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Book Chapter

Afterword 2: Africa's Contemporary Screen Media Era and Questions of Autonomy Open Access

By
Moradewun Adejunmobi
Moradewun Adejunmobi
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Doi:
https://doi.org/10.1215/9781478060413-021
  • Published:
    April 2025
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.

Africans in the contemporary era interact with screen media cultures that are dynamic, fragmented, multiply connected, decentered, and more accessible than the screen media cultures of previous eras. These attributes have implications for how audiovisual stories by Africans are accessed using different media, and for the autonomy of African screen media cultures. This afterword makes the claim that aesthetic independence in screen media productions without control over the means of distribution offers a limited form of independence for African screen media practices. As a result, the fiercest battles for audience share and preservation of a degree of autonomy in the contemporary African screen media industry are being fought in the realm of distribution.

media fragmentation, decentering, distribution, autonomy, audiovisual
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Book cover for Contemporary African Screen Worlds

Contemporary African Screen Worlds

Edited by
Lindiwe Dovey
Lindiwe Dovey

Lindiwe Dovey is Professor of Film and Screen Studies, SOAS University of London.

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Añulika Agina
Añulika Agina

Añulika Agina is Associate Professor of Media Studies at the Pan-Atlantic University, Lagos.

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Michael W. Thomas
Michael W. Thomas

Michael W. Thomas is Lecturer in Film and Screen Studies, SOAS University of London.

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Duke University Press
DOI:
https://doi.org/10.1215/9781478060413
Copyright:
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
ISBN electronic:
978-1-4780-9417-3
Publication date:
2025
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