thesis
,
Indiana University
,
1979
.
Kostelanetz
Richard
, ed.
Moholy-Nagy
.
New York
:
Praeger
,
1970
.
Lusk
Irene-Charlotte
.
Montagen ins Blaue: Laszlo Moholy-Nagy, Fotomontagen und -collagen 1922–1943
.
Berlin
:
Anabas Verlag
,
1980
.
Mansbach
Steven
.
Visions of Totality: Laszlo Moholy-Nagy, Theo van Doesburg, and El Lissitzky
.
Ann Arbor
:
UMI Research Press
,
1978
.
Moholy
Lucia
.
Marginalien zu Moholy-Nagy/Moholy-Nagy, Marginal Notes
.
Krefeld
:
Scherpe Verlag
,
1972
.
Moholy-Nagy
Sibyl
.
Experiment in Totality
.
New York
:
Harper and Row
,
1950
.
Passuth
Krisztina
, ed.
Moholy-Nagy
.
New York
:
Thames and Hudson
,
1985
.
Senter
Terence A
. “
Moholy-Nagy in England
.”
Ph.D. Diss.
,
Nottingham University
,
1975
.
Weitemeier
Hannah
.
Licht-Visionen, Ein Experiment von Moholy-Nagy
.
Berlin
:
Bauhaus Archiv
,
1972
.
Articles and Studies
Davis
Douglas
. “
Mighty Machine
.”
Newsweek
,
November
16
,
1969
.
Fawkes
Caroline
. “
Photography and Moholy-Nagy’s Do-It-Yourself Aesthetic
.”
Studio International
190
(
July–August
1975
):
18
26
.
Galassi
Peter
. “
Laszlo Moholy-Nagy
.” In
Academic American Encyclopedia
.
Grolier Electronic Publishing
,
1993
.
Giedion
Siegfried
.
Introduction
.
Telehor
1
,
1
2
(Brno,
Feb.
28
,
1936
).
Kirkpatrick
Diane
. “
Time and Space in the Work of Laszlo Moholy-Nagy
.”
The Hungarian Quarterly
15
(
1989
).
Koppe
Richard
. “
Laszlo Moholy-Nagy and His Visions
.”
Art International
13
(
December
1969
):
43
46
.
Kovacs
Steven
. “
Totality through Light. The Work of Laszlo Moholy-Nagy
.”
Form
6
(
1967
):
14
19
.
Kramer
Hilton
. “
A Utopian Vision of the Arts
.”
New York Times
,
June
8
,
1969
.
Moholy-Nagy
Sibyl
. “
Moholy-Nagy und die Idee des Konstruktivismus
.”
Die Kunst und das Schöne Heim
9
(
June
1959
):
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