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The postface is a final reflection on the continued relevance of Charles Uzor’s works for George Floyd in relation to the current issues around antiblackness in the world, and specifically also in Switzerland. This includes the more general aim of the author to demonstrate how in the very all-encompassingness claimed by antiblackness comes also to the fore the way in which antiblackness breaks down everywhere, because blackness bespeaks more than such claim could ever think. The author revisits the ongoing fight for Black lives in Switzerland and in, as well as with, music.

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