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This book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.

The conclusion revisits the two main arguments of the book, focusing on the agency of traditional religions of Africa in relation to Pentecostal/Charismatic Christianity and their creative engagement with modernity. Special attention is given to the Ga ritual ban on drumming as an instrument of order in Accra’s public space. It also highlights the book’s contributions to the exploration of sonic categories of quiet and not-noise, bottom-up techniques of noise regulation, varieties of forms of secularity vis-à-vis alternative modernities, and the interplay between the concepts of custom, religion, and culture.

Noise regulation, alternative modernities, multiple secularities

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Figures & Tables

Book cover for The Noise Silence Makes: Secularity and Ghana's Drum Wars

Religious Cultures of African and African Diaspora People

The Noise Silence Makes: Secularity and Ghana's Drum Wars

By

Duke University Press

DOI:

https://doi.org/10.1215/9781478060406

Copyright:

This book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.

ISBN electronic:

978-1-4780-9429-6

Publication date:

2025

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