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FESPACO @ Fifty: Forms, Formats, Platforms, and African Screen Media Open Access

By
Pier Paolo Frassinelli
Pier Paolo Frassinelli
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Doi:
https://doi.org/10.1215/9781478060413-017
  • Published:
    April 2025
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.

This chapter analyzes the fiftieth anniversary of FESPACO (the Pan-African Film and TV Festival of Ouagadougou), which took place in 2019. It uses the anniversary as an opportunity to reflect on some of the most significant recent changes in African cinemas, which have to do with the political economy of content production, distribution, and consumption; with the different spaces and platforms—screens, cinemas, film festivals, websites, and other public and private spaces—where African films are screened; and with the new forms, genres, and trends these films represent. It discusses how the corporatization and “Netflixation” of African film production and distribution are bypassing and redefining old divisions between auteur and commercial cinema, and how these changes manifested at the 2019 edition of FESPACO, which has historically represented and promoted art house cinema.

FESPACO, Netflix, Nollywood, Hakkunde, women filmmakers
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Book cover for Contemporary African Screen Worlds

Contemporary African Screen Worlds

Edited by
Lindiwe Dovey
Lindiwe Dovey

Lindiwe Dovey is Professor of Film and Screen Studies, SOAS University of London.

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Añulika Agina
Añulika Agina

Añulika Agina is Associate Professor of Media Studies at the Pan-Atlantic University, Lagos.

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Michael W. Thomas
Michael W. Thomas

Michael W. Thomas is Lecturer in Film and Screen Studies, SOAS University of London.

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Duke University Press
DOI:
https://doi.org/10.1215/9781478060413
Copyright:
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
ISBN electronic:
978-1-4780-9417-3
Publication date:
2025
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