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A contribution to the catalog for the exhibition Global Conceptualism: Points of Origin, 1950s–1980s, Queens Museum of Art, New York, in April 1999, curated by Jane Farver, Luis Camnitzer, and Rachel Weiss, the chapter asks, “Is there such a thing as African conceptualism?” It explores a variety of conceptual approaches in the work of Laboratoire Agit-Art, Frédéric Bruly Bouabré, Rachid Koraïchi, Willem Boshoff, Malcolm Payne, and Kendell Geers.

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